Site created 12/15/97. |
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review added: 4/16/01
Girlfight
2000 (2001) - Screen Gems
(Columbia TriStar)
review by Dan Kelly of
The Digital Bits
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Film
Rating: B+
Disc Ratings (Video/Audio/Extras):
B+/B/B-
Specs and Features
110 mins, R, letterboxed widescreen (1.85:1), 16x9 enhanced, full
frame (1.33:1), double-sided, single-layered, Amaray keep case
packaging, audio commentary with director Karyn Kusama, "making
of" featurette, theatrical trailers (for Girlfight,
Black and White and
Charlie's Angels), film-themed
menu screens, scene access (28 chapters), languages: English (DD 5.1
and 2.0) and French (DD 2.0), subtitles: English, Spanish and
French, Closed Captioned
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To the fullest extent
of the word, Diana Guzman is a fighter. Her hot temper and
fast-flying fists often get her in trouble, both at school and at
home. The first time we see Diana (played by Michelle Rodriguez),
she's standing in front of her school locker with an icy, piercing
glare aimed directly at the camera. It's not the kind of stare you'd
want to be on the receiving end of. It's the beginning of the school
day and already she's in a fight with another girl. Her home life is
no cakewalk either. Diana's constantly at odds with her father (Paul
Calderon) about the death of her mother, and his constant pressure
on her younger brother (Ray Santiago) to stop wasting his time with
dreams of being an artist. But when Diana's father asks her to go
pick her brother up from the gym, she sees something there that
sparks her interest. The gym is full of people harnessing their
energy and anger in the boxing ring.
After some convincing from Diana, her brother decides to stop
attending the boxing lessons to let Diana go in his place. She has
no money to pay for the lessons and, even if she did, their father
wouldn't allow it. But once she gets started, Diana quickly learns
her way around the ring and is soon be ready to fight an actual
match. Her success in the ring also renews her confidence in other
aspects of her daily life. She meets Adrian (Santiago Douglas),
another boxer in her same weight class, and immediately falls for
him. Soon, however, the strength of their relationship will be put
to the test when their lives, inside and outside of the ring, clash
in ways the two of them never imagined.
Girlfight director Karyn
Kusama wisely sidesteps the temptation to make the film's fights the
centerpiece of the story. Sure, the fights are well-staged and
engaging in their own right. But the real heart of the story is
Diana and her daily struggles with school, family and boys. I like
the fact that Kusama never forgets that Diana is, after all, a
teenager and has teenage problems. She doesn't get along with her
brother, frequently argues with her father and her self-confidence
constantly waivers between extreme highs and extreme lows. Needless
to say, without a convincing actress in the lead,
Girlfight wouldn't be able to
deliver the goods. But Michelle Rodriguez is fierce and confident,
and she brings an intensity and freshness to the role that perhaps
only a newcomer can. Her performance makes it easier to swallow some
of the film's rougher edges (and a resolution that isn't as
satisfying as the build-up). Rodriguez is definitely the movie's
biggest selling point and was enough to keep me involved with
Girlfight from beginning to
end.
As expected, Columbia TriStar released Girlfight
to DVD, in its original aspect ratio of 1.85:1, with an anamorphic
treatment. Culled from fresh, clean source material, the picture
looks very good, but is not without minor problems. Color
reproduction is faithful to the theatrical look of the film and has
an intended gritty, bluish look to it. But while the black level is
adequate, it lacks the depth that provides a more vivid theatrical
image. Compression artifacting is kept to a bare minimum, and I
didn't notice any edge enhancement. There is some grain inherent to
the film stock - certainly that's how the film looked theatrically,
but just be aware that this isn't reference quality.
The Dolby Digital 5.1 track is evenhanded and presents no real
drawbacks, but it lacks the potency of films with a wider sound
field. The majority of the action in the mix is geared toward the
front portion of the sound system, and really packs a punch (pardon
the pun) when necessary. The rear channels are used mostly for the
music track and ambience. Bass response is also good, but again, it
doesn't have the strength found in other, more active sound mixes.
Both the English and French 2-channel mixes sound satisfactory, and
offer a nice alternative for those without a 5.1 setup.
Columbia sometimes delivers more with their standard edition DVD's
than other studios do with their similar releases. Lately, they've
been including commentary tracks and featurettes with most of their
releases and Girlfight
continues that trend. The audio commentary by Kusama is filled with
facts about the making of the film, and there are rarely long lapses
in her dialogue. She also shares quite a bit about the ins and outs
of being a first time filmmaker. Kusama mentions that the first cut
of the film was three hours long (!), so it's a little disappointing
that some of that footage didn't find its way to the DVD as cut
scenes. The featurette is of the same kind we've seen many times
before - it's a brief, 5-minute piece meant solely to pique your
interest in the film. It doesn't really offer anything that you
don't get in the commentary, except for a few snippets of the
actors. Top that off with a trio of trailers geared toward
independent TriStar fare (Girlfight
and Black and White) and other
ass-kickin' chick flicks (Charlie's
Angels), and you've got a nice, a little-better than
basic set of extras to sit through.
Girlfight is a winner, filled
with strong spirit and backed by surprisingly adept direction and
acting by first-timers Kusama and Rodriguez. It was an award-winning
hit at the 2000 Sundance Festival and performed respectably in
limited theatrical release. Hopefully, the buzz the film created
last year will carry over to home video success. This is a good DVD,
with a nice presentation of a worthy indie hit.
Dan Kelly
dankelly@thedigitalbits.com |
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