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created 12/15/97. |
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review
added: 8/30/02
Atlantis:
The Lost Empire
Collector's
Edition - 2001 (2002) - Disney
review
by Brad Pilcher of The Digital Bits
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Film
Rating: A-
Disc Ratings (Video/Extras): A-/B+/A+
Audio Ratings (DD/DTS): A-/A-
Specs and Features
Disc One: The Film
96 mins, PG, letterboxed widescreen (2.35:1), 16x9 enhanced,
single-sided, dual-layered (no layer switch), Amaray keep case
packaging, audio commentary (with producer Don Hahn and directors
Gary Trousdale & Kirk Wise), visual commentary with producer and
directors, DisneyPedia - Atlantis: Fact
or Fiction? educational clips, film-themed menu screens,
scene access (19 chapters), languages: English (DD & DTS 5.1)
and French (DD 2.0), subtitles: English and French, Closed Captioned
Disc Two: Supplemental Materials
Whitmore Industries Industrial Film
introduction to the menus, film-themed tri-option menu system
(featuring Explore mode,
Tour mode and
Files mode), behind-the-scenes
featurettes on: the history of the movie (The
Journey Begins, Creating
Mythology, The Shepherd's
Journal and How to Speak
Atlantean), story and editorial content (Finding
the Story, 4 deleted scenes and Original
Treatment), art direction (Designing
Atlantis, The Explorer's World
Gallery, Atlantis Design
Gallery, Mike Mignola Design
Gallery and Style Guide),
animation production (Setting the Scene,
Layouts and Backgrounds,
The Voices of Atlantis,
Creating the Characters and
Character Designs and Animation Tests),
digital production (Digital Production
Tests, Vehicles,
Vehicle Size Comparison and
Digital Characters), music and
sound & publicity |
"You
are a scholar are you not? Judging by your diminished physique and
large forehead you are suited for nothing else!"
If you grew up in the past fifty years, you grew up with Disney
films. And Disney films are, to most of us, animated musicals. Think
Snow White, or
Cinderella. More recently,
there have been classics like Beauty and
the Beast, and all of them have one thing in common -
musical productions. Oh yes, and they're animated.
As it turns out, however, Disney has a whole other tradition, which
I'd forgotten about, truth be told. This tradition is embodied in
flicks like the 1954 version of 20,000
Leagues Under the Sea (starring the much younger Kirk
Douglas). Oddly enough, this tradition of grand adventures, sans
musical productions, never got mixed in with the animated tradition
Disney is most famous for. That is, they never got mixed in until a
year ago with the release of Atlantis:
The Lost Empire.
This is the kind of epic adventure best envisioned by the
science-fiction writers of the late 19th and early 20th centuries.
Jules Verne would be proud to see this intersection of the
aforementioned considerable number of leagues under aforementioned
sea with Journey to the Center of the
Earth. Throw in the lost civilization of Atlantis for
good measure, and you're just a few hundred animators away from one
hell of a good time. The story runs something like this.
In 1914, Milo Thatch, a unfairly slighted linguist, believes an
ancient book called "The Shepherd's Journal" is hidden
somewhere in Iceland and that it contains the route to the lost city
of Atlantis, hidden somewhere beneath the Earth's crust at the
bottom of the ocean. The only problem is nobody believes him, with
the exception of one old man who was buddies with Milo's beloved
grandpa. The good news is that this old fellow, Preston B. Whitmore,
is filthy rich and has already retrieved the Shepherd's Journal. He
commissions an expert team of explorers and sends Milo on his way.
In short order, they find Atlantis, though not until after they've
destroyed one beautiful submarine. In no time at all, things go
south and Milo has to fight for Atlantis' very survival, and quite
possibly protect the world from a repeat of the cataclysm that sank
Atlantis in the first place.
The wonderful thing about this film is they created a live-action
adventure in animated form. You could easily take this out and turn
it into the next Indiana Jones
flick with merely a tweak or two. At the same time, it manages to
retain that magical quality that Disney animation has always
possessed, rendering a classic adventure tale perfectly transitioned
into the 21st century. It's not perfect, but the weaknesses are
minor. The voice acting from Michael J. Fox to the late Jim Varney
(see if you can figure out the one line he didn't voice in the film)
is spot on. The special effects are pretty seamless with the
traditional animation, though you can easily notice their
distinctive beauty. It should be noted that the special effects,
though subtle, are really stunning. Listen to the audio commentary
to get a sense of just how many of them are in here. Of course
there's also the heart of it all, the story that is memorable and
well executed. It isn't exactly innovative, but it doesn't have to
be.
Now this little gem is available on DVD, and the question remains.
Does it retain its magical quality? As it turns out, yes it does.
There's actually plenty of areas where the video could fall flat.
Animation has its own challenges, and the myriad special effects
present another layer to consider. Some animated DVDs, think
Titan A.E., have actually made
the delineation between traditional and computer animation so sharp
as to detract from the viewing experience. That is not the case
here. Everything fleshes together relatively nicely, and the colors
come out rich and well balanced. The darks are pretty abundant in
the various sceneries, and they hold up well with sufficiently deep
blacks.
The audio is also robust, with a strong dialogue presence over the
powerful action effects. Everything from flying Atlantean vessels to
an entire city being submerged come through. Explosions abound here
and they come through crisply with ample oomph. The only minor
quibble would be a request for a bit more bass in the action
sequences. It's minor, and I'm a stickler for rumbles in my
adventures, so your mileage may vary here.
But for this two-disc set the discussion should really focus on the
extras, because there are a whopping many of them. The first disc,
containing the film, actually has a couple notables. The standard
audio commentary with the two co-directors and producer is chock
full of info, as these guys keep spinning the yarn behind the making
of the film from beginning to end. Animated feature-length films are
often more involved than standard live-action flicks, and the
stories that roll out of their making are an entertaining and
usually diverse bunch. That's true here. But the truly interesting
commentary is the visual one. Yes, you can listen to the guys do
their thing, but if you switch on the visual option they'll stop at
various points in the film to show you lengthy behind-the-scene
footage. When they're done, they'll drop you back into the film
right where you left off. It doesn't terribly extend the length of
the film, so it's easy to sit down and really enjoy this option,
which I'd like to see more of - hint, hint.
A set of brief clips with educational material targeted at young
children rounds out the first disc, and then we move onto the second
disc. Voluminous would be a word for this, and luckily Disney has
tossed you some options to get through it all. When you pop in the
supplements disc, an industrial film with Preston Whitmore will
guide you through these options, of which there are three. You could
use the standard drill-down menu exploration or you could run
through a full, sequential index. Either is good for getting to what
you want, but if what you want is everything on the disc you could
(and should) choose the tour mode. In this way, you can grab a drink
and watch two hours of bonus features playing continuously. It's a
very nice way to get through all the material, more or less, and it
happens to run longer than the film itself.
What will you actually see? Tons of featurettes, for one thing,
will show you how they decided to make this film, how they created
an enormously extensive mythology for their version of Atlantis, how
to speak Atlantean, etc. etc. A nice bit on the Shepherd's Journal
will allow you to really dive into their mythology before you move
onto the story itself. Here you'll find deleted scenes (four of
'em), the original treatment, and a featurette entitled
Finding the Story, which helps
outline how they fleshed out this epic plotline in an animation
environment. That, as it turns out, is a nice segue into the various
design and art direction elements. Here you'll find galleries
aplenty along with various featurettes on the design in the film.
Add in a section on the characters, their development, the voice
acting, the vehicles in the film, the digital production tests,
featurettes on the music, and plenty of publicity material, etc.
etc.
The bottom line is that we should all be clapping for Disney this
time. Considering this was a film with children as the core
audience, and in a world where plenty of kid films that should've
gotten rich supplemental treatment got short changed (think
Harry Potter), Disney should
be commended for making this a film we adult film buffs can proudly
display on our shelves. This really is a must have for animation
fans, adventure film fans, Disney fans, and on and on. Hooray for
the mouse!
Brad Pilcher
bradpilcher@thedigitalbits.com |
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