Site created 12/15/97. |
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review added: 3/20/01
The Ice Storm
1997 (2001) - 20th Century
Fox
review by Dan Kelly of
The Digital Bits
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Film
Rating: A
Disc Ratings (Video/Audio/Extras): A/B/C-
Specs and Features
114 mins, R, letterboxed widescreen (1.85:1), 16x9 enhanced,
single-sided, RSDL dual-layered (layer switch at 48:48, at the start
of chapter 13), Amaray keep case packaging, production featurette,
theatrical trailers, film-themed menu screens, scene access (24
chapters), languages: English (DD 5.0 & 2.0) and French (DD
2.0), subtitles: English and Spanish, Close Captioned
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"Ben, you're
boring me. I have a husband. I don't particularly feel the need for
another."
With all the buzz that started to build around
Crouching Tiger, Hidden Dragon
late last fall, it seemed like only a matter of time before Fox
would finally get around to releasing The
Ice Storm, one of director Ang Lee's earlier
masterpieces. I, for one, was very eager to see it make its way to
DVD. The Ice Storm is one of
my favorite films of the past several years. Both haunting in its
beauty and genuine in its intention to portray real family issues,
The Ice Storm is a film of
amazing power and quiet, keen intensity.
The cold, drab backdrop of late autumn in New England is the
perfect setting for the tone of The Ice
Storm. It's a few days before Thanksgiving, and Ben
(Kevin Kline) and Elena Hood (perennial Oscar nominee Joan Allen)
are preparing for the holiday and their son's (Tobey Maguire) return
from private school for the weekend. Ben and Elena's marriage is
slowly, but surely, falling apart. Ben is having an on-going affair
with Janey Carver (Sigourney Weaver), and isn't exactly hiding his
tracks very well. Their quiet disapproval of each other doesn't go
unnoticed by their kids. Their daughter Wendy (Christina Ricci)
spends most of her time with Janey's son (Elijah Wood). Together,
they talk politics and explore each other's bodies. On one
particularly creepy occasion, they do both at the same time.
What makes The Ice Storm so
profound its nearly perfect portrayal of the awkwardness, both
politically and socially, of the early 1970's and its immediate
effects on the family structure. The late 1960's and early 1970's
were a time of great change in America - a sort of loss of
innocence. Gone were the days of struggle for the rights of many and
the focus on a happy nuclear family. The focus changed to the
freedoms and expressions of the individual. It was a daring,
experimental time in American culture, and the uneasy, couples "key
party" sequence during the last half of the movie is a perfect
example of that. The great tragedy of The
Ice Storm isn't that the characters aren't willing or
unable to feel something. The tragedy here is that when they finally
do, it's as a last resort.
In addition to a strong script, The Ice
Storm benefits from a set of fine, high-caliber
performances from the cast as a whole. Sigourney Weaver's ability to
completely embody the character of ice princess Janey is, to say the
least, scary. She's a woman trapped in a lonely, desperate marriage
to an equally distant (though well-meaning) husband, and she's makes
no excuses for her discontent. Joan Allen is once again in top form
as a woman who is torn between her devotion to her family and her
unwillingness to confront her husband on his infidelities. And as
Wendy Hood, a teenaged girl experimenting with her burgeoning
sexuality, Christina Ricci started her transition from small,
cutesy-type roles to more adult-oriented, dramatic roles. The reason
the cast is able to give such credible, potent performances is the
even-handed direction of Ang Lee. The amazing thing about Lee and
his work in The Ice Storm is
the balance he creates between pulling believable performances from
his actors and his stunning ability to find warmth and beauty in the
strangest, most unthinkable of places. The exquisite imagery
throughout the final scenes of the film turns its upsetting last act
into something more acute and memorable.
Fox has prepared a very nice looking anamorphic transfer for
The Ice Storm. The film is
presented in its original 1.85:1 theatrical aspect ratio with a very
clean, film-like image. Colors are stable and accurate without
oversaturation or color bleed. Black level is also very strong and
lacks any artifacting or other forms of digital noise. Despite the
film's intentionally muted, gray look, flesh tones retain a warm,
natural appearance. The only noticeable drawback to the picture is
some minor grain, but it's so insignificant that it never becomes an
issue as a whole.
The main audio track is a Dolby Digital 5.0 mix. It's rather
low-key, with most of the action in the sound field reserved for the
front-end of the system. There's not a great deal of rear channel
separation (though there are some subtle, soft effects during the
actual ice storm), and the lack of a dedicated LFE channel makes
this track feel more like a Dolby Surround mix. The important thing
here is the dialogue, and it's consistently clear and without
distortion. For all intents and purposes, this is a good track for a
dialogue driven film.
Fox's DVD release of The Ice Storm
is not a disc that's heavy on extras, but there are some welcome
improvements to their DVD presentations. The requisite Fox DVD promo
still follows the FBI warnings, but now you can at least fast
forward through the warnings. In the past you had to sit through it.
I suppose it's not a huge deal to wait for a twenty-second warning,
but when I want to watch I movie, I want to get right into it. Along
with the theatrical trailer for The Ice
Storm, there are trailers for other dramas in Fox's
library, including Titus,
Grand Canyon and
Inventing the Abbotts. As with
a few other recent Fox DVD releases (like Revenge
of the Nerds) the trailers are now widescreen with
anamorphic enhancement. I hope this is a trend Fox continues to
pursue. Rounding out the disc, is a 6-minute featurette that feels
like it was produced for an EPK. It gives about as much background
information as you'd expect from such a short piece, but it's nice
to see some behind-the-scenes stuff, even if it is the briefest of
material. A commentary by Ang Lee would have been nice, as would a
more thorough "making of" exploration. I'm glad to finally
have The Ice Storm on DVD, but
I wanted more.
It's strange to think that, in Ang Lee's relatively new career,
he's gotten his biggest acclaim with Crouching
Tiger, Hidden Dragon, his return to foreign language
filmmaking. I hope the renewed attention to him will benefit some of
his other work. I really enjoyed Crouching
Tiger, Hidden Dragon, but I think The
Ice Storm is a better, more meaningful movie. In truth,
the two are hard to compare. But the fact that Lee is from Taiwan
makes his insight into American lifestyle of the 1970's all the more
astonishing. This is a great film, and the near pristine transfer
Fox has prepared for the DVD almost excuses the near lack of extras
almost.
Dan Kelly
dankelly@thedigitalbits.com |
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