Site created 12/15/97. |
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review added: 1/18/01
The Untouchables
1987 (2001) - Paramount
review by Greg Suarez of
The Digital Bits
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Film
Rating: A-
Disc Ratings (Video/Audio/Extras):
A-/B+/D-
Specs and Features
119 mins, R, letterboxed widescreen (2.35:1), 16x9 enhanced,
single-sided, RSDL dual-layered (layer switch at 1:03:09, in chapter
15), Amaray keep case packaging, theatrical trailer, film-themed
menu screens, scene access (24 chapters), languages: English (DD 5.1
& 2.0) and French (DD 2.0), subtitles: none, Closed Captioned |
"You wanna get
Capone? Here's how you get him - he pulls a knife, you pull a gun.
He sends one of yours to the hospital, you send of one his to the
morgue. That's the Chicago way... and that's how you get Capone."
Brian De Palma's The Untouchables
is a classic gangster film through and through. From its extravagant
set design, recapturing prohibition-era Chicago, to its exciting
Tommy-gun shoot-outs, all the way to the hot jazz score by Ennio
Morricone, this is the way they used to make gangster pictures. And
the gangsters are so deliciously prototypical, that they do
everything except say, "You'll never get me, copper! See?"
with all of the nasally gusto of James Cagney. To the uninitiated,
this sounds all too cartoonish, however it absolutely works. David
Mamet's script is serious, but old school enough to tip its hat to
the mobster films of yesteryear, while De Palma's style (and stellar
performances by Robert De Niro and Sean Connery) rescues the film
from self-consciousness and camp.
Between the years of 1919 and 1933, the Volstead Act ruled the
land, and alcohol was illegal to sell and consume. Not a popular
law, many Americans decided to still take a drink now and then. But
the question was, how did they have access to these illegal
substances? Al Capone (Robert De Niro), Chicago's most reputed
gangster, headed a multi-million dollar operation that supplied the
city with illegal hooch. And as any self-respecting gangster
boasted, nothing and no one stood in the way of his business. Fed up
with the state of affairs in Chicago, the U.S. Treasury Department
sent wunderkind Eliot Ness (Kevin Costner) to dry up the corrupt
city. Full of lofty ideals and high expectations, Ness gathered a
crackerjack team of cops (labeled "The Untouchables" by
the media, for their fearless attitude toward the Mafia) to help him
wipe out the criminal element. As The Untouchables grew more and
more successful stopping Capone's shipments, the danger they faced
quickly elevated to extreme proportions. Any self-respecting
American knows full well that Capone went down in the end, but those
unfamiliar with history might be surprised to learn how he was
actually brought to justice.
While there are some great performances in The
Untouchables, Kevin Costner is a real liability to this
film. He drones through his portrayal of Eliot Ness as if he were
reading most of his lines, and his facial language and reactions are
so forced, that they seem unnatural and silly. While I will admit
that he didn't always have the best lines ("Okay, gentlemen -
let's do some good!"), there were many other opportunities for
him to show off his acting chops, but he performed as if he were on
Prozac. Not to worry - Sir Sean Connery turns in an Oscar-winning
performance (as Untouchable member Jimmy Malone) that more than
makes up for Costner's narcolepsy. Malone is a bull-headed old
street cop who's willing to bend the rules a little if it means
bringing down the bad guys. Connery gets all the best lines, and
doesn't let one opportunity pass him by to make the performance
count.
The 2.35:1 anamorphic widescreen presentation of
The Untouchables on DVD is
generally very pleasing. Fine picture detail is normally good, but
the overall image seems ever so slightly on the soft side. Colors
and skin tones are usually accurate, but suffer from a little in
some of the darker scenes. Compression artifacting is never
bothersome thanks to the use of the dual-layer disc format, and the
source print appears very clean. The Dolby Digital 5.1 soundtrack is
generally engaging, but dialog can tend toward a slightly boxy,
congested tone and the overall track sounds a bit veiled. However,
the sweeping, jazzy score is nicely mixed and the entire soundstage
is used to convey a sense of depth. Unfortunately, the only extra is
the film's theatrical trailer (Paramount wanted to do more with this
title, but other factors prevented the addition of more special
edition materials). Still, this is a fine effort by Paramount, and
it's certainly the best I've ever seen this film look and sound.
Tipping its hat to the age of more flamboyant gangster films,
The Untouchables contains a
nice blend of dramatic storytelling and extravagant style. David
Mamet's script is snappy, De Palma's style is in full evidence and
Connery steals the show. Load up the ol' Tommy gun and pop in this
disc. Just keep your mitts off of the hooch!
Greg Suarez
gregsuarez@thedigitalbits.com |
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