| For
            over thirty years, the credit "A John Waters Film" at the
            beginning of a movie has brought anticipation and revulsion to
            moviegoers
 often simultaneously. It doesn't take long to
            recognize a John Waters movie. Maybe you recognize a member of his
            recurring repertory company of actors (which includes such
            performers as Divine, Mink Stole, Mary Vivian Pearce, Edith Massey
            and, more recently, Patricia Hearst and Ricki Lake). Maybe an
            obscure 50's or 60's rock song on the soundtrack strikes you as a
            quintessential John Waters tune. Maybe the hair seems a little too 
            big to be in anybody else's movie. Or maybe you recognize the
            location as being in or around Waters' beloved Baltimore, Maryland,
            where he has filmed every single one of his movies (and that kind of
            loyalty, I'm sure, has got to be a record for a filmmaker). Whatever
            it is, you can start watching any of his movies at any point and
            within less than five minutes, you know you're watching a John
            Waters movie. 
 On the other hand, it's very possible that you may know who John
            Waters is without ever having seen one of his films. Waters is a
            Persona Director, which is to say that he's a filmmaker with a very
            distinct and recognizable public persona that he uses to sell his
            movies. Alfred Hitchcock was a Persona Director. Woody Allen is a
            Persona Director. But Waters is one of the few whose persona may be
            better known than his work. After all, none of his movies have been
            huge blockbusters and, at least until recently, many of his most
            notorious films have required a search. Thanks to DVD, this has
            changed. Most of Waters' feature-length films are now available on
            DVD (still missing in action are his very earliest black-and-white
            shorts and the Universal-distributed Cry-Baby
            starring Johnny Depp).
 
 For both the uninitiated and the Waters faithful, The
            Bits offers the following exercise in poor taste: an
            introduction to the films of John Waters. But beware. These movies
            contain nudity, perverse sex acts, extreme violence and some of the
            finest cinematic examples of scatology ever filmed. As the ad copy
            for Desperate Living reads,
            the world may never be the same again!
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