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created 12/15/97. |
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review
added: 8/27/02
Kronos
Quartet: Kronos on Stage
2002
(1998) - RM Associates (Image Entertainment)
review
by Matt Rowe of The Digital Bits
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Program
Rating: A+
Disc Ratings (Video/Audio/Extras): A/A/F
Specs and Features
56 mins, NR, letterboxed widescreen (1.78:1), 16x9 enhanced,
single-sided, RSDL dual layered (layer switch at ??), Amaray keep
case packaging, program themed menu screens with sound, scene/song
access (10 chapters - see track listing below),
languages: English (DD 5.1 & 2.0), subtitles: none |
The
Kronos Quartet, a long-standing and prolific touring unit known for
their unique and highly emotive interpretations of primarily 20th
century composers, is a grouping of four incredibly talented
musicians. The quartet was started in San Francisco by leader David
Harrington more than 25 years ago, and eventually developed a
different style of their classical elucidations, enough so as to
place them into the upper echelon of superior interpretive
performers. Eventually, they became sought after by composers, who
commission them to recreate their compositions - and recreate they
do. Using unconventional methods to derive sound and incorporating
those sounds into the fabric of their pieces, they craft distinctive
works of haunting beauty.
Kronos is comprised of David Harrington (leader/violinist - first
violin), John Sherba (violinist - second violin), Joan Jeanrenaud
(cellist - who has since retired but is featured on this DVD and was
replaced by cellist Jennifer Culp) and Hank Dutt (violist).
Together, they perform with such aching splendor that one is hard
pressed to refrain from shedding tears. They have released such a
wide variance of music, ranging from the stark accompaniment to
Ginsberg's beat epic Howl, to
the evocative Ghost Opera by
Tan Dun, to Jimi Hendrix's Purple Haze.
In addition, the great Philip Glass is said to favor the designs of
Kronos Quartet, as they have worked with him on a number of
occasions including the recent soundtrack of Dracula.
Having produced a body of work spanning 20 years, most of it on the
wonderfully supportive Nonesuch label, Kronos has given unusual
voice and expressive life to many written pieces of music. They've
stretched the imagination to contriving new ways to speak with sound
- vocal clicks and clucks, amplified exhaled breaths, dipped cymbals
in water, bowstrings across crystal and sudden shouts and cries.
Their genius knows no bounds, as they continually expand the borders
of their machinations for expression.
This short (under an hour) showcase of two stunning symphonies, the
unfathomable Black Angels by
George Crumb (an innovative use of music to tell a story of the
Vietnam War experience that is given astonishing life by the
expertise of the quartet) and Ghost Opera
(by Tan Dun of Crouching Tiger, Hidden
Dragon fame).
With Black Angels, although
extremely short and frustrating by its abrupt end, you are gifted
with such (hey, I'm using up all my favorite adjectives and adverbs
here) depth that it induces a coma like concentration. The players
simulate the creaking of a bridge by the drawing of their tightly
pressed bowstrings against the violin strings and glass tubes are
run over the fret boards of the violins, much like a blues man would
use a steel slide to play his guitar and make the eerie sounds of
stretched tones that rise and fall. This gives you an idea, a mere
hint of the magnitude of their stylized work. Occasionally, the
screen is splashed with notated sheets of music to give you a look
at their creative processes. Their breathing of life into the Adamic
opus of Black Angels is
nothing short of amazing.
Longer, but equally breathtaking, is Tan Dun's Ghost
Opera. Correlated plays exude the sound of spiritual
oneness that underscores the successful marriage of this quartet.
Again, usage of unusual sound sources communicates the harmony of
the musicians. Water bowls with hands dipping and spilling, tapping
of the amplified instruments to create a hollow resonance and the
incorporation of additional musicians - it all enhances the
effectiveness of the sound-story. Wu Man, a female player of the
instrument known as a pipa, is enchanting as she adds her inimitable
styles to the mix. Her at-once vocalizations are lingering. They
extract elements of the story and bring them to the foreground by
their uttering. But it's the skill which Kronos infuses in the
composition that makes the music alive. We become transfixed and
this sound play leaves us with a sense of having risen to a fresher
height of musical awareness - one that imbues us with an
overwhelming sense of having participated in a mystery.
The video on this disc is amazing in its anamorphic display. The
colors are vibrant and rich, with no artifacting to distract the
viewer from the experience that is Kronos. The sound is as full and
rich as can be possible. The 5.1 soundstaging is exquisite and
praiseworthy, while the Dolby Digital Stereo is also very
impressive.
This DVD, by nature of the rating process, must receive an F for the
lack of extras. However, make no mistake - this is not an indictment
of the disc at all. The content is spiritual and etches deeply into
your soul, producing peace while generating awe in the wake of such
an aural masterpiece. We have all heard and used the term soundscape
before, but Kronos Quartet has truly given birth to that term, as
you'll realize once you acquire this DVD.
Clearly, on every angle, this disc is a winner for the untraditional
classical music lover. But it's even more so for the discriminating
music lover of all styles - one that embraces sound as the universal
food for uplifting the human spirit. Conventional classical music
lovers should proceed with caution, as the stylistic approach of
Kronos is usually looked upon as an effacing element to the
structured approach of that which is revered. But I think that most
of you, upon giving it a chance, will love what Kronos creates.
Matt Rowe
mattrowe@thedigitalbits.com
Track Listing:
Black Angels
(1990)
I. Departure
II. Absence
III. Return
Ghost Opera (1997)
Act I. Bach, Monks and Shakespeare Meet in Water
Act II. Earth Dance
Act III. Dialogue with "Little Cabbage"
Act IV. Metal and Stone
Act V. Song of Paper |
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