Site created 12/15/97. |
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review added: 7/31/98
Enter the Dragon
Special Edition
- 1973 (1998) - Warner Bros.
review by Todd Doogan,
special to The Digital Bits
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Film
Rating: B+
An important cult film that stars martial arts' greatest champion.
Really, could you ask for anything more?
Disc Ratings (Video/Audio/Extras):
A/B+/B+
Crisp clear disc, a remastered soundtrack and a stack of extras
make this a virtual must own for every DVD consumer.
Overall Rating: B+
Everything comes together so nice on this, you could watch it over
and over again -- and guess what? You won't wear it out 'cause it's
on DVD. |
Specs
and Features
102 Minutes, R, letterbox widescreen (2:35.1), 16x9 enhanced,
dual-sided (side A features movie, commentary and notes; side B
features documentaries and trailers), Snapper packaging, two
documentaries, Location: Hong Kong with
Enter The Dragon and Bruce
Lee: In His Own Words, audio commentary by producer Paul
Heller and screenwriter Michael Allin, interview with Linda Lee
Cadwell, isolated music track featuring the soundtrack by Lalo
Schifrin, production notes, cast and crew bios, 4 theatrical
trailers, 7 TV spots, film-themed menus, scene access (29 chapters),
languages: English (DD 5.1), French (DD 5.1) and Spanish (DD 5.1),
subtitles: English, French and Spanish, Close Captioned
Review
Twenty-five years ago, a movie busted onto the scene that changed
the way Hollywood looked at action movies. It was the first time
Hollywood acknowledged martial arts as a money making enterprise and
the thanks for that belongs to one man, and one man only -- Bruce
Lee. Before Jackie Chan, before Chow Yun-fat -- heck, before
Michelle Yeoh, there was a lean, mean fighting machine nicknamed The
Dragon. In his lifetime he only saw moderate fame, three films in
Hong Kong made him viable -- a string of TV shows in America as Kato
in both The Green Hornet and
Batman, gave him a name. But
it was Enter The Dragon that
gave him a legend. A legend that lives to this day. And thanks to
Warner Bros Home Video, that legend gets a face lift.
It was twenty-three years ago that Bruce Lee, angry that his career
wasn't growing in the States, and distraught that his father had
passed away, left America and headed back to Hong Kong. His plan was
to take his family, bury his beloved father and do some thinking.
That's when fate stepped in taking the guise of Raymond Chow. Chow
was the head of Golden Harvest, a scrappy film studio going head to
head with the biggest studio in China, The Shaw Brothers Studio (the
Kung Fu king is now defunct -- thanks to Chow). Chow saw his chance,
and tapped the young charismatic man to star in The
Big Boss (AKA The Fists Of
Fury). The film was a complete success in Hong Kong, and
audiences wanted more. Lee made two more films, The
Chinese Connection and Return
Of The Dragon. Then fate stepped in once more -- this
time disguised as an old friend, Fred Weintraub.
Weintraub knew Lee from his early television days. He gave him his
career-making role as Hornet
side-kick Kato. He even helped develop Lee's own idea of a wandering
Chinese man righting wrongs made against railroad-building Chinese
into the TV classic Kung Fu.
The role eventually went to David Carradine because America wasn't
ready for a Chinese star -- at least that's what the decision makers
thought. Weintraub wanted to make a move from TV into Hollywood. He
figured, who better an ally for this than Lee. Weintraub put
everything together and he took his chance. Of course, Lee was more
than willing to finally break down the Hollywood door. But a few
things needed to be done first. They needed a script, they needed to
keep Raymond Chow happy (he still had a contract with Lee, and a
friendship -- which to Lee was more important) and they needed a
studio. They got a studio with Warner Bros and they kept Chow in the
loop by giving him a producer credit (which marked the first teaming
of Western and Eastern studio brass in Hollywood history). The
script they got was a brilliant concept (well, all right -- it's not
really brilliant, but it was the perfect vehicle) and was written by
a young unknown Michael Allin. Allin went on to create blaxpoitation
legend Truck Turner for Issac
Hayes and he also brought to life Flash
Gordon in 1980 (Flash, ahhhhhhh!). And although
he still pretty much remains unknown, he was a legend in the
exploitation world. The script he created was built by necessity
more than anything else. Simple was the way to go -- plus, they had
to give a reason for there not to be any guns, because who's to stop
a guy from just whipping out a gun and blam, shooting Lee as
he keeyahs someone in the face? To solve this, what they did
was, put all the action on a remote island where guns were not
allowed. Boom. That was it.
The story was simple and perfect. Lee plays Lee, a fierce Shaolin
monk in Hong Kong who is invited by the mysterious Han to enter his
martial arts contest. Basically, it's a last man standing
elimination match attended by the best martial arts champions in the
world. Lee's got better things to do, and plans to turn it down. A
British government official wants for Lee to attend and do him a
favor -- uncover some proof that Han is the world's biggest exporter
of heroin in the world. Hey, it takes serious money to have your own
isolated island fortress, can't fault him too much. Lee accepts and
heads to the contest. In a series of flashbacks, we see some of the
other combatants -- John Saxon as the gambling addict Roper, Jim "Black
Belt Jones" Kelly as the classic 70s Afro-centric Williams and
Robert Wall as Han's right hand man and mean SOB. Ironically, but
not coincidentally, all were expert fighters in their own right.
This allowed Lee ease as he stunt coordinated the film's fight
sequences. Filming this martial arts epic went smoothly and quickly,
with little event, outside of a few black-out spells Lee suffered
during shooting. These spells would foreshadow his death by a blood
clot in his brain shortly after filming wrapped.
Enter The Dragon was released
on August 19, 1973 -- almost a full month after Lee's death July
20th. It was a huge success, and would have made Bruce Lee very
proud. His hard work came out on screen, and if it wasn't for his
premature death, he would have been one of Hollywood's brightest
stars.
This new DVD remastering is a true joy to behold. Not only is it a
great cult film, but Warner took a lot of time and care in putting
together this disc. The print, although showing some age, it's much
better than what you've seen in the past. Colors are bold -- which
makes the film look wonderful considering the heavy use of color in
the film's set design. The sound is one thousand times better in its
new Dolby Digital 5.1 format. There's no way you could imagine the
original soundtrack for this film was a straight mono. This is a
movie meant to be heard, and every swipe, kick and heeyah is
laid down with a lover's care.
The special edition aspect of this DVD is also a big plus. You get
not one, but two documentaries. The first is the original propaganda
film created for the films release. A heavy bass commentator
comments on the importance of the film and the style of Lee as
footage of the film, and behind-the-scenes footage rolls. Nice and
neat. The second is an original production which is made up of
stills and footage of Lee culled from private sources, shown with
Bruce Lee's thoughts and theories about life, art and martial arts.
It's very touching and quite powerful. A comment by the late,
great's widow Linda Lee Cadwell is also featured -- and although
it's nice, it seems a bit stilted. She's preaching to the choir when
it comes to holding her husband up as a legend. Other additions are,
a collection of four trailers -- all with a nice 70s touch, some TV
spots and a full length (with major gaps) commentary by co-producer
Paul Heller. Heller is joined by Michael Allin on a conference phone
call used to fill in gaps about Heller's knowledge of the
screenplay. It's like listening to your grandfather talk about the
most important event in his life. It's very sweet to hear him and
Michael discuss Bruce and the making of the film. His points are all
good ones, and he knows what he is talking about. Plus, he's easy to
listen to, which is a nice plus when it comes to a commentary track.
The best thing about this disc, and it isn't even advertised on the
package, is the isolated score by Lalo Schifrin. It's a cool 70s
groove straight out of a blaxpoitation flick. Very smooth. Enter
The Dragon: Special Edition is an altogether nice
package.
Bottom line
Few films have the impact Enter The
Dragon had on fans. It gave American audiences a reason
to worship Bruce Lee, it opened Hollywood up to the current Hong
Kong film craze and it gave us a cool pop culture icon to watch on a
rainy Sunday afternoon. The extras on this disc seem to be just a
gift, considering this would be a must own, even if it were simply a
movie-only edition. But the combination of this film and DVD makes
for a winner -- and if Bruce Lee were alive today, I betcha he'd to
own this film on DVD over any other format. It takes a champion to
know one.
Todd Doogan
todddoogan@thedigitalbits.com |
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