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created 12/15/97. |
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review
added: 10/21/02
Spider-Man
Widescreen
Special Edition - 2002 (2002) - Marvel/Columbia TriStar
review
by Todd Doogan of The Digital Bits
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Film
Rating: B-
Disc Ratings (Video/Audio/Extras): A/A/B+
Specs and Features
Disc One: The Film
121 mins, PG-13, letterboxed widescreen (1.85:1), 16x9 enhanced,
single-sided, RSDL dual-layered (layer switch 1:17:46 in chapter
21), Amaray keep case packaging, audio commentary (with director Sam
Raimi, producer Laura Ziskin, actress Kirsten Dunst and co-producer
Grant Curtis), audio commentary (with special effects designer John
Dykstra and the visual effects crew), Web-i-sodes
branching feature, Weaving the Web
subtitled factoids featuring production notes and historical facts,
theatrical trailer, TV spots, filmographies and character files,
Hero music video by Chad
Kroeger featuring Josey Scott, What We're
All About music video by Sum 41, DVD-ROM features
(including comic-to-feature comparison, record your own commentary
and countdown to The Amazing Spider-Man),
Easter egg, animated film-themed menu screens with sound, scene
access (19 chapters), languages: English and French (DD 5.1),
subtitles: English, French and Spanish, Closed Captioned
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Disc
Two: Supplemental Material
HBO First Look featurette,
Spider-Mania: E! Entertainment Special,
video profiles of Sam Raimi and Danny Elfman, screen tests (for
Tobey Maguire, J.K. Simmons and CGI Spider-Man), costume and make-up
tests, gag/outtake reel, conceptual art and production gallery,
Spider-Man: The Mythology of the 21st
Century documentary, Spider-Man
Comic Book Archives, Rogues
Gallery profiles, The Loves of
Peter Parker profiles, comic book artist pin-up gallery,
Activision game hints and tips, DVD-ROM features (including two
playable levels of Activision Spider-Man
game, three exclusive Marvel dot comics and Spider-Man
Visualizer), animated film-themed menu screens with sound
"Go web!"
I think I can admit this without hurting my own feelings... I'm a
comic book snob. I'm also a major "creator whore". I'm a
big fan of cover artists. Phil Noto, J. Scott Campbell, Art Adams,
Shane Glines -- these guys impress me because their art is so
incredibly detailed and stylized. Now, I've never been a big
Spider-Man fan, but I have to admit that this new run of
Amazing Spider-Man with Joe
Straczynski at the helm is really grooving me. I don't know how I'll
react to the series after Kevin Smith climbs aboard, because quite
frankly, I'm just not a big fan of his non-View Askew comic work. I
think Daredevil worked because
of the art, but Green Arrow
was too *shrug* and Black Cat
with Smith's take on Spider-Man is really not my cup of tea at all.
I'm not saying his comic work isn't any good, I'm just saying I'm
not a fan.
So, although the above is a hellish digression, it also shows that
I'm a fanboy with an opinion. And when I first saw
Spider-Man in theaters, I
didn't think too much of it. Fitting in with my "creator whore"
label, I love Sam Raimi and was willing to go the extra mile to love
the film, but three things irked the hell out of me.
One: they screwed around with the history, nay, mythology of the
character. Live or die, in the mythology, Gwen Stacy gets thrown
from the "Washington Bridge" (59th Street Bridge in the
film because Goblin, like Simon and Garfunkle before him, was
feeling groovy), not Mary Jane. Besides that, MJ only dates Peter
after Gwen is murdered by the Green Goblin and Peter enters his "I'm
cursed" funk. I'm sure the incredibly talented Michael Chabon
will dance with that issue in the sequel he's penning, but I take my
comic mythology very seriously and I don't like years of continuity
thrown away - even for a film. So the fact that they used that plot
up for a throw away sequence in the first film rubs me the wrong
way. But, hey, what are you going to do?
Oh, and for those who think I'm spoiling the film, MJ's heave from
the Bridge is a major point of the trailers used to promote this
film.
Two: the CGI, in most cases, is awful, awful, awful. Some may
disagree with me violently, but the character CGI in this film sucks
about 75 percent of the time.
Okay, and if I haven't pissed enough people off, the third thing I
also didn't dig was the whole "discussion through masks"
thing. Two characters having a discussion where you can't see their
mouths move got to be highly annoying. Highly. I can live with not
seeing Spider-Man talk, but two characters going at once was too
much.
So that brings me to the DVD version of the film... where I have to
say, the film really shines on disc. Movie theater enthusiasts will
want me lynched, but I think this film was made for a TV-sized
presentation. On TV, I think this film pretty much rocks. Don't get
me wrong, most of my points made above still apply, but TV gives the
film more definition and hides some of the flaws. Nothing can repair
my first problem with the film, but on DVD, the CGI (although still
awful) is actually watchable. Plus, because of the detail and
clarity of the transfer, you can actually see Willem Dafoe's mouth
move through the mask giving the conversation sequences a bit more
personality. Granted, you won't see his mouth move ALL the time, but
it's visible enough.
On the story side, what Raimi and company did was make a film that
essentially told the origin story of Spider-Man, as well as brought
in the epic story flux enough so that people weren't too bored with
the "coming of age-itis"... although I do think
Spider-Man would have been a
much better film if the focus was solely on Spidey becoming and
dealing with his status as hero rather than throwing in the Green
Goblin stuff on top of that. They could have shot two films with the
material crammed into the first and been the better for it. As it
is, I like this film, but I like the idea of a new one coming in a
couple of years more... now that they got the first one out of the
way. I don't think I'll ever be huge fan of this film, but I do like
it more now than I did when I first saw it. It's growing on me.
As for the disc, the Spider-Man
DVD is quite good. It's not the greatest DVD for a summer
blockbuster to ever come out, but it gets the job done nicely. First
up, the presentation quality is very good. Colors are bright, there
are no digital compression issues to be seen and black density is
spot on. The transfer keeps the cinematic look of the film by
showing some grain, but the smaller presentation also hides some of
the digital look of the CGI in most scenes. You'll still cringe at
some shots, but seeing this film in your home does wonders to keep
that down. The audio is also pretty top notch. The Dolby Digital 5.1
is the only option you have, but it sounds incredibly good. The
surrounds are active and the dialogue is all centered up front. It's
a very appealing presentation.
The extras are little more disappointing. Strangely, the first disc
features the real treasure trove of material. First up is a subtitle
feature called Weaving the Web,
which is nothing more than text factoids featuring production notes
and historical facts. An audio commentary with director Sam Raimi,
producer Laura Ziskin, actress Kirsten Dunst and co-producer Grant
Curtis is here, but proves to be quite uneventful. Raimi takes a "filmmaking
is magic" approach and doesn't really delve into the process.
Getting Raimi in a room with Campbell and his partner/producer Bob
Tapert obviously loosens him up - but alas, that doesn't happen
here. There is more fulfilling audio commentary in the second track
with special effects designer John Dykstra and the visual effects
crew. They discuss the ins and out of the special effects with
personality and some fun - even if the track is a bit more serious
than I would have liked. Also with the film is a thing called
Web-i-sodes, which is a
branching feature (not unlike the "white rabbit" feature
from The Matrix) where you can
see behind-the-scenes featurettes that appeared on the Screenblast
website. Also crammed on Disc One are the theatrical trailer (but
sadly not the WTC spot), some TV spots, filmographies of the cast
and crew (with hidden character files about the characters the
actors are playing), the Hero
music video by Chad Kroeger featuring Josey Scott, the
What We're All About music
video by Sum 41, and some DVD-ROM features (including
comic-to-feature comparison, record your own commentary and
countdown to The Amazing Spider-Man).
That's a lot of stuff, to be sure, but that's really the meat of the
presentation. Sad thing is, it's slightly obvious that Columbia
plans to pull a Fox and cut the second disc out eventually, because
all the "good" stuff is here on Disc One, while the
vacuous stuff, as you will see, is on Disc Two.
The second disc is broken up into two areas: the first is the
Goblin's Lair, where you will
find all of the material for the film. There's an
HBO First Look featurette, the
Spider-Mania: E! Entertainment Special,
video profiles of Sam Raimi and Danny Elfman, the legendary screen
test for Tobey Maguire along with J.K. Simmons' audition and a CGI
Spider-Man test that looks better than anything in the film, sadly
said. You'll also find costume and make-up tests, a fun gag/outtake
reel, reams of conceptual art and a production gallery. It's cool
enough, but aside from one or two really cool bits, it's pretty
throw away informatively. Nothing here tops what we find on Disc
One, and that's a shame. Slightly cooler is the
Spider's Web side of Disc Two,
where we go into the comic. A very well produced documentary
entitled Spider-Man: The Mythology of the
21st Century features interviews with just about every
major player in the Spider-Man
creative universe. No joke. The Spider-Man
Comic Book Archives is summaries and cover art of all of
Spidey's comics broken down by decade. The Rogues
Gallery profiles is just what it sounds like, filled with
nice information and new CGI art of Spidey's main villains.
The Loves of Peter Parker
profiles all of Peter's great heartbreaks, illustrating the world a
little better and giving perspective to possible future filmic
love-ins for our hero. The comic book artist pin-up gallery is great
but wasted in a format like this. This is something that would do
better on DVD player with a zoom feature, considering some of the
detail that went into most of this work. There is also game hints
and tips for the Activision game on Xbox, Gamecube and PS2. Rounding
it all off are some DVD-ROM features, which include two playable
levels of said Activision Spider-Man
game, three exclusive Marvel dot comics and the
Spider-Man Visualizer...
whatever that is.
Spider-Man on DVD won't
disappoint the people who loved the film empathically in theaters.
For those of us who were so-so on it, it's a nice chance to possibly
take a second look and maybe fall in love. For die-hard DVD fans,
this disc is only good. It could have been great, but there seems to
be a lack of enthusiasm (or too much restraint) for the subject
matter. The discs are packed with stuff, but only halfheartedly.
This DVD could have been way cooler. Just like the film. But that's
why they made sequels, right?
Todd Doogan
todddoogan@thedigitalbits.com |
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