Classic
Reviews Round-Up #42 and New Announcements (continued)
One important release of this past year that I've just caught up
with is the 1965 version of Othello
starring Laurence Olivier. It's available from Warner Bros. either
alone or as part of the Shakespeare
Collection.
The film was a special presentation of the National Theatre of Great
Britain's 1964 London stage production, shot at Shepperton Studios
partly as a substitute for an international tour of the stage
production (which was not possible due to other commitments that
many of the cast had). This version of Othello
is an exhilarating film experience due principally to a dynamic
though at times overwrought performance by Olivier in the title
role. Overall, it is a superior piece of acting and some have even
called it the finest performance of the 20th century, though that
seems an excessive evaluation to my eyes. The film is also
strengthened by excellent supporting work from Frank Finlay as Iago,
Maggie Smith as Desdemona, and Derek Jacobi as Cassio. In the spirit
of the stage production, the film version retains a minimalist set
look so as to emphasize plot and performance, successfully resisting
the unnecessary tendency of some filmed plays to "open things
up" by using establishing exterior shots and other novelties
that draw one away from the dramatic envelop that a Shakespearian
experience usually demands. There have been many filmed versions of
Othello, including a fairly
successful 1995 one starring Laurence Fishburne and Kenneth Branagh
and the excellent 1952 version starring Orson Welles. The latter
remains for me the class of the field, but the Olivier one is a
worthy contender. Warner's DVD presentation includes a 2.35:1
anamorphic transfer that looks very fine indeed. Image detail is
excellent throughout as is colour fidelity. There is some mild grain
that is also well-rendered. The source material seems to have been
very good as dirt and debris are minimal indeed. The mono sound is
in good shape and presents the dialogue clearly and distortion free.
Supplements include the film's theatrical trailer and a short
featurette in which Olivier discusses the intent of the film
production. Recommended.
The Young Savages was a 1961
film that Burt Lancaster reluctantly made for UA as part of an
arrangement to pay off a $6 million debt resulting from the end of
Lancaster's production company (Hecht-Hill-Lancaster).
Despite his feelings about doing it, however, the film (about an
assistant D.A. who has to prosecute three young Italian boys for
killing a Puerto Rican boy) holds one's attention throughout. It has
a strongly-written story that pulls few punches though does seem a
little conveniently plotted at times. The lead role is well suited
to Lancaster's forceful style and personality and he carries the
film. Strong support is provided by Shelley Winters, as the
Lancaster character's former lover and also mother of one of the
boys being prosecuted. Telly Savalas (as a cigar-smoking police
detective) and Edward Andrews (as the politically-motivated D.A.)
also provide effective if for them standard characterizations.
Direction is by a young John Frankenheimer who uses the streets of
New York very effectively, particularly in the opening sequence.
MGM's 1.75:1 anamorphic DVD presentation is very pleasing. The image
is clear and sharp with excellent image detail throughout. There is
a superior gray scale evident and modest grain provides a fairly
film-like look. The mono sound is in good shape. Unfortunately there
are no supplements whatsoever. The film would be an easy
recommendation, except for one sticky point. It's only available as
part of The John Frankenheimer Collection
which otherwise provides double dips for The
Train, The Manchurian
Candidate, and Ronin,
most disappointingly of which is The
Train which looks to have the same tired old
non-anamorphic transfer that fans lamented the first time it
appeared.
Fox takes its third crack at An Affair to
Remember with a two-disc 50th
Anniversary Edition and it's clearly the edition to get
if you haven't got the film in your collection yet.
The 1957 film was director Leo McCarey's remake of his 1939 film
Love Affair. That version
starred Charles Boyer and Irene Dunne as a couple that shares a
shipboard romance and agree to meet six months later at the top of
the Empire State Building. Love Affair,
as most originals are, is the better version. It's shorter by 30
minutes and the chemistry between Boyer and Dunne is excellent.
There's no doubt the remake is a glossy vehicle with fine
performances by both Cary Grant and Deborah Kerr, but one is not
completely convinced by the romantic attachment that develops
between the two. The comedic aspects of the film's first half are
diverting, but the second half is allowed to languish with
unnecessary musical numbers featuring what seems like a latter day
Our Gang troupe. The film is saved in the end by a beautifully acted
finale. Another saving grace is some fine shot composition by
McCarey who adapts quite well to the wide CinemaScope image as the
film progresses. Fox's 2.35:1 anamorphic presentation is a very
slight improvement over its already fine-looking previous version
(part of the Studio Classics line). Colour fidelity is modestly
improved and the image seems slightly brighter overall. Complaining
about anything in this transfer would be quibbling. The stereo sound
is clear and free of age-related defects, but it lacks dynamism or
significant separation. The supplements include those on the Studio
Classics release (audio commentary, AMC Back Story, newsreel,
trailer) as well as new featurettes on Grant, Kerr, McCarey,
producer Jerry Wald, and the film's look. The new release is
recommended, but if you have the previous release, an upgrade is
only really worthwhile for ardent fans of the film.
Earth Vs. the Flying Saucers
is the second of Ray Harryhausen's films to receive a deluxe
two-disc treatment from Sony (20 Million
Miles to Earth was the first [last month, when it also
appeared in Blu-ray no less] while It
Came from Beneath the Sea is also being released
concurrently with Earth Vs. the Flying
Saucers).
Considered within the cycle of science fiction thrillers that
characterized the 1950s, the film is one of the better ones, well
anchored by star Hugh Marlowe as a scientist who spearheads the
develop of a weapon capable of destroying flying saucers that are
menacing the Earth. The film also has some authoritative-sounding
narration that adds weight to it. The special effects work courtesy
of Ray Harryhausen looks quite inventive for the most part,
particularly the details of the flying saucer design and movement.
Some of the crash and explosion sequences are less persuasive and
not a patch on what the Lydeckers were able to accomplish at
Republic in the 1940s. Overall, the film really conveys the general
paranoic atmosphere of the 1950s and provides an easy-going 80-odd
minutes of entertainment. I can't imagine anyone not getting some
enjoyment out of it. The two-disc DVD presentation represents an
impressive assemblage of material. One of the driving reasons behind
the release is the film's colourization (by Legend Films). Thus both
the original B&W (1.85 anamorphic and looking quite crisp,
though characterized by substantial grain at times) and the
colourized version are available on the first disc with the
capability of switching between the two on the fly. As colourization
efforts go, I guess it looks okay, but what's the point? The film
doesn't need colour - in fact, it's more effective without it, and
the film was shot and lit for black and white, so any colourization
is fundamentally fallacious no matter how much research and
rationalization goes into it. That aside, we're treated to a very
informative audio commentary featuring Ray Harryhausen, plus a
number of worthwhile featurettes (the making-of the film, the
Hollywood Blacklist, stop-motion animation) and interviews
(Harryhausen, film co-star Joan Taylor). Recommended.
We've come to expect solid releases from Paramount when it comes to
classic TV product originating with CBS. Rawhide:
The Second Season, Volume 2 and Gunsmoke:
The Second Season, Volume 1 are the two latest additions
to the impressive list.
I've previously espoused the virtues of Rawhide
and this latest release is just further evidence of the series'
quality. Strong and original writing, evocative black and white
cinematography, and a uniformly impressive ensemble cast anchored by
Eric Fleming and increasingly Clint Eastwood are all reasons why
Rawhide can still be heartily
enjoyed by both western and non-western fans alike. The consistency
and intelligence of the series is admirable, something that most
current network TV fare can only dream of offering. Sixteen episodes
from 1960 are presented on four discs by the latest DVD release.
Aside from Clint Eastwood's Rowdy Yates character who is
increasingly present, each of the series' other main players (Paul
Brinegar as Wishbone and Sheb Wooley as Pete Nolan) gets ample
opportunity to shine in one or more episodes. Among the most
interesting episodes are "Incident of the Sharpshooter"
(framed as the prime suspect for murder, Rowdy doesn't know his
lawyer is actually a notorious criminal), "Incident of the
Stargazer" (Pete and Wishbone face a fiery death when they
attempt to save the life of an astronomer's wife), "Incident of
the Deserter" (fed up with the way the drovers have been making
fun of his cooking, Wishbone quits the cattle drive to open a
restaurant of his own with a frontier widow), "Incident of the
Murder Steer" (a series of strange murders occurs after four
men join the cattle drive, each murder marked by the word "murder"
being branded on a steer), and "Incident of the Music Maker"
(a gunsmith sabotages the guns of the cattle drivers in an ingenious
plan to rustle the cattle). Most of the episodes look very crisp and
clean on DVD, with the odd one appearing a little softer. Modest
grain is evident. The mono sound is in good shape. There are no
supplements. Gunsmoke (still
in the half-hour format - it wouldn't expand to one hour for several
seasons yet) solidified its status as king of the short
adult-western morality play in its second season. The original cast
of James Arness, Dennis Weaver, Milburn Stone, and Amanda Blake
became even more cohesive and comfortable as evident in the easy
interaction present in virtually every episode. Arness anchored the
series strongly as marshal Matt Dillon and his work in the second
season would be recognized with the first of three straight Emmy
nominations for best actor (continuing character) in a dramatic
series. The three-DVD set contains 20 episodes, although it should
be noted (as reported elsewhere) that one of the episodes on the
first disc ("How to Cure a Friend") has inadvertently been
replaced by one from the fourth season ("How to Kill a Friend").
Following the results of the first season DVD release, the second
season episodes all look very crisp and clear with very good image
detail. There is modest grain in evidence. The mono sound is strong.
The only supplement is a set of sponsor spots featuring the main
cast members. Both of these latest releases of Rawhide
and Gunsmoke are recommended.
New Announcements
Here are the latest classic announcements. The Classic
Release Database having been updated accordingly.
BCI (Navarre) will be releasing The Best
of The Price Is Right on March 25th. It includes 20
episodes but there's no information available regarding their
vintage.
Criterion's April plans include Death of
a Cyclist (1955) also featuring a career documentary on
Spanish director Juan Antonio Bardem, the low-budget crime drama
Blast of Silence (1961), and
Silent Ozu (Eclipse
Series 10, featuring Tokyo
Chorus [1931], I Was Born, But
[1932], and Passing Fancy
[1933]).
Fox will release Bette Davis: Centenary
Celebration Collection on April 8th. The titles included
are: The Nanny (1965), Virgin
Queen (1955), Phone Call from
a Stranger (1952), Hush...
Hush Sweet Charlotte (1964), and All
About Eve (1950). The latter will be a new two-disc
edition.
Infinity Entertainment will be distributing Route
66: Season One, Volume 2 on February 5th. The season's
final 15 episodes are included on four discs. There are no
supplements announced. The company has also re-announced Sergeant
Preston of the Yukon: The Complete Collection for June
17th.
Kino will be offering two German silent films on February 19th -
The Hands of Orlac (1924,
directed by Robert Wiene) and Secrets of
a Soul (1926, directed by G.W. Pabst). Each will be
available individually or as part of a four-title German
Expressionism Collection (which will also include The
Cabinet of Dr. Caligari and Warning
Shadows).
Koch Publishing will release Sophia Loren
Classics: Two Women/Yesterday, Today and Tomorrow on
March 4th.
Mackinac Media is working on a release of Hooray
for Hollywood, a 1975 documentary hosted by Mickey Rooney
which focuses on films of the 1930s. The 99-minute program will be
accompanied by five theatrical trailers and a four-page booklet.
There's no specific release date set as yet, however. A number of
other films listed as forthcoming in the classic release database
have now been removed as Mackinac apparently no longer has rights to
them.
MGM's recent announcement of the forthcoming 12
Angry Men: 50th Anniversary Edition (due March 4th)
indicates that the bonus features include two all-new featurettes -
Beyond A Reasonable Doubt: The Making of
12 Angry Men and Inside The
Jury Room - but no word on any restoration, new transfer,
etc. Also due on March 4th is The Pink
Panther & Friends Classic Cartoon Collection Volume Six: The
Inspector, containing 17 cartoons from 1965-1967. Coming
on March 18th is Pride of the Yankees:
Collectors Edition, featuring six new featurettes.
Paramount doesn't have much joy for classic film fans, but it does
deliver the goods on classic TV shows. Mannix:
Season One is apparently in the works for a projected
June 3rd release. Meanwhile, the studio has also announced Perry
Mason: 50th Anniversary Edition (2008 is 50 years after
the end of the show's first season) for release on April 8th. This
four-disc set will contain 12 of the show's best episodes from its
nine-year run (with introductions by Barbara Hale); the 1985
TV-movie Perry Mason Returns;
plus supplementary features including various initial screen tests,
new cast and crew interviews, and several featurettes focusing on
Raymond Burr and Erle Stanley Gardner.
Shout! Factory has announced the release of Father
Knows Best: Season One for April 1st. The set will
consist of four discs containing the first season's 26 episodes and
considerable bonus material courtesy of the estate of Robert Young.
Tempe Video, courtesy of the Milton Caniff estate, will offer Steve
Canyon: Special Edition on March 18th. It will contain
four half-hour episodes remastered from the original 35mm materials.
Included also will be extended clips (totaling 17 minutes) from six
additional episodes.
After last summer's Woody Woodpecker success, Universal will bring
out The Woody Woodpecker and Friends
Classic Cartoons Collection: Volume Two on April 15th.
The three-disc set will contain 75 vintage Walter Lantz cartoons,
completely uncut and as originally seen in theatres, including 45
Woody Woodpecker cartoons from 1952-1958. Universal also has welcome
news with the release of a new wave of its Cinema Classics series on
April 22nd, subtitled Screwball Comedies.
Titles will be Easy Living
(1937, with Jean Arthur), The Major and
the Minor (1942, with Ginger Rogers and Ray Milland),
Midnight (1939, with Claudette
Colbert), and She Done Him Wrong
(1933, with Mae West).
VCI continues to feed the appetites of serial fans with three new
offerings due on February 5th. The
Phantom Empire is a 1935 Mascot release starring Gene
Autry in a science fiction/western hybrid plot; The
Phantom Creeps, from Universal in 1939 and starring Bela
Lugosi, will hopefully be a much-improved version than that
currently available on the market; and Junior
G-Men of the Air (Universal, 1942) features the Dead End
Kids and Little Tough Guys in an entertaining wartime plot. Also
coming on the same date are three double bills titled Psychotronica:
Volume One (Delinquent
Schoolgirls [1974], Dream No
Evil [1973]), Psychotronica:
Volume Two (Mondo Keyhole
[1966], The Raw Ones [1966]),
and Psychotronica: Volume Three
(The Mermaids of Tiburon
[1962], Yambao [1957]). Audio
commentaries and trailers will accompany each title. All three
volumes are also available in the set Psychotronica:
Collector's Set. Meanwhile, other titles that VCI is
working on include three Dick Tracy serials (Dick
Tracy Returns, Dick Tracy's
G-Men, Dick Tracy Vs. Crime
Inc.) and Columbia's Brenda
Starr, Reporter serial. TV series in the works include
the first seasons for each of Burke's Law,
Honey West, and best of all
Zane Grey Theatre. There's no
specific timing available on any of these as yet although they will
presumably appear sometime in 2008.
Warner Bros. returns to the fray with an April 1st release of The
Bette Davis Collection: Volume 3, honouring what would
have been the actress's 100th birthday. The set will contain six
titles all newly restored: The Old Maid
(1939), All This, and Heaven Too
(1940), The Great Lie (1941),
In This Our Life (1942), Watch
on the Rhine (1943), and Deception
(1946). Each will be available separately as well. Supplements
include a Warner Night at the Movies selection of short subjects
with each film and audio commentaries for In
This Our Life, All This and
Heaven Too, Deception,
and Watch on the Rhine.
Weinstein has apparently scheduled Samuel Bronston's The
Fall of the Roman Empire for release on April 29th.
In high definition news, BCI (Navarre) will have the second release
of its Bob Hope Collection on
HD-DVD on March 25th. (The first release [Road
to Bali/Road to Rio] is apparently already available as
originally announced despite subsequent reports that it would be
delayed until February.) The second release will include My
Favorite Brunette (1947) and Son
of Paleface (1952). Fox and MGM will combine in a June
Father's Day promotion of new Blu-ray titles to include Patton,
The Longest Day, The
Sand Pebbles, A Bridge Too Far,
and The Battle of Britain.
Once again, that's it for now. See you all again soon.
Barrie Maxwell
barriemaxwell@thedigitalbits.com |