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created 12/15/97. |
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review
added: 11/27/02
Walt
Disney Treasures: The Complete Goofy
1939-1961
(2002) - Disney (Buena Vista)
review
by Adam Jahnke of The Digital Bits
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Program
Rating: B+
Disc Ratings (Video/Audio/Extras): A/B/B-
Specs and Features
Disc One: 1939-1948
Approx. 154 mins (22 shorts at 7 mins each), NR, full-frame
(1.33:1), Amaray dual disc keep case packaging in limited edition
tin, 8-page booklet, The Olympic Champ
poster lithograph, single-sided, dual-layered (no layer switch),
video introductions by film critic/historian Leonard Maltin,
The Essential Goof featurette,
Pinto Colvig: The Man Behind the Goof
featurette, animated program-themed menu screens with sound,
languages: English (DD 2.0 mono), subtitles: English, Closed
Captioned
Disc Two: 1949-1961
Approx. 168 mins (24 shorts at approx. 7 mins each), NR, full frame
(1.33:1), single-sided, dual-layered (no layer switch), video
introductions by Leonard Maltin, A
Conversation with Goofy's Voice: Bill Farmer featurette,
poster gallery, memorabilia gallery, Goofy
Through the Years gallery, animated program-themed menu
screens with sound, languages: English (DD 2.0 mono), subtitles:
English, Closed Captioned |
By
the time I was about 8 or 9, my interest in the Disney shorts had
waned and my allegiance had switched over to Bugs, Daffy and the
rest of the Warner Bros. crew. I still loved the Disney features,
but the Looney Tunes cartoons
were simply funnier than anything Disney turned out. However, there
were two Disney characters I could always make time for: Donald Duck
and Goofy. If nothing else, Donald at least had an attitude and that
went a long way. And then there was Goofy, the good-natured
half-dog, half-man simpleton, whose How-To cartoons could be just as
hilarious as anything from the Looney
Tunes crew.
The Complete Goofy, part of
the second wave of Walt Disney Treasures
releases, compiles every single short Goofy starred in, from his
solo debut in 1939's Goofy and Wilbur
to his water-skiing misadventure in 1961's Aquamania.
The titles included on this set include:
Disc One
Goofy and Wilbur, Goofy's
Glider, Baggage Buster,
The Art of Skiing, The
Art of Self Defense, How to
Play Baseball, The Olympic
Champ, How to Swim,
How to Fish, Victory
Vehicles, How to Be a Sailor,
How to Play Golf, How
to Play Football, Tiger
Trouble, African Diary,
Californy'er Bust, Hockey
Homicide, Knight For a Day,
Double Dribble, Foul
Hunting, They're Off,
The Big Wash
Disc Two
Tennis Racquet, Goofy
Gymnastics, Motor Mania,
Hold That Pose, Lion
Down, Home Made Home,
Cold War, Tomorrow
We Diet, Get Rich Quick,
Fathers Are People, No
Smoking, Father's Lion,
Hello, Aloha, Man's
Best Friend, Two-Gun Goofy,
Teachers Are People, Two
Weeks Vacation, How to Be a
Detective, Father's Day Off,
For Whom the Bulls Toil, Father's
Week End, How to Dance,
How to Sleep, Aquamania
Watching the Goofy cartoons in chronological order, you're able to
witness one of the more unique and startling evolutions of any
animated character. Starting as a supporting character in such
classic shorts as Lonesome Ghosts,
Goofy's main personality traits were an unflagging optimism and
loyal spirit. These carry over to early cartoons like
Goofy and Wilbur and
Baggage Buster. But the
departure of original voice Pinto Colvig forced the Disney team to
rethink the character and place him in primarily silent vehicles.
Thus, the classic How-To series was born, with Goofy learning the
basics of nearly every sport under the sun. These are some of
Disney's funniest cartoons, perfectly blending Goofy's slapstick
humor with the verbal wit of the narrator (one of my favorite lines,
from How to Play Golf: "Contrary
to popular belief, golf is not a waste of time.")
Gradually, the strict how-to aspect of the cartoons was phased out
as Goofy entered the realm of team sports. In these cartoons, entire
teams of Goofys play each other in a stadium of Goofy spectators.
But the device of the narrator remained a hilarious constant. There
are only a few Goofy cartoons (The Big
Wash and Two-Gun Goofy
among them) that do not have a narrator or announcer of some kind.
By the 1950's, the character had transformed into the Goof in the
gray flannel suit, a harried everyman named George Geef, dealing
with such mundane problems as raising his son, fighting a cold,
battling traffic, and losing his enthusiasm for life in a dead-end
job. While not as consistently funny as some of the how-to cartoons,
these are often very amusing. But, like most cartoons, the magic had
dissipated by the '60's and the last few cartoons on the set are
disappointing.
As usual, Leonard Maltin serves as your guide through this set and
his enthusiasm for the character is apparent. He provides some
history on the character and pops up in front of a few individual
cartoons to put them in their proper context to disarm any
controversy. For instance, Californy'er
Bust is a Western-themed cartoon with cowboys battling a
tribe of literally red-skinned Goofy Injuns. Not very P.C. And
Teachers Are People concludes
with the now taboo image of a school exploding and the responsible
schoolboy punished by writing, "I will not bomb the school
again" 100 times on the blackboard. Disney should be highly
commended for not editing these or any other potentially touchy
subjects or images from these cartoons. The shorts are complete and
uncensored, as they should be.
Besides being presented in their original form, the cartoons look
terrific. They're bright and colorful and have been given a
virtually flawless digital transfer. The mono sound doesn't fare
quite as well, with uneven levels and some unfortunate audio noise
accompanying narration at times. For the most part, the sound is
acceptable and is never so bad that it's impossible to hear what's
being said. But it's a far cry from the most impressive mono sound
I've heard.
The most valuable extra in this package is The
Essential Goof, a recreation of a lecture given by Disney
veteran Art Babbitt to his team of animators on the character's fine
points. You never really think about it while you're watching the
shorts but character consistency must be one of the hardest aspects
of creating a series of animated cartoons. The
Essential Goof gives rare insight into just how that
consistency was accomplished. Also included are two featurettes on
the men who gave Goofy his voice, Pinto Colvig and current Goof Bill
Farmer. The Farmer interview is considerably longer than the Colvig
bio, which is understandable but unfortunate. Much of Farmer's
interview is devoted to his pre-Disney career, which isn't all that
different from the career of any other voice-over actor and
certainly nowhere near as interesting as Colvig's outside work.
Farmer does provide some insight and brings Goofy's character
up-to-date, touching on his major motion picture debut,
A Goofy Movie. But much of the
Farmer interview is just unnecessary.
Three still galleries round out the package. The poster gallery is
pretty self-explanatory, filled with theatrical posters from the
Goof's various shorts. Goofy Through the
Years is jam-packed with pencil drawings and fully
painted backgrounds. The content of both of these galleries is
terrific but a fatal flaw undermines them: an "audio commentary"
by Goofy himself. It's a cute idea but poorly executed, with a
handful of phrases repeated over and over throughout the galleries.
It's like a voice-over by a talking doll that's only been programmed
with six phrases. I don't know about you but I can only take hearing
Goofy say "Gawrsh" so many times before I'm ready to throw
in the towel. The memorabilia gallery is better, with Leonard Maltin
doing the voice-over on an assortment of comic book covers, record
albums, and little Golden books.
Besides the Goofy commentary in the galleries, there are a couple
of other disappointments here. Most problematic is the lack of a "Play
All" feature. The shorts are listed both alphabetically and
chronologically, which is nice, but you have to select another
cartoon after each one. If you're a parent who wants to plunk your
kids down in front of the set for an hour or two (or an impatient
DVD critic trying to make it through both discs), the lack of a "Play
All" feature will be frustrating. Maltin briefly mentions some
educational films featuring Goofy that were made in the 1960's and
it would have been nice to see them here as a bonus. And as long as
I'm picking nits, the art on disc one is from For
Whom the Bulls Toil, which is on disc two, while the art
on disc two is from The Art of Skiing,
found on disc one. A little consistency would be nice.
Caveats aside, The Complete Goofy
is a fine addition to the Walt Disney
Treasures line. I really hope that Warner Bros. is paying
close attention to these releases, so that they will adopt the best
features (complete and uncensored cartoons, sterling video quality,
handsome packaging) and make some small tweaks to correct the minor
problems (adding a "Play All" option, not asking Tweety
Bird to provide an audio commentary) when they get around to
releasing Looney Tunes on DVD.
Until then, Disney is leading the way in the presentation of
animated shorts on disc.
Adam Jahnke
ajahnke@thedigitalbits.com |
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