Site created 12/15/97. |
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review added: 8/27/99
Titanic
1997 (1999) -
Lightstorm/20th Century Fox/Paramount (Paramount)
review by Bill Hunt,
editor of The Digital Bits
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Film
Ratings: B+
Disc Ratings (Video/Audio/Extras): B/A+/D
Specs and Features
194 mins, PG-13, letterboxed widescreen (2.35:1), single-sided,
RSDL dual-layered (layer switch at 1:48:06, at start of chapter 18),
THX-certified, Amaray keep case packaging, theatrical trailer,
film-themed menu screens with music, scene access (30 chapters),
languages: English (DD 5.1) and English & French (DD 2.0),
subtitles: English & Spanish, Close Captioned |
The year is 1912, and
the newly commissioned luxury liner, R.M.S. Titanic, is about to
make her maiden voyage across the Atlantic to America. On board are
the well-to-do of both American and British society at the time,
including Molly Brown, John Jacob Astor, and more than 2,000 other
passengers. One of them, is Rose DeWitt Bukater (Kate Winslet), a
young Philadelphia socialite, who is engaged to be married to a
well-to-do gentleman named Caledon Hockley (Billy Zane). But Rose
doesn't care much for Cal, and once the ship gets underway, she
almost takes her life by jumping overboard. Alas, Jack Dawson
(Leonardo DiCaprio) is there to save her, in more ways than he can
possible realize. Jack is a working-class artist, who has been
drifting around Europe, and won his ticket home in a poker game.
Before long, a passionate love burns between Jack and Rose, but
their relationship soon becomes a struggle against class lines,
Hockley's rage, and an unthinkable fate... the sinking of the most
magnificent ship of its age.
When director James Cameron sets out to make a movie, he doesn't
fool around. Titanic was a
huge gamble for 20th Century Fox, which footed the lion's share of
the production bill (Paramount came on board later with a smaller
investment, to help offset the cost, in exchange for domestic
distribution rights). After a grueling production schedule, which
required building not only a slightly-less-than-full-scale replica
of the ship itself, but an entire studio in Baja Mexico to shoot it
in, Titanic become the most
expensive movie ever made (estimates place the final price tag at
well over $200 million). But the risk paid off in a big way, as the
most expensive movie ever, became the highest grossing film of all
time (making slightly less than $2 billion worldwide), and went on
to steal the 1997 Best Picture Academy Award. How do you like them
apples? I say steal, because the film's hype machine was simply
unstoppable, even among Academy voters. Sadly, a much better film,
Warner's L.A.Confidential, was
edged out by the big ship for Best Picture. Well, what can you do...
Cameron was king of the world that year. He even said so, when he
accepted his Oscar.
The story is simple - Romeo and Juliet
get shipwrecked. The script is uneven - slow romance for the first
half, non-stop action for the second - and it's always hopelessly
melodramatic. The characters are rather two dimensional, and the
acting is only fair (although good performances are turned in by
Kate Winslet, Billy Zane, and Gloria Stuart - we won't talk about
Leo, who was... well, Leo). Still, there's no denying that Titanic
works on many levels. That gimmick where you see the computer
simulation of the ship sinking early in the film, to prepare you for
actually experiencing the sinking later? Brilliant. Somehow, this
film manages to grab on to your senses (and the heart-strings of
about 80% of the female population of the Earth, it seems), and
shake you silly for some three hours. Like much of director
Cameron's previous work, Titanic
is a sensory tour-de-force, unlike anything that had come before.
The special effects alone were ground-breaking, not to mention the
sheer audacity and scale of the production. Under Cameron's guiding
hand (and sometimes fist), the great lost luxury liner literally
came back to life in such magnificent detail, that you just couldn't
help but be impressed. Having heard all of the horror stories about
the out-of-control budget and the reckless production, before the
film was released, I remember thinking, "There's no way I'm
gonna waste my money seeing this piece of crap." Then, my wife
and I saw the trailer one day, and we both looked at each other just
blown away. Well, we did eventually spend $7 each to see the film...
and so did millions of others. Like I said, for all its problems,
Titanic just works.
So does the long-awaited DVD version of Titanic
live up to its name? Well, I suppose that depends on who you ask
over the next few weeks. You do get at least some measure of quality
with this disc. The video is presented in its original 2.35:1 aspect
ratio, although the image is regrettably NOT enhanced for anamorphic
widescreen. This is a huge disappointment for home theater buffs and
serious DVD fans, but it admittedly won't matter much to the vast
majority of people. I have no doubt that the disc will sell like
hotcakes (Paramount has reportedly shipped more than a million
copies in the U.S. alone). Now I don't want to give Paramount too
much grief for this decision, which I'm told was made some time ago.
Paramount has since become VERY supportive of anamorphic widescreen
on their DVD product. Still, if Paramount had used the
high-definition, anamorphic transfer that we all know was done (for
hi-def HBO broadcast), this disc would have looked a bunch better.
As it is, the video has a very edgy-looking quality to it. Edges are
too crisp - too sharp - and there are plenty of NTSC artifacts (that
shimmer you get on fine patterns, because our TV system, called
NTSC, doesn't have the necessary resolution to resolve them). That's
not to say this disc looks bad, because it doesn't. The color is
rich, and spot-on accurate. And the blacks are deep, with good
detail. But there does seem to be a slight problem with the contrast
- the brightest picture areas seem to be a bit too hot. All in all,
it could have looked better.
The audio, on the other hand, is absolutely outstanding. This is
one of the very best Dolby Digital 5.1 soundtracks you'll ever
experience on a movie disc. There's great dynamic range to the mix,
creating a full, wide soundfield. Trust me - you will hear every
creak and groan of the ship's hull as it goes down, and every
popping rivet. The bass is appropriately thunderous, yet the
dialogue remains clear, and James Horner's haunting score comes
through beautifully throughout. And there are plenty of nifty little
surround sound effects to thrill your friends with. This is just a
great audio experience.
And that's about all you get. Okay, I'll be fair... you do get that
theatrical trailer I mentioned, in pretty good quality, as well as
some nice looking menus. And you get a little catalog where
Paramount lets you pick one free DVD if you buy 5 of their other
discs. Notice I didn't mention the actual movie booklet? It's a
complete fluff piece - a several-page, fold-out insert, that
duplicates the scene selection menu exactly, just on paper. Why not
give us some more movie poster artwork at least, and a few
production notes? Lame.
I guess I can't really steer people away from this disc, but I just
can't jump on the bandwagon myself, because of the anamorphic issue.
I'm sure lots of you are gonna buy it anyway, just because it's Titanic.
But if you already own the laserdisc version, or if you care about
getting some value for your DVD dollar, you might want to wait for
Paramount to release their special collector's edition DVD version
of this film (with lots of extras, deleted scenes, and anamorphic
widescreen), which almost everyone involved has all but admitted is
planned. But if you just can't wait, well... buy it proudly and spin
without guilt. I mean, what the hell... it is Titanic,
right?
Bill Hunt
billhunt@thedigitalbits.com |
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