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Bug:
Special Edition
2006
(2007) - Lionsgate
DVD
review by Greg
Suarez of The Digital Bits
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Film
Rating: A-
Disc Ratings (Video/Audio/Extras): B-/A-/B-
Specs and Features
101 mins, R, letterboxed widescreen (1.78:1), 16x9 enhanced,
single-sided, dual-layered, Amaray keep case packaging with slip
sleeve, audio commentary with director William Friedkin, A
Discussion with William Friedkin featurette, Bug:
An Introduction featurette, 5 trailers (for The
Condemned, The Abandoned,
Deliver Us from Evil, An
American Haunting and Desperation),
film-themed menu screens with animation and sound, scene access
(24 chapters), languages: English (DD 5.1 & 2.0), subtitles:
English and Spanish, Closed Captioned
Before anyone calls for director William Friedkin to surrender
his Oscar for making a seemingly tacky horror movie called Bug,
remember the old adage that you cannot judge a book by its
cover. Yes, its title recalls cheesy B-movies of the 1950s and
it's easier for a marketer to sell the film as a run-of-the-mill
horror flick than the complex emotional puzzle that it really
is. But do you really think that the director of such films as
The French Connection and
The Exorcist would betray
his own legacy with a modern version of Them!?
Bug is not the horror
movie you think it is - in fact it's much more frightening.
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Adapted
from a stage play by Tracy Letts, Bug
is the story of Agnes (Ashley Judd), a rundown woman who lives in an
equally rundown motel room in dusty Oklahoma. Agnes struggles with a
troubled past and the dreary, lonely existence she wakes to every
day. One night she is introduced to a quiet, yet pleasant man named
Peter (Michael Shannon, who reprises his stage role in this film).
In the space of a few hours Agnes and Peter become intensely drawn
to one another, fueled by each one's starvation for human
companionship. Peter moves in with Agnes and unexpectedly becomes an
important piece of her lonely life. Peter develops
obsessive-compulsive tendencies about bugs that have supposedly
infested the room and expresses his conspiracy theory beliefs about
shady government powers controlling everyday life. Agnes, who in
happier times might be put off by such behavior, accepts Peter's
personality and comes to believe in his viewpoints. As Peter's
condition becomes more severe his own troubled past comes to light
and validates his behavior in Agnes' eyes. But the paranoia grows to
dangerous extremes and Agnes is drawn into a chaotic situation which
she cannot control nor escape.
But on the other hand, does Peter speak the truth? Are his paranoid
delusions in fact reality? Is there an ominous outside force driving
Peter and Agnes to insanity for its own sick purpose? Was their
meeting not an accident? That's the beauty and the horror of Bug.
William Friedkin continues his signature directorial style of
crafting stories that force the audience to come to its own
conclusion about good and evil. Friedkin almost scientifically
balances the visual and scripted clues that careful viewers will
mentally collect and inventory as he or she comes to terms with the
chaos unfolding on screen. Humans tend to judge the world around
them in binary terms: black and white, good and evil, sanity and
insanity, etc. This simple categorization makes us feel safe with
the knowledge that we know what's dangerous and what's not. What
makes Bug particularly
effective (much like the classic ending of The
Exorcist) is that Friedkin dangles the security blanket
of these conventions just out of reach and lets the audience squirm.
While Friedkin's direction is the soul of the film, the performances
by Ashley Judd and Michael Shannon are its heart. If either player
did not "get" the story or were ineffective physical
actors, Bug would have been
squashed (pun intended). It's easy to throw praise at Ashley Judd
for braving such an unattractive role (coupled with full-frontal
nudity); Judd was effective at portraying Agnes' loneliness and
desperation which allowed the audience to accept her otherwise
puzzling inseparability from Peter. But Michael Shannon stole the
show. Shannon has had years to fine-tune his portrayal of Peter on
stage and all of that experience blazes forth on film. When the
audience first meets Peter we witness a quiet, polite man who seems
to be harboring carefully concealed secrets. As the story unfolds
Peter evolves into a twitching, ticking mess that is a mere shadow
of his earlier self. But stripping away Shannon's physical
performance reveals sincerity so steadfast that the viewer forgets
he's watching a dramatic performance. This is top-notch acting.
Presented in 1.78:1 anamorphic video, Bug
looks respectable on DVD. The overall image is smooth and film-like.
The muted earthy color scheme is represented accurately on DVD and
during the surreal final act the dramatic color shift is
appropriately striking. Compression artifacts - the bane of my
existence - never make an appearance here. The biggest downside of
this transfer is its distracting softness which washes out all fine
detail. Lionsgate did not release a Blu-ray version of Bug
and hopefully when they get around to it sharpness will be improved.
The Dolby Digital 5.1 soundtrack does its job well. Sound was an
important part of Friedkin's design for creating suspense and the
subtle cues and directional effects translate well to the home
theater environment. Dialog is also well mixed and always
intelligible.
Lionsgate has packaged Bug
with a brief, but acceptable set of extras on DVD. Bug:
An Introduction is a 12-minute featurette in the EPK
vein. The on-set interviews and behind-the-scenes footage provide
some insight into the making of the film, but the piece is mostly
promotional. William Friedkin provides a commentary track, but
unfortunately he falls into the same trap as he did in his
commentary on The Exorcist: The Version
You've Never Seen. Instead of providing insight into
story or filmmaking, Friedkin spends the track essentially narrating
the film... bummer. By far the best feature included on the disc is
the 28-minute A Discussion with William
Friedkin featurette. This is a simple one-on-one
interview with the celebrated filmmaker about his career (past and
future) and his working process. It's a great half-hour for film
buffs, students and fans of the director.
Bug is a disturbing and
effective character study set in a claustrophobic world of
loneliness, paranoia and psychological frailty. Friedkin continues
his signature style of presenting the audience with a story in which
there is no black and white, but many shades of gray. The DVD could
have a sharper picture and the supplements could be a little more
substantial, but it's still a nice overall package. This is a highly
recommended film if you're looking for something thought provoking
and off the mainstream.
Greg Suarez
gregsuarez@thedigitalbits.com |
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