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1997-
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page
added: 11/8/07
Hi-Def
Reviews
Blu-ray
Disc reviews by Bill
Hunt, Editor of The Digital Bits
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Close
Encounters of the Third Kind
30th Anniversary Ultimate Edition
- 1977-2001 (2007) - Columbia Pictures (Sony)
Released on Blu-ray Disc on November 13th, 2007
Films (Original/SE/DC): A/B+/A+
Video (1-20): 17
Audio (1-20 - DTS HD/Dolby TrueHD): 18/17
Extras: A-
Specs and Features:
135/132/137 mins (Original/Special Edition/Director's Cut - via
seamless branching), PG, AVC 1080p widescreen (2.35:1), 2 discs
- BD-50 DL/BD-25 SL, Regions A/B/C, dual-disc Digipack packaging
with slipcase, Steven Spielberg: 30
Years of Close Encounters featurette, The
Making of Close Encounters of the Third Kind
documentary, 1977 Watch the Skies
featurette, 9 deleted scenes, 9 photo and artwork galleries, 3
trailers (Original/Special Edition/Ultimate Edition), BD-Java
A View from Above in-movie
Editor's fact track, 32-page commemorative booklet, A
View from Above fold-out feature comparison poster,
animated film-themed root menu with audio/"in-film"
menu overlay, scene access (20 chapters - all versions),
languages: DTS HD 5.1 (English), Dolby TrueHD 5.1 (English,
French, Spanish), subtitles: English SDH, French, Spanish,
Portuguese, Chinese, Thai, Korean and Arabic
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Close
Encounters is a film I'll always remember fondly, if for
no other reason than because it was one of the first experiences I
ever had in a movie theater with a film that concerned itself with -
and fully embraced - high concept ideas. I was eleven years old back
in the fall of 1977, and I was still coming down off the high of
seeing Star Wars that summer.
As such, I was hypersensitive to the storytelling possibilities of
film - to the power of the cinema to open your eyes to greater
possibilities. And growing up in North Dakota in the 1970s, damn
near everything had greater potential compared to my decidedly
humdrum reality. So I liken my first viewing of CE3K
to the kind of experience older audiences had nearly a decade
earlier with Kubrick's 2001: A Space
Odyssey - a film I still wouldn't see for a couple of
years yet.
What I love most about Close Encounters
is that while director Steven Spielberg was really beginning to show
his full talent as a filmmaker, he was still young and brash enough
to be unconcerned with the business realities of film. He also
wasn't yet changed by family concerns and age, so he was still open
to possibility. As such, I think Close
Encounters represents Spielberg during his most brash,
most unashamed period of storytelling. The film is utterly
uncompromising. Its protagonist, Roy Neary (a terrific early
performance by Richard Dreyfuss) sees something he doesn't
understand... something alien... and he becomes completely obsessed
with trying to understand it, even to the point of giving up his own
family to do so. He doesn't do this for lack of love. He does it
because he must. Talk about strong character and conflict!
I walked out of that theater just dazzled back in '77, and the first
thing I did was to look up at the night sky with my imagination
racing. And then a funny thing happened... as I got older, the film
just got better. A few years later, the Special
Edition version came back to theaters and I eagerly went
again, only to see new scenes and new moments. Better still, I soon
learned that the film's other major character was played by François
Truffaut, who was himself a filmmaker. So when I got my first job in
college, as a projectionist at the University of Wisconsin's film
department, I simply devoured Truffaut's work - The
400 Blows, Jules and Jim,
Day for Night! Soon I moved on
to the work of Kurosawa and Kubrick, Leone and Eisenstein, and so
many others. The long and the short of it is, Close
Encounters was the film that first opened that door for
me to a wider world of cinema. And like little Barry in CE3K,
who opens the door to his home as alien lights surround it, I was
only too eager to walk through.
As for the rest of it, you all know what Close
Encounters is about by now. If you don't, I don't want to
spoil it for you. You can always read Doogan's review of the
previously released
Collector's
Edition DVD release from back in 2001. Just know that Close
Encounters is a great film experience. Every time I see
it, it brings me back to the first time I saw it in a theater. And
I'm happy to say, I've never gotten closer to recapturing that
original experience than I have while watching Sony's new Blu-ray
release.
Disc One took about 90 seconds to load in my Panasonic BD10A, during
which time you see a Devil's Tower load/progress icon. Once the disc
loads, you'll see an animated menu themed to the light board used at
the end of the film, with various scenes from the film playing over
it. This disc contains all three versions of Close
Encounters, thanks to the wonders of seamless branching -
a technology carried over to Blu-ray from the DVD format. Each is
presented in stunning 1080p video via AVC compression, personally
approved by Spielberg himself. Sony has really done a wonderful job
here. I should note that when watching Close
Encounters, you are going to see the artifacts of age.
This film doesn't look as pristine as a new high-def release circa
2007. The grain structure of the original film elements ranges from
fine to coarse, and varies from shot to shot and from scene to
scene. You'll also notice occasionally that not all areas of the
frame are fully in focus at the same time - an artifact of the
anamorphic process employed in making the film. But the detail and
clarity are excellent overall, and the colors are perfectly
saturated. This is exactly how a film shot in the late 1970s should
look in high-definition. Not perfect.. just perfectly RIGHT.
The audio quality delivers as well, with Sony's first DTS HD track
on Blu-ray. The mix is smooth and enveloping, with subtle and
nuanced staging and placement. The dynamic range is impressive too,
with thunderous LFE support when the visuals call for it. The rumble
of energy when Roy has his first encounter with the aliens out on a
dark country road is just as intense as you'd expect, and the blast
of the mothership's audio signals at the end of the film is deep and
eerily disturbing - just as it should be. The accompanying Dolby
TrueHD mix is also quite good. To my taste, the DTS is just slightly
more natural sounding, but those without DTS capability aren't going
to miss it.
Disc One offers one BD-Java enhancement that wasn't advertised: an
interactive text/information track called A
View from Above. This serves as a sort of "editor's"
guide to the differences between the various versions of the film.
Depending on which version you choose to watch, icons appear in the
upper right corner of the frame to indicate scenes and moments in
this version that differ from the others, accompanied by explanatory
text that reveals exactly what was changed, added or may be missing.
It works exceptionally well, and I was surprised by just how many
subtle changes Spielberg made to his final director's cut. Fans will
really enjoy this feature I think.
Fans will also be delighted to know that Disc Two of this set
contains virtually everything that's ever been released on DVD
before in terms of special features, along with new material as
well. First up, you get DVD producer Laurent Bouzereau's excellent
The Making of Close Encounters of the
Third Kind documentary from the original DVD release,
which runs close to 100 minutes. It's presented in the original
standard-definition, full frame format, but looks very good here.
Also available from the previous DVD release is the vintage 1997
Watch the Skies featurette.
It's only 6 minutes long, but it's actually in high-definition,
which is a nice touch. In addition, all of the deleted scenes and
trailers from the previous DVD release are carried over here as
well.
Newly-produced for this set is a 20-minute retrospective featurette,
entitled Steven Spielberg: 30 Years of
Close Encounters, which is basically just Spielberg
himself talking about the film, intercut with vintage footage,
photographs and artwork. It's also in full HD on the Blu-ray.
Spielberg discusses such things as the ideas behind the film, his
interest in UFOs back in the 70s, the casting and the production
itself. Particularly interesting is Spielberg's comment that the
last 30 minutes of Close Encounters
was the most difficult editing challenge he's ever faced. Also
newly-produced for Blu-ray is an extensive gallery of photos and
artwork from all stages of the production, along with
storyboard-to-film comparisons for five scenes from the film. I
would guess there's close to two hours worth of material here, and
all of it is presented in full HD resolution, so you'll get to see
every little detail and nuance in the images. And oh, by the way...
Disc Two features subtitles as well - another nice touch.
The discs are held in a Digipack that also contains a fold-out
poster, which serves as an additional road map/guide to the three
different versions of the film. In addition to this, you get a very
nice 32-page booklet with more photographs and liner notes. All of
this is enclosed in a gorgeous slipcase. Really about the only thing
that's missing in this set is a Spielberg audio commentary track,
and as most of you know by now, Spielberg doesn't believe in doing
them. I'm sure that someone, someday, will create a still more
elaborate special edition of Close
Encounters, but this'll do just fine for me in the
meantime. I would even go so far as to say that this Blu-ray Disc is
one of the very best special editions we've seen yet in either
high-definition format.
For my money, Close Encounters
is Steven Spielberg's most interesting work. It's certainly my
personal favorite of his films. As such, it's gratifying to see that
Sony has finally released it in a truly comprehensive special
edition. If you're as much a fan of the film as I am, whether you
buy the DVD version or this Blu-ray Disc, this ultimate edition is
worth every penny. It deserves a place in the collection of every
serious film enthusiast.
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Pixar
Short Films Collection: Volume 1
1986-2007 (2007) - Pixar/Disney (Buena Vista)
Released on Blu-ray Disc on November 6th, 2007
Shorts (collectively): B
Video (1-20): 10/20 (early/later)
Audio (1-20): 15
Extras: C
Specs and Features:
54 mins total, G, AVC 1080p, various aspect ratios, BD-25 SL,
Regions A/B/C, Elite Blue HD packaging, 13 shorts (The
Adventures of André & Wally B., Luxo
Jr., Red's Dream,
Tin Toy, Knick
Knack, Geri's Game,
For the Birds, Mike's
New Car, Jack-Jack Attack,
One Man Band, Mater
and the Ghostlight and Lifted),
audio commentary by John Lasseter and others, The
Pixar Shorts: A Short History featurette, 4 Sesame
Street segments produced by Pixar, animated
Pixar-themed root menus, short access (13 shorts), languages:
Uncompressed PCM 5.1 & 2.0 (English - 48 kHz/24-bit), Dolby
Digital 5.1 & 2.0 (English, French, Spanish), subtitles:
English SDH, French and Spanish
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Anyone
who loves CG animation, and Pixar animation in particular, will
thoroughly enjoy the new Pixar Short
Films Collection: Volume 1 on Blu-ray. Think of it as a
sort of prologue or bonus disc to the new
Ratatouille
and
Cars
releases. Not only is it a collection of all of the company's
ground-breaking short films, it serves as a defacto early history of
Pixar Animation Studios.
All thirteen shorts produced by the company are included here, in
their original aspect ratios. Unfortunately, the best masters
available for the earlier shorts - The
Adventures of André & Wally B., Luxo
Jr., Red's Dream
and Tin Toy - are of lesser
resolution and quality, so don't expect to be blown away by the
picture and sound. They're included here in the best quality
possible. All of the other shorts, however, are presented in
stunning high-def transfers mastered directly from the digital
animation files. As such, they look and sound spectacular - every
bit as good as you'd hope. There's a little bit of duplication here
with the Ratatouille and Cars
discs, as Mater and the Ghostlight,
One Man Band and Lifted
are available on those releases as well. Still, this is a nice
compilation.
Each short is accompanied by audio commentary with John Lasseter
and/or other original Pixar staffers. You also get a cute, 20-minute
retrospective featurette, The Pixar
Shorts: A Short History, which looks at the creation of
many of the early shorts and offers a glimpse back at the early days
of the company. You'll see behind-the-scenes photos and video from
back in the day, and hear from many of those who created the shorts
in new interviews. Given how simplistic they seem today, it's easy
to forget just how cutting-edge many of these early shorts were back
in the 80s. I really got a kick out of hearing Lasseter and others
talk about what it was like to preview them to early attendees of
SIGGRAPH, who simply exploded in delight upon seeing the then-new
and stunning techniques of CG animation. Anyone who knows what a
TRS-80 or Commodore 64 is will appreciate and enjoy this piece. This
disc also includes several very short segments produced by Pixar for
inclusion in Sesame Street
episodes (featuring Luxo and Luxo Jr.).
Unfortunately, the only thing that's missing is the original version
of Knick Knack, which some of
you might recall featured a slightly (okay, significantly) more
buxom bathing beauty and mermaid. See these images (found
here
online)...
It's no wonder the little Snowman was trying so hard to break out of
his globe. As the story goes, when this short was released in
theaters attached to Finding Nemo,
the MPAA demanded the change in order to receive a G rating. It
would have been nice to have the original version included here for
completeness sake, but unless it's hidden as an Easter egg, it
doesn't seem to be here. I believe the original version WAS released
previously on disc on the Toy Story
laserdisc box set, and it might be available on DVD elsewhere as
well. If anyone knows of a disc that includes it, please let me know
and I'll update this review.
While I wouldn't call the Pixar Short
Films Collection: Volume 1 on Blu-ray (or DVD) a
must-have, it IS a fun release and it does make a nice complement to
the other new Pixar titles on disc. Fans will certainly want a copy
in their collections. As for the rest of you, if you can get it for
a nice sale price, it's worth a look.
Bill Hunt
billhunt@thedigitalbits.com
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