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The
Spin Sheet
DVD
reviews by Bill Hunt (with Todd Doogan) of The
Digital Bits
Two-Disc
Special Edition
Collector's
Gift Set Tin
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Forbidden
Planet
50th Anniversary Two-Disc Special
Edition - 1956 (2006) - MGM (Warner Bros.)
Film Rating: A+
Disc Ratings (Video/Audio/Extras): A/B/A-
The year is 2257. United Planets Cruiser C57D has been
dispatched on a years-long mission to Altair IV, to rescue the
survivors of the Bellerephon, a deep-space expedition ship with
which Earth has lost contact. When they arrive, Commander Adams
(played by Leslie Nielsen) and his crew discover that, of the
Bellerephon's crew, only the mysterious Dr. Morbius (Walter
Pidgeon) and his daughter (Anne Francis) have survived. Yet
despite seemingly dire circumstances, Morbius has built a
virtual paradise for himself, with the assistance of his
futuristic servant, Robby the Robot, and some kind of advanced,
previously unknown technology. Shortly after Adams informs
Morbius of his orders to collect the doctor and his daughter and
return them to Earth, an invisible force begins attacking his
crew. And when Morbius refuses the order to leave, Adams and his
men quickly discover the doctor's shocking secret.
Directed by Fred McLeod Wilcox and filmed in spectacular
CinemaScope, Forbidden Planet
had a tremendous influence on virtually every sci-fi film and TV
series that followed it. A surprisingly adept retelling of
Shakespeare's The Tempest,
it was one of the first genre films to treat its subject matter
seriously, rather than playing it for camp in the over-dramatic
style that dominated 1950s B-grade fare.
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Pigeon
is terrific here as the brilliant, but egomaniacal, Dr. Morbius.
It's also easy to forget that, long before the Naked
Gun films, Leslie Nielson made quite a name for himself
in serious acting roles. And if you look closely, savvy genre fans
will also spot another familiar face... Richard Anderson as the
ship's chief engineer (you might know him better as Oscar Goldman
from The Six Million Dollar Man).
With its then breakthrough special effects, its highly-stylized
production design, and its eerie electronic score, Forbidden
Planet is simply not to be missed.
MGM's previous DVD release was one of the first titles it issued on
the format back in 1997. It was a flipper, featuring both 2.35:1
anamorphic widescreen and full frame video on opposite sides of the
disc. Audio was available in Dolby Digital 2.0 Surround, and the
only extra was a theatrical trailer. The disc was fine for its day,
but as the years have passed, its transfer and compression quality
in particular have suffered in comparison to more recent releases.
Thankfully, Warner Bros. has seen fit to release a new 2-disc
special edition in honor of the film's 50th anniversary. The new
high-definition transfer is breathtaking. The original film elements
have been restored to exceptional condition, resulting in a video
image of surprising clarity and depth. The image boasts bold,
accurate and richly saturated colors, and a wide range of contrast
that allows for copious detail and texture, even in darker areas of
the frame. Audio is present in a newly-remixed Dolby Digital 5.1
track that retains much of the character of the original mono
presentation, and yet envelopes the listener in subtle atmosphere.
Extras on Disc One of the set include an interesting selection of
deleted and extended scenes taken from a workprint version of the
film (rough looking but cool to see), a sampling of 'lost' footage
including various camera tests and unused effects shots, a pair of
excerpts from episodes of MGM Parade
that promoted the film, a complete episode of The
Thin Man TV series featuring Robby the Robot, the film's
theatrical trailer (in anamorphic widescreen) and trailers for six
other Warner sci-fi titles. Disc Two adds a trio of excellent
documentaries. The first is a fun piece called Watch
the Skies!, that appeared on the TCM cable channel. It
features a wide range of Hollywood directors talking about the
history of science fiction films. Included are George Lucas, Steven
Spielberg, Ridley Scott and James Cameron. The second piece, Amazing!,
looks at the making of Forbidden Planet,
and features interviews with cast members Leslie Nielsen and Anne
Francis, and a host of film effects wizards, historians and
directors, including John Landis, Bob Burns, John Carpenter, John
Dykstra, Dennis Muren, Joe Dante and others. The third documentary
focuses specifically on the design and construction of Robbie the
Robot, again offering interviews and a look at rare photos and
artwork. The final bonus item on Disc Two is a whole other film,
MGM's The Invisible Boy
(1957), which also features Robby as a main character. About the
only thing you might wish to have that's missing on this disc is an
audio commentary track. It's otherwise a great batch of bonus
material.
This DVD is available as a stand-alone 2-disc set as well as an
ultimate collector's edition gift set, packaged in a metal tin case,
that also includes poster art cards and a plastic replica of Robby
(see picture below). The film will also be released in
high-definition 1080p video on the new HD-DVD format, also available
both as a regular release and packaged in an identical tin gift set.
Whichever version you choose, Forbidden
Planet is a landmark of the sci-fi genre, deservedly
ranking right alongside such influential classics as 2001:
A Space Odyssey and Star Wars.
It's also a surprisingly entertaining and thought-provoking film, as
well as a veritable feast for the eyes with its wide CinemaScope
canvas and lush color palate. Forbidden
Planet is great fun and highly recommended.
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Three-Disc
Special Edition
Single-Disc
Edition
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Brazil
Three-Disc Special Edition
- 1985 (2006) - Universal (Criterion)
Catalog # 51.1-3 (reissue)
Film Rating: A
Disc Ratings (Video/Audio/Extras): A/A/A+
[Editor's Note: Portions of the film
review are by Todd Doogan]
Brazil is visionary
director Terry Gilliam's retro-futurist tale of one little man's
fight against the Machine. The film depicts an Orwellian society
that doesn't tolerate dissent or contrary thinking, so anyone
who's against the government is scooped up, tortured for
information and killed... all very quickly and efficiently. The
story starts with a bug, literally, getting caught in the system
and causing a typo. It seems that the government is after
someone named Archibald Tuttle, but the bug causes one of the
arrest sheets to read Archibald Buttle... and you can guess what
happens next to poor Mr. Buttle. Enter Sam Lowry (Jonathan
Pryce), a salaryman technocrat who discovers the error via an
overcharge in government records (very nudge-nudge - the
government charges those who are tortured a fee for the
service). Lowry tries to remedy Buttle's situation, but
encounters problems at every turn. He's drawn so deeply into the
complex machinations of the system, that he eventually finds
himself in the torturer's chair.
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Those who know Gilliam are familiar with his gritty and visceral
style of filmmaking. He knows how to conjure up compelling imagery -
sights that are beautiful and disturbing, often at the same time -
and he doesn't hold back an ounce here. Brazil
is raw, surreal and visually stunning. It's not necessarily
Gilliam's most accessible work, but it's certainly his masterpiece.
That is to say, it most embodies the things Gilliam himself has
stood for throughout his career.
Universal first released this film on DVD back in 1998, as a
non-anamorphic, movie-only edition. A year later, Criterion released
an elaborate 3-disc edition of Brazil,
that was widely hailed by critics (including ourselves here at The
Bits) as one of the best DVD special editions available
at the time. The only problem with the release, was that it was
issued before Criterion began using anamorphic enhancement on their
widescreen releases. Thankfully, Criterion has finally been able to
correct that oversight. The company has just reissued the original
3-disc set exactly as it was first presented, except with a brand
new high-definition transfer of the film in anamorphic widescreen,
personally supervised and approved by Gilliam himself.
Disc One of the set includes this gorgeous new anamorphic transfer
of the director's 142-minute, "final cut" version of the
film. The image is smooth and natural looking, with excellent
texture and shadow detailing - important given the darker tone to
the visuals. Light to moderate grain is visible but is never
distracting, lending an appropriately film-like quality to the
image. Colors are muted by design, but accurate and well
represented. The added resolution here is a huge improvement over
the previous version. The audio quality is somewhat improved as
well. It's presented in a Dolby Digital 2.0 surround mix that's
surprisingly immersive, with good low frequency. The track has also
been "restored" to remove pops, clicks, hiss and other
unwanted audio defects.
Even today you'd have to go pretty far to find a more thorough
special edition treatment of a film. This 3-disc set has everything
you could ever possibly want to know about the film on it. In
addition to the theatrical cut on Disc One, you also get audio
commentary by Gilliam, who is always a joy to listen to, and a
booklet (in the case) containing liner notes and an essay on the
film by critic Jack Matthews.
Disc Two adds a pair of first-rate documentaries on the film, What
is Brazil? and The Battle of
Brazil: A Video History, which are each as witty and
brilliant as they are informative. The disc also includes a Production
Notebook, complete with storyboards from all the dream
sequences (including some that were cut from the film), production
photos, costume design sketches, production notes, special effects
test clips, discussion of the script and score, the film's
theatrical trailer and interviews with most every creative person
behind the making of the film.
Finally, Disc Three includes the infamous 94-minute "Love
Conquers All" television version of the Brazil.
It's presented in full frame and features an alternate opening, an
upbeat ending and many other changes that Gilliam himself refused to
make. It's surprising just how different this version is. All of
this footage was shot by Gilliam, but it was edited by someone else
without his supervision (at Universal's direction), and you
definitely see how editing can change things like character, tone
and story. The video and audio quality here is just okay, but it's
really only a curiosity piece anyway. It's more than good enough to
serve its purpose for being included in the set. The "Love
Conquers All" version features an audio commentary track by
historian David Morgan. He's not as passionate about his commentary
as Gilliam, but he does shed plenty of light on this cut of the
film, pointing out which scenes were alternate takes and
illuminating the plot points brought up in the more definitive
version (and lost here).
We should note that the new anamorphic transfer is available both
in the reissued 3-disc set and also in a new single-disc edition. If
you haven't got the original 3-disc set, you owe it to yourself to
add the reissued version to your collection. But if you do already
have the original set, you can simply buy the new single-disc
edition and replace Disc One of your set with it (the disc marked
51.1) - that's the only disc that's changed. Keep in mind again
that, other than the transfer, the extras on each disc are identical
in every respect.
Brazil is one of the biggest
little films ever made, interesting not only for its content but
also its production. No matter what you think of it, your reaction
will likely be passionate - it has that kind of effect on people.
Once you learn about all of the problems and fights it took to get
the film made (or even seen), you'll be amazed that it happened at
all. Criterion's 3-disc release remains, to this day, one of the
best DVD special editions you'll ever have the pleasure to
experience, and it's finally been updated with a state of the art
transfer. It's pretty tough not to be happy about that, and we
certainly are. Very highly recommended.
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It's
a Wonderful Life
60th Anniversary Edition
- 1946 (2006) - Liberty Films/R.K.O. (Paramount)
Film Rating: A+
Disc Ratings (Video/Audio/Extras): A+/B+/B-
Both Jimmy Stewart and director Frank Capra have called It's
a Wonderful Life their best work, and it's hard to
argue the point. Stewart, in his first acting role after
returning from World War II (he was a pilot in the Army Air
Force) gives the performance of a lifetime as George Bailey, the
likable everyman who yearns to leave his small town behind, to
see the world and make his fortune. As fate would have it, of
course, events conspire to keep George in tiny Bedford Falls,
where he must bear the seemingly thankless task of keeping the
family business (a tiny Building and Loan) afloat after the
death of his father. To make matters worse, the greedy Mr.
Potter (actor Lionel Barrymore as the local miser and Grinch)
will stop at nothing to put the Building and Loan out of
business, as part of his bid to own everything in town.
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But
George has the love, strength and inspiration of his childhood
sweetheart Mary Hatch (Donna Reed) to help him endure, not to
mention a true rogue's gallery of friends and family. And in his
darkest hour, a lowly, second-class guardian angel named Clarence is
there to show George the true value of his life.
Few filmmakers have been as prolific as Frank Capra in exploring
the human condition. Ever idealistic, Capra endowed all his films
(among them Mr. Smith Goes to Washington,
You Can't Take it With You,
Lost Horizon and It
Happened One Night) with a somewhat simplistic sense of
hope and optimism, leading some to criticize his work. But that same
optimism has helped to ensure that few filmmakers' work has been as
enduing as Capra's. And no film is more exemplary of his ideals than
It's a Wonderful Life.
The film boasts a terrific cast, from leads Stewart and Reed, right
down to the supporting players (all top-flight character actors in
their day). Few actors have breathed life into a character as vile
and universally derided as Barrymore's Mr. Potter. Henry Travers and
Thomas Mitchell are both wonderful as Clarence and Uncle Billy. But
it's Ward Bond and Frank Faylen that I enjoy most, in their comical
roles as the original Bert and Ernie.
It's hard to believe now, but It's a
Wonderful Life was largely unsuccessful when first
released in 1946. Moviegoers then found it too dark and depressing
to embrace. It was not until the film's copyright expired in the
70's that it finally found a wide audience. TV stations around the
country were suddenly able to air the film without charge, and air
it they did, particularly around the holidays. The rest, of course,
is film history.
Republic first released this film on DVD back in 1998, and the
transfer was fine for its day. Paramount has recently taken over
distribution of the film however, and for its 60th anniversary,
they've taken the opportunity to restore the film and create a brand
new high-definition master. The new disc features a superior video
presentation in the original full frame aspect ratio. While the
previous DVD had a slightly digital look to it, this new image is
wonderfully smooth and detailed, without appearing edgy or
artificially filtered. It's presented in the original B&W, and
features excellent contrast, texture and shadow detailing. The image
is noticeably cleaner than the previous DVD, with far less visible
dust, dirt and nicks on the print, and with an appropriately
film-like quality that's very pleasing to the eye. The audio is
improved as well, presented in Dolby Digital 2.0 mono. Dialogue is
clear at all times, and the track thankfully fixes the defects that
hampered the previous DVD's audio, which caused the sound to
occasionally take on a muffled quality.
The previous disc featured a pair of documentaries, The
Making of It's a Wonderful Life (hosted by Tom Bosley)
and A Personal Remembrance
(narrated by Frank Capra, Jr.), along with the film's theatrical
trailer. These were included on the flip side of the disc.
Paramount's new DVD includes the exact same features, but you no
longer need to flip the disc over to access them.
As a student of film history, one of the greatest pleasures I've
found in DVD is in rediscovering the rarely-seen original quality of
classic films. I'm pleased to say that It's
a Wonderful Life has never looked better than it does on
this new 60th Anniversary DVD from Paramount. If you already have
the previous DVD, the only reason to upgrade to this new disc is for
the new transfer. Still, the video and audio improvements are
noticeable, such that if you really love the film, it's worth
trading up. If, on the other hand, you've never owned It's
a Wonderful Life on DVD, there's never been a better time
to add this delightful classic to your collection.
Bill Hunt
billhunt@thedigitalbits.com |
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