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The
Spin Sheet
DVD
reviews by Bill Hunt, editor of The Digital
Bits
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The
Fifth Element
Superbit Ultimate Edition
- 1997 (2005) - Gaumont (Columbia TriStar)
Film Rating: B
Disc Ratings (Video/Extras): A/B
Audio Ratings (DD/DTS): A-/A
Korben Dallas (Bruce Willis) is a down-on-his-luck New York City
cabbie. Retired from military service as a space fighter pilot,
he's been having a hard time adjusting to civilian life. Things
begin to change however, when a mysterious and beautiful girl
named Leeloo (Milla Jovovich) literally falls out of the sky and
lands in the back seat of his cab one day. Before long, it seems
as if everyone on Earth (and off it) is suddenly after either
Leeloo or Dallas himself, including a priest (Ian Holm), a
crimelord (Gary Oldman), the military, the police, a strange
group of alien thugs and even a bizarre radio show host (Chris
Tucker). Little does Dallas know, Leeloo may be the key to
solving a thousand year old mystery... and possibly the only
thing standing between the Earth and the threat of destruction
by an unthinkable Evil.
The Fifth Element is an
incredibly hard film to categorize. It's science fiction
certainly, but it's also infused with elements of fantasy,
action and even comedy. This is arguably the most visually
captivating and stylish vision of the future to be seen onscreen
since Ridley Scott's Blade Runner.
It would exceptional for that reason alone if for nothing else.
This vision was almost completely inspired by, and ultimately
realized by, the legendary French comic book artists Jean-Claude
Mézières and Jean Giraud (known as Moebius to his
fans, the creator of Heavy Metal
magazine).
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Fortunately,
beyond its simple visual design achievement, The
Fifth Element works on a lot of other levels too. The
story is fascinating and engaging, and surprising performances by
Willis, Holm, Tucker, Oldman and Jovovich really bring it to life.
That's a truly unusual bunch of actors to assemble together
onscreen, but the ensemble gels against all expectations. Jovovich's
Leeloo is not just authentically alien in the way she speaks, but
also in the very way she looks at the world - indeed at everything
around her. You buy that this is a being that's fresh off the turnip
truck, so to speak. Earth isn't just new to her, she's new to life
itself. Jovovich sells her character, and thus manages to really tie
this film together convincingly.
The video presentation on this DVD is simply outstanding. Whenever
I'm looking to show off the quality of my video display, Leeloo's
balcony walk in future New York City from this film is always my
first choice. The film is presented in anamorphic widescreen, and
it's the same high-def transfer that was used for the previous
Superbit DVD release, complete with its maximum video bit rate. The
colors are stunning - lush and vibrant enough to pop off the screen.
Contrast is excellent too, with deep dark blacks. There's light to
moderate film grain visible as appropriate and the image is clean at
all times, with plenty of detail. THIS is reference quality video.
As you'd expect from Superbit, the audio options include both Dolby
Digital 5.1 and DTS 5.1 mixes. Whichever you choose, you're going to
be more than happy. The tracks are dynamic and natural, with a big
wide soundstage, good low frequency reinforcement in the sub, plenty
of panning and atmospheric use of the surrounds. The DTS mix is just
slightly more smooth and natural sounding to my ear. Both tracks are
excellent, regardless.
I was frankly surprised at the quality of the bonus material on this
set. There's over two hours of material in all, and every last bit
of it is worth viewing. Disc One includes an interesting subtitle
trivia track that constantly feeds you little bits of information,
some of it quite unexpected. Disc Two includes the majority of the
extras, complete with substantial featurettes on the production
design, the digital effects and model work, the alien creatures and
the costumes. There are also retrospective interview featurettes
with Willis, Jovovich and Tucker, a gallery of poster artwork for
the film from around the world, and an extensive look at test
footage for costumes, characters, sets and other elements. My
favorite of the extras is a featurette called The
Visual Element, which focuses specifically on the
lifelong friendship and work of Mézières and Moebius,
and their involvement with this film. Sadly, there's no director's
commentary, as Besson doesn't believe in them. There's also no
trailer for this film on the disc, although you do get trailers for
Léon: The Professional
and for other Columbia TriStar titles.
My only major complaint with the extras on Disc Two is that the
anamorphic coding seems to have been incorrectly done in the
authoring stage. Normally, the DVI processing on my DVD player can
smoothly switch between 4x3 and 16x9 material for display through an
HD/anamorphic video projector. Most of the extras on Disc Two are
anamorphic, but a few of the featurettes and bits of test footage
are full frame. Unfortunately, my player isn't reading the aspect
coding correctly on this disc - it thinks it's all anamorphic. So
unless I switch video modes in my player's setup menu, some of this
disc looks correct when displayed anamorphically, while the rest
looks unnaturally stretched. I don't know if everyone will have this
trouble, or if it's a specific issue with this title and my
particularly model of DVD player (a Pioneer DV-59AVi), but I found
it irritating.
The Fifth Element is far from
the best science fiction film you'll ever see, but it's certainly
among the most unique and intriguing. You'd be hard-pressed not to
find something to like here. Even at its silliest and most
outrageous, The Fifth Element
remains fully entertaining and engaging. Its futuristic world is
strange but functionally believable, and I enjoy it more with each
viewing. Better still, this is a nice DVD special edition, and the
quality of the Superbit presentation is absolutely eye-popping -
perfect for dazzling your friends.
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Léon:
The Professional
Superbit Deluxe Edition
- 1994 (2005) - Gaumont (Columbia TriStar)
Film Rating: A+
Disc Ratings (Video/Extras): A-/C
Audio Ratings (DD/DTS): B/B+
Léon is a simple man. He doesn't read or write. He's got
few possessions. His only vice is watching Gene Kelly and John
Wayne movies. But there's one thing he does better than anyone
else - he's a cleaner. As in assassin. Hitman. When it comes to
killing, he's the best hands down. Léon (Jean Reno) works
for Tony (Danny Aiello) in New York City's Little Italy
neighborhood. Tony is one of those guys in the neighborhood who
gets things done, you know what I mean? You got a problem, you
go to Tony. And when Tony's got a problem, he goes to Léon.
One day, Léon meets 12-year-old Mathilda (Natalie
Portman, in her first film appearance). She's a latch-key kid,
living with her white trash family in the apartment down the
hall. He's nice to her, and it makes an impression - nobody is
ever nice to Mathilda. While she's at the store one afternoon,
her family is killed by a group of crooked DEA agents led by the
psychotic Stansfield (Gary Oldman). Mathilda returns while the
agents are still there, quickly realizes what's happening and
pretends to be a neighbor, knocking terrified on Léon's
door instead. Against his better judgement, Léon opens
the door to his apartment, in that simple act saving her life.
Before long, he finds that she's opened the door to his heart as
well. What follows is an unlikely and touching Beauty
and the Beast-style love story, albeit a somewhat
innocent one. Léon quickly realizes that the one thing
Mathilda wants more than anything else is revenge, so he does
the only thing he can... he teaches her to clean.
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Léon:
The Professional is as close to perfect as any film I've
ever seen. It's a spin-off of sorts from Luc Besson's previous La
Femme Nikita, based on Jean Reno's character in that film
(Victor the Cleaner). Léon
plays right into Besson's strength's as a director and visual
stylist - each killing, each action scene unfolds like a poetic
dance. It is easily his best film, and it's the role Reno will
always be remembered for. He brings tremendous depth to a character
that we end up learning very little about. It's his nuances as an
actor that flesh Léon out - we learn everything we need to
from Reno's simple gestures and facial expressions. Gary Oldman
plays a f__king nut better than anyone in the business, which is
perfect because that's exactly what the pill-popping, on-the-edge
Stansfield is. And it's hard to find words to describe Portman's
performance. She simply steals the show. To make things even better
composer Eric Serra provides the perfect musical score to accompany
the visuals. How good is this movie? Just watch the scene as
Stansfield's men first arrive to do their dirty work, slinking
through the frame accompanied by music you'd expect to hear in a
jungle film when the tiger's stalking its prey. Amazing.
This new 2-disc Deluxe Edition
from Columbia TriStar includes the film in its extended,
international version (133 minutes). The anamorphic widescreen video
here is the exact same transfer as the previously released Superbit
DVD. Colors and contrast are nearly perfect, and the video bit rate
has been maxed out to ensure the highest quality. The only real
video issue here is that the grain structure of the film
occasionally seems a little... coarse isn't quite the right word.
The print is occasionally a little soft looking, so the video is
sometimes lacking in detail. But it's a minor quibble. This is
absolutely the best possible presentation of this film on standard
DVD.
The audio is also very good, available in both Dolby Digital and
DTS 5.1 flavors, as you'd expect of a Superbit DVD. Most of this
film is driven by dialogue, which is clear and clean in both tracks.
When the guns start blazing, you'll hear every shot rip through the
air accompanied by hammering bass. The soundstage is nicely wide.
The play in the rear speakers is subtle but it's there. The DTS
track is slightly more atmospheric and immersive, while the Dolby
Digital mix is a little more biased to the front part of the
soundstage. That's really the only difference between them.
The good news is that the extras on this 2-disc set are well
executed, but they're unfortunately not plentiful. Disc One includes
a subtitle trivia track that actually imparts quite a lot of
information, some of it truly fascinating. The rest of the extras
are on Disc Two, and include a 25-minute retrospective featurette
(featuring interviews with most of the cast and crew including Reno
and Portman, although neither Besson or actor Gary Oldman appear), a
12-minute biographical featurette on Reno, and a 14-minute
featurette on Portman (it's less biographical in terms of her life,
but she does talk quite a bit about how she got involved with this
film). All of these featurettes are anamorphic. There are also
preview trailers for The Fifth Element
and other Columbia films, but not this one. Again, there's no
director's commentary - Besson doesn't believe in them.
The bad news is that this 2-disc set does NOT include the American
cut of the film (110 minutes) so you'll have to keep the first DVD
release of The Professional if
you want that (rest assured THIS cut is much better however). As I
said, this set doesn't include the film's theatrical trailer. Also
missing is Serra's score for the film on an isolated track, so
you'll also have to keep the previous DVD release of Léon:
The Professional if you want both of those items. That
means there are going to be three separate editions on your shelf if
you want all the available bonus material for this film (the only
one you can safely ditch is the previous Superbit release).
I just love those calm little moments before the storm... and I
really love this film. If you haven't seen Léon:
The Professional yet, you don't know what you're missing.
The DVD quality here is first rate, and though it's sadly not
comprehensive, this is arguably the best special edition treatment
the film has received on DVD to date.
Bill Hunt
billhunt@thedigitalbits.com |
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