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Classic
Reviews Round-Up #26 and New Announcements
(Continued)
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The
Abbott and Costello Show: Volumes 1 and 2
(1952-53)
(released on DVD by Shanachie on February 16th, 1999)
Program Rating: B+ (an episode average)
Disc Ratings (Video/Audio/Extras): B+/B+/E
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Yes,
you read that correctly; these were released on DVD in 1999, but the
popularity of Abbott and Costello is such that these releases are
worth bringing to your attention. The
Abbott and Costello Show began in late 1952 on CBS and
lasted two seasons resulting in 52 half-hour episodes.
Interestingly, the pair also guest-hosted regularly on The
Colgate Comedy Hour over at NBC during the same period.
On their own show, the boys played themselves and were supported by
a fine cast of regulars including Sid Fields as their apartment
landlord (he also wrote a lot of the material as well as playing
assorted other characters), Hillary Brooke as a statuesque blonde
who was their neighbor across the hall, Gordon Jones as a cop whom
the boys seemed to be forever running afoul of, as well as the likes
of Joe Besser and Joe Kirk. The shows were only casually scripted
with episodes often set up so as to allow the pair's classic
routines to be reprised. Material often ended up getting made up on
the fly as the situations warranted. The material from the first
season is the best overall, but there are still many great moments
in the second as well. Costello particularly seemed to enjoy himself
and he's in very fine form throughout the first season.
Shanachie has issued all 52 shows on 13 DVDs, although the episodes
are not presented in chronological order. All the discs are still
available individually and I had the first two volumes available for
review. The Abbott and Costello Show:
Volume 1 contains Pots and
Pans (Season 1, Episode 9 - entitled Duck
Dinner on the disc), Hillary's
Birthday (Season 1, Episode 20), The
Tax Return (Season 2, Episode 43 - entitled Million
Dollar Refund on the disc), and The
Actor's Home (Season 1, Episode 24 - it includes a
version of the famous "Who's on First" routine). The
Abbott and Costello Show: Volume 2 contains The
Birthday Party (Season 1, Episode 5 - entitled Lou's
Birthday on the disc), Getting a Job (Season 1, Episode
18), Uncle Bozzo's Visit
(Season 2, Episode 28), and Cheapskates
(Season 2, Episode 33 - entitled Stolen
Skates on the disc). The discs have been mastered from
the original 35mm film and look it. The full frame images are quite
nice, offering bright, fairly sharp images for the most part with
modest amounts of film grain in evidence. There are the usual
scratches and speckles and the odd splice to deal with, but nothing
that detracts from one's enjoyment of the material. The packaging
suggests stereo sound, but there's nothing beyond the original mono
here and it's in decent shape with no hiss in evidence. There is no
supplementary material. Given the vintage of the material, the
transfer quality is unexpectedly high and if you're at all a fan of
Abbott and Costello, these discs are heartily recommended.
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Stalag
17: Special Collector's Edition (1953)
(released on DVD by Paramount on March 21st, 2006)
Film Rating: A
Disc Ratings (Video/Audio/Extras): A/B+/A-
Billy Wilder's mixture of drama and comedy set in a World War
II prisoner-of-war camp received generally high acclaim upon its
release in 1953. It was an adaptation of a popular Broadway play
that would be the first of several such successful forays for
the director. The story involves a prisoner named Sefton who is
a successful hustler to the point where he maintains a locker of
spoils resulting from his dealings with the German guards. It
becomes apparent that there is an informer in the prison
barracks, and suspicion falls increasingly on Sefton after he
bets against the successful escape of a couple of other
prisoners and is proven correct. Then a new prisoner named
Dunbar arrives towards whom Sefton is openly hostile and when
Dunbar is arrested by the Germans for sabotage, Sefton's fate is
sealed as far as the other prisoners are concerned. But as
Sefton suggests, there are two people who know he's innocent -
himself and the real informer.
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The
role of Sefton was taken on by William Holden after Charlton Heston
and Kirk Douglas had first both been considered for it. Holden does
a fine job with the part, even winning the Academy Award for Best
Actor for his efforts, but in retrospect, the role's impact is
slight and Holden's Oscar seems more like compensation for missing
out on winning for Sunset Boulevard
a couple of years previously (ironically, also directed by Wilder).
The rest of the cast is an interesting one, utilizing some of the
original Broadway players (Robert Strauss, in a rather unfunny
portrayal of a Betty Grable-obsessed prisoner), one of Wilder's
fellow directors (Otto Preminger, as the camp commandant - who must
put on his boots in order to call Berlin), such established
character players as Sig Rumann (as Sergeant Shultz, the model for
TV's later Hogan's Heroes
series), and newer players such as Peter Graves. The resulting film
is an entertaining one still, but does have an at-times uneasy blend
of comedy and seriousness. When it opened originally, it was a hit
critically and at the box office.
This is Paramount's second kick at the can for Stalag
17. The new Special Collector's Edition is an improvement
in all respects. The full screen transfer maintains the original
aspect ratio and sports a very clean, sharp, bright, and
well-detailed image. The restored mono sound is in nice shape -
clear and free of hiss, although there's nothing particularly
distinctive about it. A French mono track and English subtitles are
provided. The supplements are quite informative. There's an audio
commentary by actors Richard Erdman and Gil Stratton along with
writer Donald Bevan that's a little heavy on anecdote rather than
authoritative background, but is certainly entertaining although
there is some empty air time. The new making-of documentary (Stalag
17: From Reality to Screen: about 20 minutes) utilizes
the same individuals along with others such as Hollywood newsman Bob
Thomas and Wilder biographer Ed Sikov. Another documentary (The
Real Heroes of Stalag XVIIB, about 25 minutes) provides
interviews of some actual prisoners of war at the real camp who
provide some reality compared to the film's depiction of such a
camp. Other supplements include a short photo gallery and previews
for other DVD releases from Paramount. Highly recommended.
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The
Ten Commandments: 50th Anniversary Collection
(1956)
(released on DVD by Paramount on March 21st, 2006)
Film Rating (Sound Version, 1956): A
Disc Ratings (Video/Audio/Extras): A/A-/A
Film Rating (Silent Version, 1923): B+
Disc Ratings (Video/Audio/Extras): A-/B+/B
Speaking of kicks at the can, this is Paramount's third effort
on The Ten Commandments.
The first time, they gave us the film; then we got the film and
a very nice set of documentaries and an audio commentary; now,
we get all that plus the 1923 silent version of the film (both
silent and sound versions were directed by Cecil B. DeMille),
all on a three-disc set. For those who have the previous
incarnation (see my review of it
here),
the new set contains the same fine transfer so everything comes
down to the silent film. That version is considerably different
compared to the sound one as it compresses the biblical story
into about an hour's playing time then switches to a modern
story that applies the Ten Commandments to a story of two
brothers in San Francisco who love the same young woman.
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The
application to a modern tale is effective, but the original biblical
story is less compelling in its abbreviated format. Still it's
interesting to watch DeMille's initial conception of the idea and
then see how the approach altered with the intervening years and the
application of sound.
Paramount provides an exceptional transfer for a film now over 80
years old. The image is sharp and clear with minimal damage evident.
Shadow detail is excellent. The stereo sound track shows off an
impressive organ score to good advantage and the film's English
title cards are also subtitled in French. Not content with merely
included the film itself as a supplement, Paramount also includes
another impressive audio commentary by Ten
Commandments expert Katherine Orrison as well as 15
minutes worth of footage of the Exodus and the Parting of the Red
Sea in an original hand-tinted colour process. That footage isn't in
great shape, but it sure is nice to have it included. For those who
don't have either of the previous DVD release, this new set is very
highly recommended. Even for those who do, this new version is a
worthy upgrade because of the fine silent version inclusion. If
you're sitting on the fence, bear in mind too that a purchase such
as this should provide more incentive for Paramount to issue other
silent titles.
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The
Andy Griffith Show: The Complete Fifth Season
(1964-65)
(released on DVD by Paramount on February 14th, 2006)
Program Rating: A (an episode
average)
Disc Ratings (Video/Audio/Extras): B+/B+/E
The recent passing of Don Knotts adds increased interest to the
latest release of The Andy Griffith
Show - Season Five. This was the last season that
Knotts was a regular cast member on the show in his role as
deputy Barney Fife, although he would make five guest return
appearances as the character during the series' subsequent three
seasons. Although The Andy Griffith
Show would continue to be very popular after the
fifth season, it seldom had quite the magic that it possessed
with Don Knotts around. The increasing role of the irritating
Goober Pyle character that began as Barney was being phased out
provides little compensation.
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There
are 32 episodes in the fifth season and they're presented on five
discs. Barney figures prominently in many of them, including: Barney's
Physical - Andy not only tries to fatten Barney up, he
tries to make him taller too so that Barney can meet the new height
and weight standards for deputies; Barney's
Bloodhound - an escaped criminal prompts Barney to resort
to modern police methods by buying a bloodhound; Barney's
Uniform - Barney is threatened by a worker at one of the
local businesses, but he figures if he wears his uniform 24/7 he'll
be safe; Goodbye Sheriff Taylor
- a possible job offer for Andy in Raleigh leaves Barney in charge
for a day, much to Mayberry's dismay; Barney
Fife, Realtor - Barney's efforts as a budding house
seller are sabotaged by Opie; The Lucky
Letter - Barney worries so much over a chain letter that
Andy persuaded him to throw away that his nerves may jeopardize his
job with the annual pistol shooting qualifications coming up; If
I Had a ¼ Million - Barney organizes a sting
operation to nab a thief but catches an undercover FBI agent
instead; and The Case of the Punch in the
Nose - Barney uncovers an old assault case involving
Floyd the Barber that never came to court and manages to get the
whole town in an uproar. Of course, Barney has important roles in
many of the other episodes as well. When an episode pops up that
doesn't have him involved, however, there's always a feeling of
something missing. Such episodes still have charm because Andy,
Opie, and Aunt Bee are such comfortable characters, but they lack
the unexpected silliness and the shear fun that the character of
Barney always invested in the proceedings. Overall, season five
provides superior entertainment with few less-than-average
individual shows.
Paramount does its usual stout job on this latest set. The 32
episodes are presented full frame on five discs and all look very
nice indeed, offering sharp, bright images with minimal speckling or
other debris. The mono sound is clear, but there are no sub-titles
nor any supplements. Episode summaries are included on the disc
packaging, however. Recommended.
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Midnight
Cowboy: Collector's Edition (1969)
(released on DVD by Sony [MGM] on February 21st, 2006)
Film Rating: A
Disc Ratings (Video/Audio/Extras): B+/B+/B+
Here's an MGM two-disc edition that appears to have been
conceived as a 35th anniversary release as the new supplementary
materials were copyrighted in 2004. Presumably Sony's takeover
of MGM delayed the originally planned release, but at least we
now finally have it out, unlike the situation with the
long-delayed Sergio Leone western re-releases.
Midnight Cowboy is a film
for which much was hoped but not much expected, given the
uncompromising subject matter, and the time of its release. (The
Production Code had been broken by 1969, but the "anything
goes" approach to film-making in Hollywood was not yet in
full flight.) The story follows young Texan and would-be stud
Joe Buck (Jon Voight) who sees servicing the women of New York
as the way to the good life. Unfortunately, Joe is a bit of a
soft touch and he becomes more used than user. He partners up
with small-time hustler Ratso Rizzo (Dustin Hoffman), but has no
more success and gradually the two sink into a cruel existence
that forges an unlikely bond between the pair.
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As
directed by John Schlesinger, the film is a brilliant portrayal of a
stratum of life that most people want to ignore. The attention to
detail is excellent and the recreation of Joe and Ratso's home is
impressive. Voight and Hoffman both give memorable performances that
resonate more than three decades later and give the film an honesty
and reality that still rings true. Equally as important are several
key supporting turns from the likes of John MacGiver, Sylvia Miles,
Brenda Vaccaro, and Bob Balaban. The film's ending that looks at
first so hopeful only to succumb to the inevitable stays long in the
memory. Midnight Cowboy is
definitely a film that time has not compromised.
Sony's 1.85:1 anamorphic transfer, apparently mastered in high
definition, is a clear improvement over the original MGM DVD
release. The image sharpness and colour fidelity are better,
although there remains substantial grain. Much of the latter,
however, is inherent in the original photographic composition and
use of interposed images in the flashback sequences. The film has
always had a gritty look consistent with its subject and
cinematographic approach and much of this comes through in this
transfer fortunately. Viewers will note some minor instances of edge
effects. Sony has provided a newly-created Dolby Digital 5.1 track
that works reasonably well. Dialogue is properly centred while some
nice ambient effects are achieved via the front stereo channels.
There's little effective use of the surrounds. John Barry's fine
score and Nilsson's rendition of "Everybody's Talkin'"
fare well. Also provided are original English mono (also in good
shape), French 5.1, and Spanish mono tracks, as well as English,
French, and Spanish sub-titles. The supplements consist of an
informative audio commentary by producer Jerome Hellman and a
50-minute documentary split up into three parts that consists of the
likes of Voight, Hoffman, Miles, and Hellman reflecting on the
making of the film, its subsequent impact, and the important
influence of director John Schelinger. Most of those interviewed
have insightful comments that make the pieces consistently
interesting. Also included are a photo gallery and seven sepia-toned
postcards. Recommended.
New Announcements
After the last column's spate of announcements, news this time
around is rather modest. It comes from personal contacts, releasing
company press releases and websites, The
Digital Bits, Davis DVD,
In the Balcony, DVD
Times, DVD Active,
TV Shows on DVD, The
Home Theater Forum, EddieMuller.com,
Masters of Cinema, and the ams
newsgroup. Classic
Coming Attractions Database has been updated accordingly.
Classic Media will release a two-disc set on September 5th that
includes the complete, uncut 1954 Japanese film Gojira
and the revised 1956 U.S. version, Godzilla:
King of the Monsters. Gojira
includes 40 minutes that were edited from the U.S. version. The
films will be remastered in high definition and released in their
proper 1.37:1 ratio. Planned extras will include audio commentary.
Disney plans include a Dumbo: Big Top SE
(1941) on June 13th, although there isn't much wrong with the
existing DVD. On the other hand, the anticipated fall release of
Song of the South has been
cancelled by Disney's top management, although the decision may be
revisited in the future.
Falcon Picture Group will offer the Hopalong
Cassidy TV Collection #1, a three-disc set, on May 23rd.
There are no details as to number of episodes or any extras, nor
whether this is an authorized release, which might ensure better
quality than Falcon's usual mediocre standard. (For those interested
in the Hoppy TV material, there is an authorized release already
available in the U.K.)
Fox will release Butch Cassidy and The
Sundance Kid: Ultimate Collector's Edition (1969) on June
6th. This will be a two-disc set featuring a 2.35:1 anamorphic
transfer. Extras will include two commentaries (one with director
George Roy Hill, lyricist Hal David, associate producer Robert
Crawford, and cinematographer Conrad Hall; and the other with
screenwriter William Goldman), various documentaries and featurettes
from both 2005 and 1994, and trailers. Also coming on the same day
is the 1942 film Thunder Birds,
a flag waver starring Gene Tierney and Preston Foster. In the area
of rumours is Violent Saturday
(1955, with Victor Mature), which may appear later this year.
Charlie Chaplin's twelve two-reel Mutual comedies will be
re-released by Image Entertainment on June 6th as The
Chaplin Mutual Comedies, celebrating their 90th
anniversary. This new release, restored from the finest surviving
35mm film elements, reflects newly discovered additions and
improvements since the previous edition. Included are the shorts:
The Immigrant, The
Adventurer, The Cure,
Easy Street, The
Count, The Vagabound,
The Fireman, Behind
the Screen, One A.M.,
The Pawnshop, The
Floorwalker, and The Rink.
Extras include new orchestral scores composed and conducted by Carl
Davis; The Gentleman Tramp
1975 documentary narrated by Walter Matthau, Jack Lemmon and
Laurence Olivier; Chaplin's Goliath
1996 documentary on Chaplin "heavy" Eric Campbell; "The
Mutual-Chaplin Specials," a reminiscence by Richard Patterson;
and a stills gallery. The 1934 version of The
Scarlet Letter (with Colleen Moore), derived from the
35mm original nitrate negative is also coming out on June 6th. Also
on that date, Image will release two four-episode compilations of
shows from the Combat! TV
series. These provide samplings for those who may have missed or not
been interested in the full season sets Image previously released.
The titles are Combat!: Best of New
Replacements and Combat!: Best
of the Squad. The Weird Worlds
Collection (June 6th) will include four science fiction
films in a box set: The Phantom Planet
(1961), First Spaceship on Venus
(1960), Destination Moon
(1950), and Project Moon Base
(1953). A future Image release will be a Film Preservation
Associates (David Shepard) effort on the D.W. Griffith film True
Heart Susie (1919) which will be mastered from the
original 35mm nitrate print at the BFI, with score by the Mont Alto
Orchestra. It will likely be accompanied by Hoodoo
Ann (1916), a film written by Griffith and directed under
his supervision. The source material on it is a 35mm fine grain
master made from the camera negative. There's no news yet on a
specific release date. Image in the past has released the multi-disc
sets issued by the National Film Preservation Foundation (Treasures
from American Film Archives, More Treasures
from American Film Archives) and presumably will handle a
new set just announced by the NFPF. It will be a 3-disc DVD set as
yet untitled, but presenting social issue films from the silent era
and should appear in the fall of 2007. The press release indicates
that the content will range from "the one-minute Kansas
Saloon Smashers (1901) to The
Godless Girl (1928), Cecil B. De Mille's feature-length
exposé of juvenile reformatories, and will also include
features, documentaries, serial episodes, public service
announcements, newsreel segments, and cartoons addressing social
issues from different political and ideological perspectives".
Lionsgate adds four more titles to its Zane Gray Collection on June
6th: Desert Gold, Drift
Fence, Sunset Pass,
and Wild Horse Mesa. All are
believed to be the Paramount versions from the 1930s starring either
Randolph Scott or Buster Crabbe. The films will be available
separately or as a box set.
Paramount offers The Martin & Lewis
Collection Volume 1 on June 13th. It's an eight-disc set
containing the films: The Caddy,
Jumping Jacks, Money
from Home, My Friend Irma,
My Friend Irma Goes West, Sailor
Beware, Scared Stiff,
and That's My Boy, all with
newly remastered transfers. The "Irma" titles are
presumably the same as the previously issued versions. Paramount
will also apparently release Rawhide;
Season One in June. The previously announced Perry Mason
set (Perry Mason: Season One, Volume One)
will be released on July 11th. It will be a 5-disc set containing
the first season's first 19 episodes.
For May, VCI gives us some more westerns with the introduction of a
new series whose films are drawn from the Kit Parker collection. In
this case, all the films were originally Lippert productions. Legendary
Outlaws - Volume 1 offers The
Great Jesse James Raid (1953, with Willard Parker) and
Renegade Girl (1946, with Ann
Savage); Legendary Outlaws - Volume 2
will have The Return of Jesse James
(1950, with John Ireland) and Gunfire
(1950, with Don "Red" Barry); while Legendary
Outlaws - Volume 3 will include The
Dalton Gang (1949, with Don Barry) and I
Shot Billy the Kid (1950, with Robert Lowery). Each
volume will be available individually or as part of a box set on May
30th. On the same date, VCI will also release Superman:
The Ultimate Max Fleischer Cartoon Collection, which will
include the 17 original cartoons that appeared from 1941-1943 in
theatres. Some digital restoration has been done on the cartoons,
but it remains to be seen if this new set will improve on any of the
existing versions already available. Finally, VCI will also offer
Route 66: The Ultimate DVD Collection,
but it's not what it sounds like. It's a three-disc set that
includes none of the classic TV shows, but rather various
documentaries publicizing and celebrating the highway.
On June 20th, Warner will debut its anticipated six-disc Clark
Gable Signature Collection. It will include six films and
a new documentary on Gable. The films will be: Mogambo
(1953), Dancing Lady (1933),
Boom Town (1940), San
Francisco (1936). China Seas
(1935), and Wife Vs. Secretary
(1936). Most discs will include a selection of shorts, cartoons, and
trailers and the Gable documentary (High,
Wide and Handsome, narrated by Liam Neeson) will appear
on the San Francisco disc. All
the discs will also be available individually. Warner Bros.' Film
Noir Collection Volume 3, expected on July 4th most
likely, will apparently include: Border
Incident (1949), His Kind of
Woman (1951), Lady in the Lake
(1947), On Dangerous Ground
(1952), and The Racket (1951).
The latter two are the best of the bunch with His
Kind of Woman close behind. For my taste, Border
Incident and Lady in the Lake
are less interesting (despite the latter's point-of-view camera
approach by Robert Montgomery). The
Racket will include commentary by noir specialist Eddie
Muller. Muller has also recorded commentaries for They
Live by Night (1949, RKO, with Farley Granger) and Crime
Wave (1954, WB, with Sterling Hayden), two future film
noir DVD releases by Warners.
Well, once again, that's it for now. See you all again soon, and in
the meantime, happy classic viewing to all.
Barrie Maxwell
barriemaxwell@thedigitalbits.com
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