Site
created 12/15/97. |
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review
added: 8/13/02
Jackie
Brown
Collector's
Edition - 1997 (2002) - Miramax (Buena Vista)
review
by Todd Doogan of The Digital Bits
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Film
Rating: A
Disc Ratings (Video/Audio/Extras):
A+/A/A+
Specs and Features
Disc One: The Film
154 mins, R, letterboxed widescreen (1.85:1), 16x9 enhanced, custom
keep case packaging with slipcase, single-sided, RSDL dual-layered
(layer switch at 1:18:49 in chapter 14), Quentin Tarantino video
introduction, enhanced trivia subtitle track, Pulp
Fiction DVD promo, Jackie
Brown soundtrack promo, liner notes booklet, mini
exploitation poster, DVD-ROM features (including script-to-screen,
trivia game and screensavers), animated film-themed menu screens
with sound, scene access (25 chapters), languages: English (DD &
DTS 5.1) and French (DD 2.0), subtitles: English and Spanish, Closed
Captioned
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Disc
Two: The Perks
Jackie Brown: How it Went Down
documentary, A Look Back at Jackie Brown
video interview with Quentin Tarantino, Chicks
with Guns video, 6 deleted and alternate scenes with
introduction by Quentin Tarantino, Jackie
Brown on MTV footage, Siskel
and Ebert At the Movies film review, 3 theatrical
trailers, archival trailers for the films of Pam Grier and Robert
Forster, filmographies for Tarantino, Robert Forster and Pam Grier,
8 TV spots, 9 still galleries, 10 film reviews, 8 film articles, Pam
Grier radio spots, animated menu screens with sound, languages:
English (DD 2.0), subtitles: none
So far, Jackie Brown is my
favorite of Tarantino's films. I mean, Pulp
Fiction is impressive and Reservoir
Dogs knocked my socks off, but Jackie
just seems, I dunno, original to me. Funny, considering it's based
on Elmore Leonard's novel Rum Punch.
But that consideration aside, Jackie
Brown is as much Tarantino's as it is Leonard's. They're
Leonard's characters, but they live in Tarantino's world and, for
the first time, Tarantino seems confident enough to let his
characters live on their own terms, rather than float around on his
whims.
In Pulp Fiction and
Reservoir Dogs, there is a
showy puppet aspect. The characters are cool, the situations are
novel and the dialogue is crisp, but it seems posed. You can see the
strings and the character's strides are in that
Thunderbirds marionette style.
Jackie, on the other hand,
moves with confidence, not bravado. There is nothing posed about the
characters in this film. They walk, they talk and they are exactly
what you're seeing and never what you're expecting. A lot of this is
because of the script by Tarantino, a lot of this is the direction
by Tarantino, and a lot of this is the characters created by
Leonard, but most of it is the casting and the acting. Pam Grier,
Robert Forster, Sam Jackson, Robert DeNiro, Bridget Fonda, Michael
Keaton - this is a bad ass cast, and every one of these actors live
up to the film.
Here's the story in brief. Jackie Brown (Pam Grier) is a down on
her luck, middle-aged flight attendant for a low-rung Mexican
airline. She also works as a "mule" for the violently
unhinged arms dealer Ordell Robbie (Samuel L. Jackson), bringing
stacks of cash back from a Mexican money launderer. Through no fault
of her own, Jackie gets picked up by the ATF and they want Ordell.
Not knowing if Jackie talked or not, Ordell uses bail bondsman Max
Cherry (Robert Forster) to get her out of jail and drills her on
whether she rolled for the cops or not. But she comes clean and even
helps hatch a plan to get Ordell all of his money back from Mexico.
Or does she? Using a rather elaborate plan, Jackie plays sides
against each other until even the audience isn't sure whether or not
Jackie is being played herself... or if she will even get out of her
plans alive. Pepper the story with a wild array of beautifully
well-drawn characters, supported by some of the industries best
character actors, and you have a super film told by a super
filmmaker.
On DVD, Jackie shines. This
is a good-looking transfer. The color representation is dead on,
blacks are solid and there's nary a digital artifact to be found.
The anamorphic widescreen picture is clean and looks like it came
from a very well handled negative. Disney should be proud. Sound
representation is much like the new special edition of
Pulp Fiction, with DTS and
Dolby Digital 5.1 tracks for your aural pleasure. I fancy the DTS
track over the DD, but both are very dynamic and quite active.
Exploitation music never sounded this good.
Extras are pretty impressive as well. Again, like
Pulp Fiction, there is no
commentary track. But there is an informative text-based trivia
track that serves just as nicely. But be warned, some pressings of
this DVD are flawed, in that the information doesn't synch up with
the picture (the subtitle stream loses sync between Chapters 10 &
11). If your DVD is flawed, Buena Vista will replace your copy when
the new discs are available. Call the Buena Vista Customer Service
hotline at 1-800-477-2811, follow their instructions and they'll get
a new disc out to you.
Unlike Fiction,
Jackie has a nice little video
introduction about the film from Tarantino himself. It shows that
even though Fiction gave him
his career, he must have an extra soft spot in his heart for
Jackie - and he knows his fans
do as well. Also included on the first disc are the requisite
DVD-ROM features, including the script-to-screen function and a fun
trivia game where you watch the film and answer trivia questions as
they come up in the movie, earning money as you go.
Disc Two is a lot more informative. There's a super bad-ass
documentary about the making of the film. I liked it a lot. Using
interviews and production footage we learn just about everything you
need to know about the movie, the characters and the filmmakers -
and it's done in a nice fun way. Fans of this film are quick to
become fans of the film's two stars Pam Grier and Robert Forster.
Well, the archives have opened up on them with filmographies and a
very nice (and very large) selection of trailers from just about all
of their collective films. You get stacks of trailers from
exploitations' greatest films, as well as radio spots advertising
Pam Grier films. It's mouth watering.
Also included on Disc Two is a very long video interview with
Tarantino called: A Look Back at Jackie
Brown. It's informative, but Tarantino seems awfully
tired here. And, as I mentioned, it's very long and seemingly
unedited with a giddy interviewer off-camera. Fans of
Chicks with Guns can look
forward to an uninterrupted feed of the video from the film, which
is nice. There are six deleted and alternate scenes with an
introduction by writer/director Quentin Tarantino. For the most
part, these are unnecessary. The film is long enough and they
deserved to be cut, but it's nice to finally see these. TRL
fans have a promo spot and clips from the cast and crew's appearance
on MTV in the Jackie Brown on MTV
footage. Tarantino supporters Siskel and Ebert favorably review
Jackie Brown and the vaults
bottom out with three theatrical trailers, eight TV spots, nine
still and poster art galleries, ten film reviews and eight film
articles. That's a LOT of material.
Jackie Brown on DVD has a lot
of well put together material that you can take time and browse for
days. It's the definitive homage to exploitation films of the 70s,
complete with a definitive look back at an era spot lit by the
careers of Pam Grier and Robert Forster. Disney did a great job
here, I highly recommend picking this DVD up as soon as you can.
Todd Doogan
todddoogan@thedigitalbits.com |
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