Site created 12/15/97. |
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review added: 5/12/99
At First Sight
1999 (1999) - MGM
review by Bill Hunt,
editor of The Digital Bits
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Film
Rating: B-
Disc Ratings (Video/Audio/Extras): A/B+/D
Specs and Features
129 mins, PG-13, letterboxed widescreen (1.85:1), 16x9 enhanced,
full frame (1.33:1), dual-sided, single-layered, Amaray keep case
packaging, film-themed menu screens, theatrical trailer, scene
access (44 chapters), languages: English (DD 5.1), French (DD 2.0),
subtitles: English and French, Close Captioned |
Virgil Adamson's only
memory of having seen something, is of a cloud that he could touch.
It's no accident that he thinks of touch associated with the image -
touch is very important in his life. Virgil (played by Val Kilmer)
lost his sight when he was three. Having also lost his mother, and
been abandoned by his father, he's spent most of his life growing up
in a very safe little upstate New York town, being watched over by
his older sister (Kelly McGillis). And, sightless though he may be,
he's very good at touch - so good that he works as a masseuse at a
local spa.
Virgil's world hasn't changed much - everything's just the way it
always is... until he meets Amy (played by Mira Sorvino), a
stressed-out New York City architect at the end of her creative
rope. Amy's signed up for his massage, and when she breaks down
crying on his table during the session, he shows her gentle
compassion that she's never known. Amy is touched by this, and
begins falling for Virgil, without realizing he's blind. When she
finally does find out, she's uncertain as to how to act, but Virgil
becomes her guide, and shows her the world in a way she's never seen
it before.
Before long, the two have fallen deeply for each other, but no one
around them seems to approve, or believe they have a chance.
Virgil's sister is worried that Amy's influence will make Virgil try
things he's not capable of, and Amy's colleges think she'll simply
end up a glorified baby-sitter. Amy, however, has a plan - she's
found a doctor who believes that he can restore Virgil's sight. But
when Virgil does indeed get his sight back, there's a problem - how
can he make sense of the world through images, when he only
understands it by touch?
Based on a true story, At First Sight
depicts two people, who help each other gain a new perspective on
the world - new sight found, both literally and figuratively. I have
to say, that I had wanted to see this film when it was in theaters,
but missed it. So did lots of people apparently, because it
disappeared quickly. But I've always been a big fan of Val Kilmer,
who unfortunately made a string of VERY bad career choices for a
while there. And there's something about Mira Sorvino that I dig in
a film... except when she's being chased by giant sewer bugs (Mimic),
or blasting at bad guys with a .44 Magnum (The
Replacement Killers). I was glad to see them both choose
a decent project for a change, and I was very happy for the chance
to finally be able to catch it on DVD.
I must say that I was pleasantly surprised. Sure, the film can be a
bit trite. As romances go, it's pretty standard fare. And the
sight-regained plot started a bit too soon - before I had really
become invested enough in either character to care, much less buy
into their romance. But you know what? By the end of the film, I was
invested, I did care, and I did buy into it. Both Kilmer and Sorvino
turn in pretty solid performances, and though I found McGillis'
character annoying, Nathan Lane has a couple of funny moments. At
First Sight isn't really burning with passion, but
there's just enough heat to make a nice little fire to warm your
hands on. And there was one very romantic moment, as Amy explains
what she sees in Virgil to a friend, early in the film. "When
he touches me, I feel like he does it to know me better, not to get
something from me," she says wistfully. "And even though
he doesn't know what I look like, I feel like he really knows who I
am." Is that romantic or what? What can I say? I'm a sucker for
such moments.
As DVDs go, MGM has given us a pretty good one here. The picture
quality is very good, in both anamorphic widescreen, and full frame
versions. Color accuracy, contrast and detail are all generally
excellent. And the Dolby Digital 5.1 surround sound provides good
ambience, and clear dialogue. You don't get too much rear channel
use, or pounding bass, but why would you want or need either in a
film like this? The audio is what it is here - dialogue and light
Mark Isham music - and it works. There's not really much else on the
disc, other than a theatrical trailer, but that's fine with me. I'm
not sure what else would have enhanced the experience of this film
anyway.
All in all, At First Sight
worked for me. I can't really explain it more than I have - that's
just the way it is. There's no super-steamy sex scenes, no You've
Got Mail cute-factor. But I found myself caring in the
end, which I didn't expect. It snuck up on me. Give it a shot, and
you might just find that it sneaks up on you too.
Bill Hunt
billhunt@thedigitalbits.com |
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