Site created 12/15/97. |
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review added: 10/10/00
Pitch Black
review by Bill Hunt,
editor of The Digital Bits
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Pitch
Black
2000 (2000) - USA Films (Universal)
Film Rating: B+
Disc Ratings (Video/Extras): A-/C-
Audio Ratings (DD/DTS): A/A+
Specs and Features
109 mins, R, letterboxed widescreen (2.35:1), 16x9 enhanced,
single-sided, RSDL dual-layered (layer switch at 59:00, at the start
of chapter 10), Amaray keep case packaging, director/actor
commentary (with director David Twohy and stars Vin Diesel and Cole
Hauser), effects commentary (with Twohy, producer Tom Engelman and
VFX supervisor Peter Chiang), "behind the scenes"
featurette, 2 trailers, production notes, Raveworld.net Pitch
Black "event" video, cast & crew bios,
film-themed menu screens with music, scene access (18 chapters),
languages: English (DD 5.1 EX & DTS 5.1) and French (DD 2.0),
subtitles: English
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Pitch
Black
Unrated Director's Cut
- 2000 (2000) - USA Films (Universal)
Film Rating: B+
Disc Ratings (Video/Extras): A-/C-
Audio Ratings (DD/DTS): A/A+
112 mins, NR, letterboxed widescreen (2.35:1), 16x9 enhanced,
single-sided, RSDL dual-layered (layer switch at 1:02:38 in chapter
10), Amaray keep case packaging, director/actor commentary (with
director David Twohy and stars Vin Diesel and Cole Hauser), effects
commentary (with Twohy, producer Tom Engelman and VFX supervisor
Peter Chiang), "behind the scenes" featurette, 2 trailers,
production notes, Raveworld.net Pitch
Black "event" video, cast & crew bios,
film-themed menu screens with music, scene access (18 chapters),
languages: English (DD 5.1 EX & DTS 5.1), subtitles: English and
French |
You know, there's
nothing I like more than a savvy little Sci-fi thriller. A Sci-fi
flick that's smart, with some great effects (low-budget or not) that
doesn't pretend to be anything more than what it is. That's Pitch
Black in a nutshell. The plot is simple as all get out. A
freighter is travelling through space with its crew and passengers
in hypersleep, when it accidentally passes through a comet's tail
and suffers a series of hull breaches, which kill its Captain. The
ship is knocked off course, into the atmosphere of an alien planet,
and it's docking pilot, Fry (played by Radha Mitchell), manages to
crash-land the ship in such a way that 9 of the 40+ people on board
survive (in one of the coolest special effects sequences I've EVER
seen on film). So there they are, stuck on an alien planet with
limited supplies and little hope of rescue - pretty bad right? Well
it gets worse. One of the passengers who survived is a psycho-killer
escaped convict (played by Vin Diesel) who was being transferred
back to prison... and now he's loose somewhere. But that's not even
the worst of it. The planet is routinely bathed in the light of the
system's three stars, but it seems that once ever 28 years or so, an
eclipse plunges it into complete darkness. And that's when the shit
hits the fan... because the planet's only major life forms are nasty
little creatures with razor-sharp claws and teeth that only come out
to play in the dark - think fast-flying piranhas and land sharks
quick as cheetahs. How's that for a cool premise?
Pitch Black was co-written and
directed by none other than David Twohy, who previously wrote and
directed another nifty little Sci-fi flick, The
Arrival. Twohy also helped to pen the screenplays for
G.I. Jane, Waterworld
and The Fugitive. One of the
reasons that this film is so effective, is that Twohy keeps it nice
and simple, and he knows that what you don't see is infinitely more
scary than what you do. You're only really asked to buy into one
plot contrivance - the fact that the ship just happens to crash on
the day before the 28-year eclipse. Otherwise, it's a pretty
straightforward "survival of the fittest" yarn. I was also
surprised at the depth of each character - these aren't the most
well-rounded characters you'll ever see, but for this type of flick,
there's more to each character than meets the eye. The special
effects are excellent - particularly the creature effects. These
aliens are some strange little mothers, straight out of Barlowe's
Guide to Extraterrestrials. The acting also isn't half
bad. Mitchell plays her character very well, and though I've never
been a huge fan of Vin Diesel, I really liked him here. And the pair
are backed by a good supporting cast, which includes Claudia Black
(of TV's Farscape), Cole
Hauser and Keith David.
On DVD... well, let's talk good first. There are two versions of
Pitch Black on DVD - an
unrated director's cut and the theatrical version (we'll get to the
differences in a minute). On both, the anamorphic widescreen video
is very nicely rendered, with excellent contrast and black level
detail (a good thing, because more than half of the film takes place
in the dark). There's some very light film grain visible, but only
minor artifacting and edge enhancement. My biggest complaint would
be that the film looks a little soft at times. But the color is
really excellent, which is important, as much of this film was
developed using a "skip bleach" process to simulate the
high-contrast, blue-red light of alien suns. The audio is even
better. This disc includes a very good Dolby Digital 5.1 soundtrack,
which is full of atmospheric and directional audio effects and
tricky panning - again important because, given the darkness, much
of your impression of what's going on around you (particularly with
the alien creatures) is based on subtle sound cues. The low
frequency in the mix is excellent, dialogue remains clear at all
times and composer Graeme Revell's nifty score is well represented.
Both versions of this disc also include a terrific DTS 5.1
soundtrack, which really opens up and intensifies the experience.
The ambiences, creature sound effects and panning are more natural
and subtle, without losing their punch. And the crash sequence that
starts the film? It'll rock your sound system but good. This is one
of the best DTS soundtracks I've heard in a while, ranking right up
there with another new Universal title, U-571.
Both discs also feature the same extras, which are largely
lame-ass. This is a film that absolutely deserved collector's
edition treatment from Universal, but what you get leaves you
wanting. There are two commentary tracks, one with director Twohy
and stars Cole Hauser and Vin Diesel and the other with Twohy,
producer Tom Engelman and VFX supervisor Peter Chiang. The effects
commentary is interesting at times, but is pretty tech-talky. The
actor commentary is also interesting, but it's VERY low key, owing
to the laid-back personal demeanors of Diesel and Hauser. I had a
hard time sticking with both tracks. I'm glad I did, because these
are ultimately good commentaries - it's just you don't want to
listen to them if you're in need of a nap, because you'll be asleep
by chapter 2. The disc also includes a pair of good trailers for the
film. But that's the end of the good on these discs. The 5-minute,
EPK-style featurette sucks and the Raveworld.net piece turns out to
be nothing more than a crappy 20-minute music video made using
poor-quality video footage of a trio Pitch
Black-themed rave parties. Why Universal thinks fans of
this film would care about it is beyond me. Where's the special
effects featurette on the crash sequence? Where's the creature
effects featurette? Where's the gallery of production artwork? I
mean, there had to have been a million things that Universal could
have included on this disc. This is a MAJOR missed opportunity in my
book. And that Raveworld.net thing is definitely on my list of worst
all-time DVD extras. Yikes!
Now... as I said, there are two different versions of this film.
Here's the difference: the unrated director's cut includes about 3
minutes of additional footage - two new (but brief and non-violent)
scenes and MAYBE a few additional seconds of carnage. The difference
are slight. The unrated director's cut also omits the French Dolby
Digital 2.0 surround track that the theatrical version has (but it
has French subtitles which the theatrical version doesn't have - go
figure). Near as I can tell, those are the only differences. I
definitely recommend the director's cut.
I really enjoyed Pitch Black
in the theaters and it really looks and sounds great on DVD. Sadly,
with the exception of the commentaries, these extras are about as
interesting as watching paint dry. But what can you do? The film is
still well worth checking out and there's no better way to do that
than on DVD. Pick it up expecting a fun little Sci-fi thriller and
that's exactly what you'll get.
Bill Hunt
billhunt@thedigitalbits.com |
Pitch Black (unrated)
Pitch Black (R-rated)
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