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created 12/15/97. |
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review
added: 5/11/99
Star
Trek: Insurrection
1991
(1999) - Paramount Pictures
review
by Bill Hunt, editor of The Digital Bits
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Film
Rating: C-
Disc Ratings (Video/Audio/Extras): A/A+/C
Specs and Features
103 mins, PG, letterboxed widescreen (2.35:1), 16x9 enhanced,
single-sided, Amaray keep case packaging, 2 theatrical trailers,
behind-the-scenes featurette, film-themed menu screens, scene access
(24 chapters), languages: English (DD 5.1), English & French (DD
2.0), subtitles: none, Closed Captioned |
Here's the story space cadets. Smack in the middle of the
Federation, there's this dangerous area of nebula and gas-filled
space called the Briar Patch see... and smack in the middle of the
Briar Patch is this little gem of a world. The place is an idyllic
paradise - green, lush, temperate... and oh, did I mention that if
you life there, you never grow old? Well it seems that there's some
kind of special radiation in the planet's rings that rejuvenates
living cellular tissue, making the planet a virtual fountain of
youth. And on this world, live a nice little race called the Ba'ku -
all 600 of them - who have decided to give up the technology of
their past, and live in harmony with nature.
Now then, it turns out that there's another race called the Son'a -
a dying race - that desperately wants to harness the radiation of
the planet's rings to save themselves. And they'll share the
technology with the Federation... isn't that nice? Here's the
problem - the Son'a are nasty little sons-of-you-know-whats, and
their plan to harness the healing radiation, will make the planet
inhospitable for generations. So a secret plan has been devised to
relocate the Ba'ku without their knowledge. In short, Starfleet
Admiral Dougherty, who is in charge of the project, has made a deal
with the devil, and is about to break the Federation's most sacred
principle - the Prime Directive of non-interference with the
development of less advanced civilizations.
Fortunately, our old android pal Data has been helping to study the
Ba'ku, and when he stumbles onto the Son'a plan, he gets shot and
goes nuts. Admiral Dougherty calls Captain Picard, aboard the good
ship Enterprise, for the plans to deactivate Data. But Picard and
crew are suspicious and decide to handle the matter themselves. The
Enterprise arrives to locate and repair Data, and soon makes
discoveries of their own. Can Picard and company stop the Son'a, and
get word to the Federation of what's really happening before it's
too late? Well, if you don't already know the answer to that
question, you've never seen an episode of Star
Trek.
A lot of reviewers trashed this flick, and I think unjustly. No,
this isn't loaded with full-impulse action, and no, there are no
Klingons, Romulans, or Borg (oh my!). But at least the whole
Federation isn't in great peril (which seems to happen so often in
Star Trek that I'm surprised
there's a Federation left anymore). And neither are there freaky
Klingon woman with busty breast plates, or sexy half-robot Borg
Queens. You know what I mean - the kind of Trek
hokum which is so often thrown in to give the mostly-male fans a
woody. No, this is a film about ideals. This is Star
Trek which examines its principles, and has its
characters forced to make a choice - betray Starfleet, or betray the
very beliefs they hold most sacred. And, as I mentioned, Picard
gives another great speech.
Before you get too excited however, there's still plenty to cringe
about. For Star Trek: Insurrection
swings a bit too far in the other direction. There are lots of nice
little character moments here: we see Riker and Troi finally heating
things up between the sheets (OK, we don't actually see that, but
you know what I mean), we see Georgi finally seeing a sunrise with
his real eyes, and Data's reaction to Riker having shaved his beard
is very funny. All of this is great for longtime fans, but there's
SO much of this, that anyone who isn't a Trek
fan will bore in a hurry. And do we really need to see Worf with
nasty Klingon zits, or hear Troi and Crusher talking about how their
boobs are firming up? Yikes, man.
The problem here is not with second-time director Jonathan Frakes -
he is clearly very capable, and keeps the action going as best he
can. And the problem isn't the plot, which is solid. The problem
here is the writing. There's just not much dramatic tension - the
ratio of true drama to sap is too imbalanced. I think that's the
fundamental problem with Star Trek
in general these days. Rick Berman and Michael Piller have lost the
ability to keep Star Trek
fresh. That's why Voyager and
Deep Space Nine both bite in
my opinion, and why the ratings have dropped through the basement on
both shows. They've just gone to the well of tried-and-true plots a
thousand times too often. They've spread themselves too thin
(Paramount's fault if you ask me) in the effort to maximize profits
from the cash cow that the Trek
franchise has become to the studio. I mean, I can think of a dozen
cool directions I'd like to see Star Trek
taken, but instead, the studio just keeps on adding a new set of
breasts to the cast, creating new, funny-looking aliens-of-the-week,
or conjuring new super-threats for the Federation to war against.
And in so doing, they lost my interest (and that of a majority of
the fans) years ago.
OK, that's my Trek rant -
let's talk DVD quality. Paramount has wisely seen fit to return to
anamorphic widescreen with this DVD, and the quality improvement is
significant. This DVD simply looks terrific. The color is excellent,
and these films are always vibrant, colorful celebrations of
production design. The contrast and detail are also both excellent.
My only complaint is that Paramount didn't switch back to 16x9 for
DVD sooner, so that
Star
Trek VI: The Undiscovered Country could have been so
enhanced. Oh well.
What really impresses me most about this DVD, however, is the
audio. I don't know who handles the Dolby Digital 5.1 audio work for
these Trek DVDs, but they
deserve a major pat on the back - you can almost always count on
them to be excellent. Star Trek,
as science fiction, really lends itself to an immersive surround
sound experience, with lots of directional panning, abundant use of
the rear channels, and deep bass. Insurrection
is no exception - this is a terrifically fun 5.1 audio mix. You'll
hear the screech of phaser fire all around, and starships will swoop
in behind you, past you, and every which way. Very, very cool.
To round it all out, you get a couple of limited extras, namely the
film's teaser and full theatrical trailers, and a very brief
behind-the-scenes featurette. We're talking about 5 minutes only.
I'd love for Paramount to include a gallery of production artwork on
these discs, with sketches of the ships and costumes, or a look at
the CGI work. Insurrection was
the first Trek film to eschew
the use of physical models of the Enterprise, in favor of a
completely computer-generated starship. It would have been cool to
see how it was designed and rendered. Still, this is more extras
than we've gotten on most other Paramount DVDs thus far, so beggars
can't be choosers.
I like what they tried to do with Star
Trek: Insurrection, I really do. They just fell short of
the mark. There's not nearly enough dramatic tension to support the
story. Still, there are lots of funny character moments, and if
you've been a fan of the series for long, you really appreciate some
of them, even if others drive you nuts. What action there is, is
generally solid, and there are some good performances. And I can't
complain about the DVD quality at all - it's excellent. If you're
not a fan, you might have a tough time with this film. But if you
think you'll enjoy it even a little bit, and don't expect too much,
this is a perfectly nice way to spend a couple of hours on a lazy
Saturday afternoon.
Bill Hunt
billhunt@thedigitalbits.com |
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