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created 12/15/97. |
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review
added: 3/4/04
The
Final Countdown
2-Disc
Limited Edition - 1980 (2004) - Blue Underground
review
by Bill Hunt, editor of The Digital Bits
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Film
Rating: B+
Disc Ratings (Video/Extras): B/B+
Audio Ratings (DD/DTS): B/B+
Specs and Features
Disc One - The Film
102 mins, PG, letterboxed widescreen (2.35:1), 16x9 enhanced,
THX-certified, single-sided, RSDL dual-layered (layer switch at
60:02 in chapter 13), keep case packaging, audio commentary with
director of photography Victor J. Kemper and Blue Underground's
David Gregory), teaser trailer and 2 theatrical trailers, 2 TV
spots, lenticular cover art, film-themed menus with music, scene
access (22 chapters), languages: English (DD 5.1 and DTS 5.1),
subtitles: English, French and Spanish, Closed Captioned
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Disc
Two - The Extras
Lloyd Kaufman Goes Hollywood: Interview
with Associate Producer Lloyd Kaufman featurette (14 mins
- 16x9, DD 2.0), Starring the Jolly
Rogers: Interviews with The Jolly Rogers F-14 Fighter Squadron
documentary (31 mins - 16x9, DD 2.0), 4 artwork & still
galleries (including poster art and publicity stills, U.S. pressbook
images, behind-the-scenes photos and U.S.S. Nimitz photos), Kirk
Douglas biography, DVD-ROM feature (Zero
Pilot's Journal in Adobe PDF format), film-themed menus
with music
The Final Countdown is a 1980
B-movie classic. The story is pretty straight-forward action with a
very cool sci-fi hook. The basic premise is this... what if a
modern, U.S. Navy aircraft carrier were suddenly to find itself sent
back in time to the eve of the Japanese attack on Pearl Harbor in
December, 1941? Imagine you're the captain of that aircraft carrier.
Do you honor your duty to your country, and launch your jet fighters
to wipe out the Japanese attack force and naval fleet, and thus
change the course of history? Or do you let events play out as
history says they must? Is it even possible to change history?
Matt Yelland (Kirk Douglas) is the captain of said aircraft
carrier, the nuclear-powered U.S.S. Nimitz. After waiting two days
to take on civilian observer Warren Lasky (Martin Sheen), the Nimitz
has finally departed from its home port in Pearl Harbor, Hawaii on a
routine cruise. Lasky has been sent by the mysterious Mr. Tideman,
the head of a major defense contractor, to observe the ship's
operations and report on its efficiency. This doesn't sit too well
with Yelland and his crew, especially the commander of the ship's
F-14 Tomcat fighter squadron, Richard Owens (James Farentino).
Still, they're willing to play along. Things get more tense,
however, when the ship passes through a strange electrical storm at
sea. All of a sudden, radio contact with their escort ships and
Pearl is lost, and there's nothing but vintage broadcasts coming in
over AM radio. Yelland and Owens suspect that it's all an exercise
that's being staged for Lasky's benefit. But when their
reconnaissance planes take pictures of WWII-era battleships moored
back at Pearl Harbor - pictures that match those taken on December
6th, 1941 - they have to start facing the very real prospect that
the storm might actually have been a time warp, and that the Nimitz
is the only thing standing in the way of an all-out Japanese attack.
Three things make The Final Countdown
extremely effective as a film. First of all, the sci-fi hook is very
simple, and yet highly clever. Other than the actual scenes in which
the ship passes through the time warp, there's virtually none of the
usual trappings of sci-fi in this film. What that means is that the
rest of the film is very straightforward action/drama, as the
characters react to the situation they're in. The second thing that
works here, is that this film was shot ENTIRELY on location on the
real Nimitz, and in and around the actual vintage and modern
aircraft depicted in the film, with the cooperation of the U.S.
Navy. The ship's operations you'll see are very accurate - more so
even than what was featured years later in Top
Gun - because they're the real thing. There's a scene in
this film in which a pair of F-14s plays tag with a pair of vintage
Japanese Zeros, and you're watching the REAL F-14s and Zeros in the
frame. There's almost no special effects involved. All of this gives
The Final Countdown an
immediacy and authenticity that most sci-fi films lack, particularly
the B-grade ones. Finally, this is a first-rate cast of actors, each
of whom is excellent in their respective rolls. In addition to the
players listed above, you'll also find Charles Durning and Katharine
Ross here, as a U.S. Senator and his assistant from the past.
Producer (and Troma legend) Lloyd Kaufman even makes a cameo. This
flick is just damn great.
And it's FINALLY on DVD in the quality and style it deserves! You
fans have been waiting a long time for this, and we're pleased to
say that you're going to love this new 2-disc special edition from
Blue Underground. To start with, the film looks wonderful here, in
full anamorphic widescreen video. The original camera negative has
been given a THX-certified, high-definition transfer. Frankly, I'm
surprised at how good the film looks, given its spotty history of
ownership over the years. The print is in very good condition.
You'll see a little softness in spots, and there is moderate visible
grain throughout the film. Despite that, detail is generally quite
nice, and contrast and color are booth satisfactory as well. I'll
tell you, I never expected to see the film looking this good on DVD.
It's not going to win any awards for transfer quality, but I'm very
happy.
As good as the film looks, it sounds even better. You'll find
remixed audio in both Dolby Digital 5.1 EX and DTS 6.1 ES flavors -
no kidding. Both tracks are excellent, with nice dynamic range,
adequate low frequency and very good creation of atmosphere. The
surrounds really kick in during almost any scene with jet aircraft,
and you'll hear plenty of panning and directionality in that scene
with the F-14s and Zeros. Dialogue is always clean and clear, and
the score for this film has never sounded so good. A nice job
sonically.
Yeah, and we're not done. There aren't a LOT of extras on this
special edition, but what you get is great - every last bit of it.
First up, there's a good audio commentary track featuring Blue
Underground producer David Gregory chatting with the film's director
of photography, Victor J. Kemper. You can tell that he's very fond
of this film and of his experience making it. He has some great
behind-the-scenes stories to tell about what it was like to work
with the Navy on the actual carrier, etc. Right off the bat, he
tells a great story about the film's opening shot, in which you see
an F-14 taking off. It seems that on the first take, they set the
camera up too close to the fighter's engines, so that when it
throttled up to full afterburners, both the camera and its operator
were sent tumbling. The track probably hasn't got a lot of repeat
value, but it's a good initial listen.
Next up, you get a pair of documentary featurettes. In the first,
which runs about 14 minutes and is (surprise!) anamorphic, Lloyd
Kaufman dishes dirt about his experience as an associate producer on
this film. He's got some funny stories to tell, both good and bad,
as well as some fascinating comments on the various participants
involved. His experience on The Final
Countdown is what made him finally decide to work
independently of Hollywood, so there's some good mileage to cover
here. The second piece is a full half-hour in length, and is again
anamorphic. It's a new interview with several of the retired F-14
Tomcat pilots who actually worked on the film, doing all of the
aerial camerawork and stunt flying. Immediately, you can tell that
they had a blast on the film and are very proud of it. They also
have great chemistry together. There are some very funny stories
told here about what it was like as Navy pilots to work on a film,
and interact with the actors. They even muse on what they might have
done if they'd been in the position of the characters, going back in
time to December 6th, 1941. This is a bunch of guys you'd love the
chance to have a beer with and shoot the breeze. The result is a
really great piece, that's a lot of fun to watch.
Also included on this 2-disc set are a trio of teaser and
theatrical trailers for this film, again all in anamorphic
widescreen, as well as 2 TV spots and a number of image galleries,
which let you view poster art and publicity stills, the U.S.
pressbook for the film (hard to read, but it's still cool to see
it), behind-the-scenes photos and shots of the real U.S.S. Nimitz.
You also get a biography on star Kirk Douglas. Finally, there's a
very cool DVD-ROM extra, called the Zero
Pilot's Journal. It's a text account (with photographs)
of the work of the Confederate Air Force pilots who owned and flew
the vintage Zeros seen in the film. This is a great read, and is
basically just an Adobe PDF file, so PC and Mac users alike can
access it. A nice touch.
Man... it's about damn time. I've loved this film since the day I
first discovered it in theaters with friends back in the 80s, and
I've been revisiting it on cable ever since. The
Final Countdown is easily my favorite guilty pleasure
film, and this DVD version makes very, very happy. Anamorphic video,
DTS audio, audio commentary, featurettes you actually enjoy
watching... hell, you even get a cool lenticular hologram on the
cover. Turn it back and forth and the Nimitz disappears and
reappears in the time warp. How frickin' cool is that? It's clear
that the team at Blue Underground loves this film as much as the
fans do. Now if I could just get someone to release
The
Last Chase on DVD... hint, hint.
Run, don't walk, to add this spiffy DVD to your collection.
Bill Hunt
billhunt@thedigitalbits.com |
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