Site
created 12/15/97. |
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review
added: 3/23/04
Beyond
the Mat
Ringside
Special Edition - Unrated Director's Cut - 1999 (2004) -
Universal
review
by Brad Pilcher of The Digital Bits
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Film
Rating: B+
Disc Ratings (Video/Audio/Extras):
B-/B-/B+
Specs and Features
108 minutes, NR, full frame (1.33:1), single-sided, single-layered,
Amaray keep case packaging, audio commentary (with director Barry
Blaustein & Terry Funk), Up Close and
Personal Conversation visual commentary (with director
Barry Blaustein, Mick Foley & Jesse Ventura),
Dinner with the Legends
discussion (with Mick Foley & Jesse Ventura), theatrical
trailer, production notes, cast & filmmaker bios, program-themed
menu screens, scene access (20 chapters), languages: English (DD
2.0), subtitles: English, Spanish, French
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"The movie Vince McMahon doesn't want you to see!"
So professional wrestling is funny, right? There are men in spandex
underwear. There are men in spandex underwear groping around with
each other. There are men in crazy costumes doing bad acting in
over-the-top plots. Then they pretend to beat each other up. It's
fake. It's low class. In short, it's all just a bit embarrassing.
So be it. When I was a kid, I was a huge fan. I went down to the
Civic Center in Atlanta to watch TV tapings of WCW. My parents would
surprise me with WWF pay-per-views. I pretended to wrestle with my
friends, and then I grew out of it. There was a brief period in
college when I became a fan again. For a few years there, wrestling
was cool again.
Those few years are the focus of the documentary,
Beyond the Mat. Made by
wrestling fan Barry Blaustein, the film takes a look behind the
curtain to see the makings of the wrestling industry. For more than
an hour and a half, Blaustein shows us the best and the worst of an
industry that most Americans look at as some sort of carnival of the
absurd. The truth, however, is that for all that's fake there is the
very real impact of a business that grinds its employees (and their
families) to dust. There's no union, no benefits, and most veterans
end up without much to show for their fame but memories.
The main thrust of the documentary is on three wrestlers in
particular: Mick Foley, Terry Funk, and Jake "The Snake"
Roberts. Foley is easily the most successful and happiest story in
the bunch. He's retired now, healthy with a beautiful wife and
children. Better yet, he's a best-selling author, but he could just
as easily have been a statistic. On more than one occasion, he came
close to being paralyzed or permanently maimed. As it is, he lost
one of his ears.
Funk hasn't been particularly less lucky, but he's torn his body to
shreds. His family is fearful for his health, and he just can't get
out of the game. Who knows if he'll live long enough to see actual
retirement? But the truly tragic character in this drama is Roberts,
who's both washed up and living with the shambles of a ruined life.
He's drug-addicted, with a loveless father, and a daughter he
essentially abandoned for a life on the road. Without any money and
fewer years ahead of him than behind him, Roberts is the essence of
how the wrestling business can go wrong for a performer.
It's all there, from the best to the worst, for fans and non-fans
alike. The best part of this documentary isn't that it gets behind
the scenes, but that it gets into the love of wrestling that
pervades everyone from the performers to the mark who believes it's
real. For those who want to lampoon professional wrestling as so
much fake theatrics of would-be-athletes would do well to watch this
film. It probably won't change your minds, but it will give you some
idea of the people who make the industry what it is, why they do it,
and how it is anything but fake to them. There's a love here, and it
shows up even when the film is discussing the worst of the wrestling
world.
This DVD, a re-release of the original disc, dives a bit deeper into
that love. Granted, the video is no better than before. Presented in
full frame with all the grainy qualities of wrestling TV footage
mixed in with stuff shot by Blaustein, the film presents wrestling
as it has always been seen, on the small screen. That doesn't,
however, lend itself to high-end video. So despite this being a
special new release, don't expect anything better than grainy stock
footage and your average documentary style cinematography.
The audio is much the same. As a documentary, it doesn't require
much in the way of range, and you don't get any. Presented in
2-channel Dolby audio, it's as good as the previous DVD release and
no better. This is something of a standard issue with documentaries,
so it's not really disappointing so much as it is hardly
exceptional.
The extras, however, are a place where documentaries can really
shine on DVD. By and large, this disc honestly aspires for
greatness. Blaustein has brought Mick Foley together with Jesse
Ventura, and we get a brief featurette featuring all three of them
discussing the film and the wrestling industry over dinner.
Blaustein acts more as a moderator, tossing questions towards
Ventura and Foley, with both heartily stuffing their faces while
they talk. It's a good little feature, and you kind of wish they'd
extended it.
Instead, the DVD splits off a considerable portion of this dinner
and turns it into a visual commentary track. This fragmentary affair
has the three participants watching the film and commenting on what
they see, but instead of doing a straight commentary, the DVD has
Foley and Ventura pop on the screen Mystery
Science Theater 3000 style. Plenty of pearls are there,
but mainly for the wrestling fans. That's not a slam, because the
information is generally good, with high quality insight into the
business of wrestling. Sadly, the execution is poor in so far as a
good idea collapses under the technical reality of most people's DVD
players. This would have been a great feature if they left them on
the screen the whole time. It's obvious they are talking virtually
nonstop over the entire film, but the DVD cuts back and forth
between them and the movie. On many a DVD player, this creates
jarring chapter switches. Granted, it's a one or two second freeze,
but it appears at the beginning and end of each little bit of
commentary. This could have been a cool feature, instead it's just
good commentary weighed down by a tedious technical flaw.
Better than that is the straight audio commentary track with
Blaustein and wrestler Terry Funk. It's not better content-wise, but
its execution makes it an easier piece of candy to swallow. Funk
takes many side paths, but all of his tangents are enjoyable
memories and insights into an industry he's been involved with for
four decades. A trailer and some standard production notes close out
the deal.
In the end, the film is one that will predominantly appeal to
wrestling fans, but in a way it's a larger insight into the American
culture and human nature in the microcosm of a carnival life. There
are the capitalist promoters, the human performers who end up good
and bad, and there's the family behind it all. It's more amazing
that these guys build the kind of community on the road, especially
in light of all the manipulation and backstabbing that goes on.
Perhaps that's life, and in the love that Blaustein has given this
film, we find a telling commentary on that life.
Brad Pilcher
bradpilcher@thedigitalbits.com |
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