Site
created 12/15/97. |
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review
added: 5/3/02
Rated
X
Unrated
Edition - 2000 (2001) - Showtime Entertainment
review
by Adam Jahnke of The Digital Bits
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Film
Rating: C-
Disc Ratings (Video/Audio/Extras):
B+/B/C+
Specs and Features
115 mins, NR, full frame (1.33:1), single-sided, RSDL dual-layered
(layer switch at 1:04 in chapter 15), Amaray keep case packaging,
audio commentary (with director and star Emilio Estevez and co-star
Charlie Sheen), video interviews with Marilyn Chambers and Bernard
Walters, still gallery, filmographies, animated film-themed menu
screens with sound, scene access (24 chapters), languages: English
(DD 2.0), Closed Captioned |
Back
in the porn industry's brief heyday in the 1970's, a handful of
movies became so popular that even if you've never seen a porno
flick (yeah, right) you're familiar with the titles.
Deep Throat.
Debbie Does Dallas. And
Behind the Green Door, the
1972 fantasy from San Francisco's Jim and Artie Mitchell that
introduced Marilyn Chambers to the industry. The Mitchell Brothers
were fascinating characters, hauled into court in one of the most
liberal cities in America to battle over the First Amendment more
often than Larry Flynt, and taking on the mob with the help of the
FBI to combat piracy of their movies. And, as if the story wasn't
sordid and bizarre enough, Artie, the wild, out-of-control brother,
was shot and killed by Jim, the responsible one, on a rainy night in
the early '90's.
It's not hard to see why brothers Emilio Estevez and Charlie Sheen
were interested in making a movie about the Mitchells.
Unfortunately, Rated X isn't
much of a movie. Instead of focusing on one aspect of the Mitchells'
story and bringing it vividly to life, Rated
X tries to cram in everything from their childhood to
Artie's death in less than two hours. This approach dictates that
the story is told in a very standard biopic fashion, familiar to
anybody who's ever seen any movie biography. In fact, Estevez (who
also directed) seems to be heavily influenced by movies like Oliver
Stone's The Doors, which
results in a movie full of Dutch angles, jump cuts, freeze-frames
and a wide variety of film stocks. The approach works
intermittently, but too often it seems to be working overtime to
disguise inadequacies in the script or performances. Sheen is
actually pretty good as Artie Mitchell, but the supporting cast
leaves a lot to be desired. For instance, Tracy Hutson's performance
as Marilyn Chambers pales in comparison to Julianne Moore's
fictional porn queen Amber Waves in Boogie
Nights. But this isn't entirely her fault. Hutson and the
other actors aren't really given much to do other than show up. If
the script for Rated X had
zeroed in on one element instead of trying to present the life of
the Mitchells' in its entirety, the supporting characters could have
been fleshed out to a greater degree.
Made for Showtime, Rated X is
presented on DVD in its original 1.33:1 ratio. The transfer is
generally pretty sharp, with the different textures of the varying
film stocks (including 8mm, 16mm and 35) really jumping out at you.
The 2.0 stereo mix is okay. It's not especially dynamic, although
there are a couple of interesting surround effects such as at the
Green Door premiere, where the
sound of the film comes from the rear speakers only. While it isn't
a full-fledged special edition, some of the extras included on the
disc are more enjoyable than the movie itself. Emilio Estevez and
Charlie Sheen contribute a candid and funny commentary, with Estevez
honestly discussing the limitations of working on a limited budget
and on a tight shooting schedule, his problems with the MPAA, and
the compromises necessitated by shooting the movie in Canada. Also
included are video interviews with Bernard Walters, San Francisco's
assistant D.A. during the Mitchell case, and Marilyn Chambers
herself. These were quite interesting and I would have liked to see
more of this sort of thing on the disc. The disc is rounded out with
filmographies for Los Bros Estevez, Chambers and the Mitchells, and
a still gallery of production photos from Rated
X. These run with one of the abominable, pseudo-70's
tracks composed by Tyler Bates for the movie over them, so feel free
to avoid it altogether.
Rated X is nowhere near the
level of Boogie Nights and
that's fine. I didn't really expect it to be. But it should have
been a lot more interesting than it is. The bar for made-for-cable
programming has been raised substantially over the last couple of
years, with both HBO and Showtime crafting original series,
miniseries and movies that range from above-average to outstanding
on a regular basis. Rated X is
a disappointing throwback to the days when cable-TV-movies were just
like network-TV-movies with profanity and nudity.
Adam Jahnke
ajahnke@thedigitalbits.com |
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