Site created 12/15/97. |
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review added: 3/13/01
In the Line of
Fire
review by Greg Suarez of
The Digital Bits
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In
the Line of Fire
Special Edition - 1993
(2001) - Columbia TriStar
Film Rating: B
Disc Ratings (Video/Audio/Extras):
B/A-/A-
Specs and Features:
128 mins, R, letterboxed widescreen (2.35:1), 16x9 enhanced,
single-sided, RSDL dual-layered (layer switch at 1:26:03, in chapter
22), Amaray keep case packaging, audio commentary track (with
director Wolfgang Petersen, moderated by special edition DVD
producer J.M. Kenny), 5 deleted scenes, The
Ultimate Sacrifice: In the Line of Fire featurette,
Behind The Scenes with The Secret Service
featurette, How'd They Do That?
featurette, Catching the Counterfeiters
featurette, production notes, talent files, teaser trailer,
theatrical trailers (for Air Force One
and Das Boot), TV spots,
animated film-themed menu screens with sound effects and music,
scene access (28 chapters), languages: English (DD 5.1 & 2.0),
French, Spanish & Portuguese (DD 2.0), subtitles: English,
French, Spanish, Portuguese, Chinese, Korean, Thai, Closed Captioned
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In
the Line of Fire
Clint Eastwood Collection
- 1993 (2000) - Warner (Columbia TriStar)
Film Rating: B
Disc Ratings (Video/Audio/Extras):
B-/A-/F
Specs and Features:
128 mins, R, letterboxed widescreen (2.35:1), 16x9 enhanced,
single-sided, single-layered, Snapper case packaging, film-themed
menu screens, scene access (61 chapters), languages: English (DD 5.1
& 2.0), subtitles: Spanish and Korean, Closed Captioned
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In
the Line of Fire
1993 (1997) - Columbia TriStar
Film Rating: B
Disc Ratings (Video/Audio/Extras):
B-/A-/F
Specs and Features:
128 mins, R, letterboxed widescreen (2.35:1), 16x9 enhanced,
single-sided, single-layered, Amaray keep case packaging,
film-themed menu screens, scene access (61 chapters), languages:
English (DD 5.1 & 2.0), subtitles: Spanish and Korean, Closed
Captioned
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Agent Frank
Horrigan: "What do you see at night when the demons come?"
Mitch Leary: "I see you, Frank, standing over the grave of
another dead president."
When done intelligently, the suspense/thriller/action genre can be
quite fun to watch. It's exciting to witness heroic and villainous
characters duke it out to the bitter end, and the films usually
contain interesting twists and turns that rattle the mind. But this
genre has been done to death, and as more of these types of films
get released, they become more and more similar. Usually the hero is
flawed somehow, and he or she must overcome some personal obstacle
to save the day. And we can pretty much rest assured that the
Hollywood dogma of giving closure to the audience is gonna dictate
that the bad guy die some horrible death at the end. Unfortunately,
In the Line of Fire falls
squarely into these traps. Technically and structurally,
Fire doesn't show us anything
we haven't seen before in hundreds of other suspense/thrillers.
Still, this film was blessed with several incredibly redeeming
factors that make it more than worthwhile to watch.
United States Secret Service Agent Frank Horrigan (Clint Eastwood)
is something of a living footnote - he's the only active Secret
Service agent that's ever lost a president under his watch. Frank,
it seems, was assigned to protect Kennedy in Dallas on that fateful
November day in 1963, and when the shots rang out, Frank physically
and mentally froze up, and could only watch as Kennedy was brutally
murdered. Having lived with a sea of regret and self-deprecation for
30 years, Frank might have the opportunity to redeem himself when an
idealistic and very determined assassin, Mitch Leary (John
Malkovich), makes a play to kill the current president. Leary knows
of Frank's past, and when he learns that the legendary agent is
investigating the case, Leary starts to contact Frank. Frank and the
would-be assassin begin to chip away at each other's nerves and, as
the story unfolds, the game of cat and mouse becomes ever more
intense.
As if Frank didn't have enough on his hands trying to thwart this
very formidable bad guy, he has to deal with the fact that the
president is in the midst of a re-election campaign. Not only will
the president be more visible to the public (read: an easier
target), but he must not be made to seem a coward. Frank's intensity
to protect the president is not taken well by many of his co-workers
and the White House Chief of Staff (played by real-life Senator Fred
Thompson) who are more concerned with the president's image than
with his safety. Will Frank be able to outsmart Leary and catch him
in time to save the president, in effect putting his demons to rest?
Or will Frank be cursed to re-live November 22, 1963 every day for
the rest of his life?
Like I said before, In the Line of Fire
isn't anything new. The structure of this film is your typical
suspense/thriller, so don't go in expecting the genre to be
redefined. Another problem is that the love interest that is
developed between Horrigan and fellow Secret Service agent Lilly
Raines (Rene Russo) is very tacked-on. Their relationship is
important to the plot, but it would have been more interesting to
have the characters interact as comrades who share a close bond in
their ideals, rather than simply lovers who share a common goal and
romantic tension.
That being said, several things rescue In
the Line of Fire from mediocrity. This was the first film
made with the full cooperation of the United States Secret Service,
and the movie depicts the agency in an honest and accurate fashion.
The audience gets a good feeling for what this agency does, and what
happens behind the scenes during presidential travel. I found this
interesting because U.S.S.S. is an intentionally "invisible"
agency that you never hear much about. After viewing some of the
supplemental featurettes found on the special edition DVD, you get a
good sense of how accurately the filmmakers attempted to portray the
Service.
If a behind-the-scenes look at the Secret Service doesn't entice
you, the performances by Clint Eastwood and John Malkovich should
get you interested. Eastwood portrays a level of vulnerability that
is usually absent in the tough-guy roles he's known for. He also
injects the character with a playful sense of humor that helps
endear Frank Horrigan to the audience. And Malkovich brings his
unique brand of creepy-ness and intensity to the role of assassin
Mitch Leary, which earned him an Academy Award nomination.
There are now three DVD versions of In
the Line of Fire (well... technically two). The original
release was among Columbia's very first batch of DVD titles in the
spring of 1997 (and was the first DVD I ever purchased almost four
years ago). It contained absolutely zero features. This exact same
disc was repackaged and re-released in the Clint
Eastwood Collection box set that came out from Warner
last year. Happily though, Columbia has just released a brand new
feature-packed special edition to replace the original, and fans of
the film will definitely want to make the upgrade. Before we go any
further, I have to take issue with the cover art of the new release.
What is up with Rene Russo? By her looks on this cover, it almost
seems like she's part of some White House sex scandal that
Horrigan's running around trying to diffuse. It's a baaaaad picture!
The video quality of the new special edition and the original
standard edition are almost identical, save for slightly better
compression on the new disc. I noticed a bit less pixel break up on
the new special edition disc, due to the use of RSDL dual-layer
technology. The anamorphic widescreen picture quality sometimes
appears vivid with detailed images, and other times can seem hazy
and a bit on the noisy side. Colors have a warm push to them, and
flesh tones appear too orange a good deal of the time. In all
fairness, this was an excellent transfer for 1997. But in 2001, it's
somewhat less than reference quality.
The Dolby Digital 5.1 sound on the new edition is very good, with
Ennio Morricone's score filling the sound space and several
directional effects spicing up the rear channels. Dialog can sound a
little forward and grainy at times, but overall this is a nicely
produced track. Note that it is identical to the 5.1 track on the
original disc.
The extra features on the new special edition disc start out with a
great audio commentary track with director Wolfgang Petersen,
moderated by DVD producer J.M. Kenny. Petersen discusses a wide
range of topics throughout the course of the track, and really
leaves no stone unturned. Next are two featurettes that complement
each other very well. The first is a 22-minute piece (produced by
Kenny) called The Ultimate Sacrifice: In
the Line of Fire. The other is a 19-minute piece
(produced by Showtime) called Behind the
Scenes with the Secret Service. Both featurettes discuss
what exactly the Secret Service is and detail some of the history
behind the organization. The accuracy of the film is discussed at
some length, and there are interviews with real U.S.S.S. agents, Bob
Snow (the retired agent who consulted on the film) and the stars of
the movie. The neatest part of these featurettes is that they show
actual, never-before-seen footage of the many exercises
agents-in-training must face before they can wear dark suits and
shades, and call the President cool code names like "Traveler."
There's also a short, 5-minute featurette called
How'd They Do That?, which
breaks down a few special effects shots. And there's a 5-minute
discussion of counterfeit money, called Catching
the Counterfeiters. This piece actually turns out to be a
short laboratory lesson from the Secret Service about how to
identify counterfeit currency. In addition to these, five deleted
scenes make an appearance on the new DVD, and are a mixed bag in
terms of quality. However, two of them ("Hat Joke" and "Piano
Bar #2") are very funny, and are well worth a look. Rounding
out the supplements are theatrical trailers, TV spots, production
notes and talent files. All in all, this is a great package of
features that will emphasize how accurate the film is and, thus,
make it that much more enjoyable.
In the Line of Fire might not
be ground-breaking cinema, but the performances by Clint Eastwood
and John Malkovich, coupled with the filmmakers' attention to detail
and accuracy, make this film very enjoyable. The audio and video
qualities of the new special edition are almost identical to the
original, but the quality and quantity of its extras should make
repurchase an easy choice for fans of the film.
Greg Suarez
gregsuarez@thedigitalbits.com |
In the Line of Fire:
Special Edition
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