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created 12/15/97.
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page
created: 3/11/04
Beyond
Borders
2003
(2004) - Paramount
review
by Bill Hunt, editor of The Digital Bits
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Film
Rating: C-
Disc Ratings (Video/Audio/Extras):
B/B-/C+
Specs and Features
126 mins, R, letterboxed widescreen (2.35:1), 16x9 enhanced,
single-sided, dual-layered (no layer switch), keep case
packaging (with locking clips), audio commentary (with director
Martin Campbell and producer Lloyd Philips), 3 featurettes (Behind
the Lines: The Making of Beyond Borders, Part 1, Behind
the Lines: The Making of Beyond Borders, Part 2, The
Writing of Beyond Borders: A Conversation with Screenwriter
Caspian Tredwell-Owen and Angelina:
Goodwill Ambassador), preview trailers, film-themed
menus, scene access (18 chapters), languages: English (DD 5.1 &
2.0 Surround) and French (DD 2.0 Surround), subtitles: English,
Closed Captioned
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A
sheltered American socialite has only just recently married the son
of a British aristocrat, when she has an experience that will to
change her life. Sarah (Angelina Jolie) is attending a humanitarian
relief benefit in London, when a desperate doctor working in the
field suddenly crashes the party. Dr. Nick Callahan (Clive Owen)
feels that charitable London society has lost touch with the reality
of refugee suffering, so he brings a starving Ethiopian child to the
party to make his point. Of course, things goes badly, but at least
one person in the crowd has been touched. Sarah decides to liquidate
her assets and buy as much food and supplies for Nick's relief camp
as possible. She naively delivers the goods herself, and is stunned
to see first-hand just how bad the suffering really is. She quickly
learns that her four trucks worth of food are just a drop in the
bucket - they'll last only a day or two at most - and Nick doesn't
seem particularly grateful for it anyway. After spending a few days
in the camp, however, she realizes that Nick's abrasiveness is just
a defense mechanism - a way to shelter his emotions that allows him
to continue his work. They make an emotional connection that changes
them both profoundly.
Soon, however, Sarah must return to her husband and her normal
life. She has a child and gets involved in humanitarian relief work
with the U.N. in London, trying to do her part. But despite the time
and distance, she never loses her feelings for Nick. It's not long
before her own marriage becomes a sham, maintained solely for the
benefit of her young son. Of course, when Nick's best friend shows
up in London one day asking for help for their latest relief effort
in Cambodia, Sarah finds herself drawn back into Nick's dangerous
world once more... for better or worse.
Many critics have called this film crass for depicting a romance
against the backdrop of so much suffering. Certainly, that's a valid
point. Still, I can't help but think the story could work if done
correctly. The reality is that human beings are still human, even in
desperate times. In fact, when things get really raw and difficult,
they become more human than ever. It's only natural that two people
might need... and find... an emotional connection in such
circumstances. The problem here is that this film bites off more
than it can chew. It tries to be grand and epic in scope, covering
decades and at least three continents, all in just over two hours.
As a result, the characters get very short shrift. The actors do
their best to flesh them out, and both Jolie and Owen do well with
what little they have to work with. But Jolie can only convey so
much with her liquidly-glittering, soulful eyes. In fact, none of
the characters really seem like authentic, real people, including
Nick's friend (played by Noah Emmerich), Sarah's husband (Linus
Roache) and her sister (Terry Polo). As a result, both the romance
and the story fall very flat.
Still, the film looks good on DVD - not great but quite solid in
terms of picture and sound. The video is an anamorphic widescreen
transfer, with a stylized color palate that is sometimes rich
(during relief work scenes), and sometimes muted (almost anything
involving Sarah's life in London). There's light grain visible, but
little artifacting or edge-enhancement. The film's soundtrack is
largely dialogue driven, but you do get occasionally atmospheric
surround play in some of the more gritty and dangerous relief work
scenes. Both the picture and sound service the film well, but aren't
going to win awards.
The extras include a rather boring and stuffy audio commentary with
the film's director and producer, a sometimes interesting
behind-the-scenes "documentary" in two parts (split only
so that it skirts being called a documentary to avoid having to pay
the actors), an interview with the screenwriter, a short piece of
video showing Jolie in her real life role as a U.N. Goodwill
Ambassador for humanitarian aid, and preview trailers for other
Paramount films. It's skim-able once, but there's nothing here
that's really compelling enough to give full attention to. You do
get the sense, however, that Jolie's experiences with the U.N. have
changed her life in a profound way. More power to her.
In the end, if you're a fan of Angelina Jolie, you'll probably want
to give Beyond Borders a spin
at least once. She does well here with what little she has to work
with, and that might be enough reason to watch it right there (it
was for me, anyway). But I'd recommend renting it before buying,
unless you either just really have to have it, or you get it for a
bargain bin price.
Bill Hunt
billhunt@thedigitalbits.com |
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