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Robert
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Once Upon a Time in America
Sergio Leone's 1984 Once Upon a Time in
America RAH is one
of those films which has been re-cut, re-assembled and "re-imagined"
so many times for so many uses that most people have never seen the
real film.
Cut for time and violence, there have been different versions for
different purposes in different territories; an insult to a film
which many, including this writer, consider (whatever its flaws) to
be one of the masterpieces of 20th century filmmaking.
Having now had the opportunity to view the 229 minute (uncut)
version of this film on Warner's new DVD, I have come away
enlightened, enthralled and entertained by a film which is much more
than the sum of its parts.
Mr. Leone's film ran out of competition at the 1984 Cannes Film
Festival, at which time it ran slightly cut at 227 minutes. By the
time that the film was released in the States, it had been shorn of
some 77 minutes, making it partially unintelligible and seemingly
longer in its short version than in any longer cut.
It was not well reviewed at the time.
Moving back and forth through decades, and following its characters
and their interrelationships as they grow from kids rolling an
occasional drunk to major crime and beyond, Once
Upon a Time in America RAH
is one of those films which constantly holds the cinephile in awe of
its director's filmmaking powers.
Mr. Leone did not make enough films. There was a dry period from
1971's Duck You Sucker (aka
Fistful of Dynamite) until
1984. Once Upon a Time in the West,
which we should be seeing from Paramount, was created in 1969.
I will get into neither the specifics of the story nor cinematic
highlights. Suffice to say that this is a film which must be
required viewing for anyone who loves the cinema, and make no
mistake, this film, created by a gentleman who may best be known for
his "spaghetti" westerns, is about as serious as
filmmaking gets.
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A few notes on the transfer:
The Good...
Both pictorially and sonically, a perfect transfer in the proper
aspect ratio with beautifully scaled colors and black level. This is
a high bit rate transfer, equivalent to Sony's SuperBit.
The Not So Bad...
One anomaly may disturb some, while I didn't have a real problem
with it, considering the alternative...
There was apparently a plan in place to divide the film with the
first disc ending with the Intermission and the second picking up
thereafter.
Part One is approximately 160 minutes. Had Warner encoded the discs
so that 160 minutes was on disc one as planned, it would have
necessitated a lowering of the bit rate. Even though printed
materials lead one to believe that this is the case, it is
incorrect.
Disc One ends at the two hour point, in the middle of a sequence.
There is no "painless" break point in this area of the
film. Disc Two begins with the end of that sequence, continues an
additional forty minutes to the Intermission, and then goes on to
Part Two of the film.
Although not what one might wish for in a perfect world, taking
into consideration the look and textures which have been
accomplished with the transfer and compression, I would have made
the same decision rather than to lower quality. I firmly believe
that the correct decision has been made.
The Ugly...
Not a thing.
With the single warning that this is an extremely violent film and
may not be to the taste of some, I suggest it as a blind purchase.
Once Upon a Time in America
RAH is a film with a mystical
pull and artistry all its own. While Paramount's Indiana
Jones Trilogy, due out in late fall will most likely be
the most popular in 2003, Once Upon a
Time in America will be one of the most important modern
films to be released this year.
Robert Harris
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* Designates a film worthy of purchase on DVD.
RAH Designates a film worth
of "blind" purchase on DVD.
Don't forget - you can
CLICK
HERE to discuss this article with Robert and other home
theater enthusiasts online right now at The
Home Theater Forum. And speaking of that, thanks to the
HTF's Ron Epstein for the
picture of Robert seen in the column graphic above. |
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