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The
Hell Plaza Oktoberfest
CONTINUES...
Adam
Jahnke - Main Page
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Thanks
to the folks at Blue Underground, it's Dario Argento Week here at
the Hell Plaza Oktoberfest! So
mix up a batch of homemade ravioli, pour yourself a glass of vino
rosso and enjoy a week's worth of some of Italy's finest.
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The
Cat O' Nine Tails
1971 (2007) - Blue Underground
There's a fine line between the mystery and horror genres. You
don't have to turn the prism all that much to transform Agatha
Christie's And Then There Were None
from a pleasant little drawing room mystery to a gruesome story
about a serial killer. Both genres are largely concerned with
untimely deaths. Maybe the biggest difference is in the mystery,
the thought of unmasking and apprehending the killer provides
the comfort that the murders will stop. In horror stories,
finding out who the killer is usually only leads to something
even worse... and even capturing him or her is no guarantee that
you're safe.
Straddling the line is the distinctly Italian subgenre of the
giallo. Giallo films follow the pattern of a whodunit but linger
over the murders in a style that's almost operatic.
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They're
a bit more concerned with plot than your typical slasher film but
are usually filled with enough blood and sex that they appeal to the
hardcore gorehounds too. Before branching out into increasingly
bizarre supernatural territory, Dario Argento began his film career
with the classic giallo The Bird with the
Crystal Plumage. It remains one of the best examples of
the genre and was so successful that Argento quickly followed it up
with another giallo, The Cat O' Nine
Tails. This one, unfortunately, doesn't work quite as
well.
Karl Malden stars as a blind ex-reporter who now creates crossword
puzzles. Walking down the street late one night with his young
adopted grand-daughter, he overhears a bit of conversation about a
blackmail scheme. Later that night, the research facility he was
walking past is broken into and a security guard killed. Malden
heads over to investigate and teams up with young reporter James
Franciscus. Before long, the body count begins to rise and the odd
couple uncovers a complex skein of disparate clues involving genetic
research into criminal behavior and bizarre, semi-incestuous sexual
deviancy.
This was Argento's second film and in its best moments, you can see
him experimenting with the subjective angles and roving camera that
would become a trademark. There is fun to be had with The
Cat O' Nine Tails. The best death scenes, including one
involving a train, are extreme and, if not exactly shocking, at
least surprising. There are several fun set-pieces and the
meandering story offers a number of quirky, off-beat character
moments. This meandering story also suggests that Argento was
already becoming bored with the giallo formula. Franciscus isn't bad
in the lead and Malden is fun to watch although both of them
occasionally seem to be phoning it in.
Blue Underground's recent release appears to be identical to the one
released a few years back by Anchor Bay. The anamorphic transfer is
top-notch and the 2.0 audio (available in your choice of dubbed
English, dubbed Italian or dubbed French) is perfectly fine. There's
quite a few nifty extras, starting with Tales
of the Cat, a 14-minute featurette with on-camera
interviews from Argento, co-writer Dardano Sacchetti and the
legendary Ennio Morricone, whose score is one of the highlights of
the movie. Also included are a pair of theatrical trailers, TV spots
and radio spots, a poster and still gallery, bios for Argento,
Sacchetti, Morricone, Franciscus and Malden, and two vintage radio
interviews with James Franciscus and Karl Malden. The radio
interviews are pretty great, with Franciscus doing a pretty poor job
of promoting the movie and Malden slightly more successful at
feigning enthusiasm.
The Cat O' Nine Tails is not
essential Argento by any means. Longtime fans will certainly want to
check it out and they'll be very pleased by this disc. But if you're
just beginning to sample the many flavors of giallo, you're better
off with The Bird with the Crystal
Plumage.
Film Rating: C+
Disc Ratings (Video/Audio/Extras): B+/B/B+
Adam Jahnke
ajahnke@thedigitalbits.com |
Adam
Jahnke - Main Page |
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