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created 12/15/97. |
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review
added: 5/24/02
Silver
Bullet
1985
(2002) - Paramount
review
by Dan Kelly of The Digital Bits
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Film
Rating: B-
Disc Ratings (Video/Audio/Extras):
A-/B-/F
Specs and Features
94 mins, R, letterboxed widescreen (2.35:1), 16x9 enhanced,
single-sided, single-layered, Amaray keep case packaging,
film-themed menu screens, scene access (18 chapters), languages:
English and French (DD mono), subtitles: English, Closed Captioned
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"Holy
jumped-up baldheaded Jesus palomino" (actual line of dialogue
from Silver Bullet)
Stephen King's Silver Bullet
features what has got to be one of the worst looking werewolves in
the history of cinema. Far from impressive (or even scary), this
thing looks like a poorly assembled, anorexic teddy bear with
press-on nails as claws. Kinda makes you wonder exactly why
Paramount is so quick to tout Carlo Rambaldi's monster effects on
the DVD packaging. It also has the same characters you'll find in
just about any King novel - the religious zealot, the nostalgic lead
character that provides voice-over as an adult looking back on the
story, the local drunk, the quaint small town, an angry mob and
more. The film is ripe with alarmingly bad dialogue ("Jane's
walking around with all these new clothes showing off her tits,
acting like nobody ever had tits before her.") and one
god-awful dream sequence that features a half werewolf/half church
parishioner type beasty banging out a ditty on an organ. All this
has the makings of a bad, bad movie, or one hell of a good bad
movie.
Story, schmory, but I'll keep it simple here. Little Marty Coslaw
(Corey Haim) and his big sister Jane (Megan Follows) live in the
small town of Tarker's Mills in 1979 (though everything looks
suspiciously 80's). One by one, the town folk are quickly being
offed by someone or something whenever there's a full moon. Good ole
Uncle Red (Gary Busey) comes to live with the Coslaws after his
newest wife kicks him out for downing one 40-ounce too many. The
kids have a somewhat sympathetic ear in uncle Red, and they assault
him with their werewolf theories whenever they get the chance. With
a souped-up motorized wheelchair courtesy of Uncle Redneck, Marty is
hot on the trail of the unidentified flesh-nibbler. It's not long
before Marty comes eye to eye with the furry creature, and he and
Jane devise a plan to rid Tarker's Mills of the mutt once and for
all.
Sound like a real award-winner? Well, no, far from it. But somehow,
through all its inadequacies, Silver
Bullet manages to be amusing. It could very well be
entertaining simply because it's so awful, but the movie has all the
ingredients of an old-fashioned Universal Studios-type monster movie
and then some. Yeah, so the extraordinary amount of gore gets in the
way of seeing it as a product of that classic genre. This film is
just as bloody as any other out and out slasher released in the same
decade. The identity of the mystery werewolf is hardly a mystery,
and King (who adapted the script from his own novelette
Cycle of the Werewolf) doesn't
even try to throw in a red herring to try and throw you off the
trail. Whether or not you'll enjoy it depends on your idea of a good
time. If you're like me and enjoy watching people fumble through a
crap script, cheesy makeup effects and a total absence of logic,
then look no further. Silver Bullet
is the crown prince of silly 80's horror!
What does $24.99 get your from Paramount? Decent picture and sound,
but not a whole lot on the extras side of things. For starters,
Silver Bullet is released for
the first time ever on home video in its original 2.35:1 anamorphic
format. I was pleasantly surprised to see the film looking as good
as it does here. If, like most people, you've only seen the film on
home video or television broadcast, you've missed quite a bit of the
picture (or you've seen too much, depending on your opinion of the
film). The source print is in very good condition and shows signs of
only minor age-related defects. Color reproduction is accurate and
retains a crisp, if only slightly dated demeanor, and black levels
are suitably dark and flawless. Transfer associated imperfections
are nonexistent, with no compression artifacting to dirty up the
image. Now and again, you'll see some grain, but nothing out of the
ordinary.
Audio offers the film only in its original English mono and a
French-dubbed mono track. Nothing too exciting here, but dialogue is
even and the average music track occasionally distracts from the
onscreen absurdities. Like many low budget audio mixes, it has a
tendency to take on a dull sound that lacks any sort of dynamic
range. I guess hoping Paramount would at least bump the mix up to a
surround mix was expecting too much.
Paramount played a nice little joke on the consumer. There's a
little label in the Special Features box that reads "special
features not rated." Sure they're not rated. There's nothing to
rate. Not even the theatrical trailer or a few obligatory production
notes. They're fond of the creature makeup in Silver
Bullet over there at Paramount, so maybe a featurette on
the men and women that gave Sparky the Bear a werewolf makeover is
in order. Bottom line - I guess is that if you're going to offer a
featureless disc, I think the very least you can do for the buyer is
to lower the price to reflect the void of features.
The good here is that the video quality of the DVD is great. The
bad is that there isn't much else to the disc. My feeling is that
fans of the film - and you know who you are - will want to pick this
up to see how the film should look on home video. All things
considered, Silver Bullet is
an over-achiever in the picture department. If you're just brushing
up on your fun and mindlessly goofy horror films, watch
Return of the Living Dead
(making its DVD debut later this summer) and Silver
Bullet. Just don't blame me if you don't like it.
Dan Kelly
dankelly@thedigitalbits.com |
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