Site created 12/15/97. |
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review added: 3/29/01
What Lies Beneath
2000 (2001) - DreamWorks
review by Dan Kelly of
The Digital Bits
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Film
Rating: C+
Disc Ratings (Video/Extras): B+/B
Audio Ratings (DD/DTS): B+/A-
Specs and Features
130 mins, PG-13 letterboxed widescreen (2.35:1), 16x9 enhanced,
single-sided, RSDL dual-layered (layer switch at 1:14:35 in chapter
14), Amaray keep case packaging, audio commentary (by producers
Steve Starkey and Jack Rapke, and director Robert Zemeckis),
HBO First Look featurette,
theatrical trailer, production notes, cast and crew filmographies,
animated film-themed menu screens with sound, scene access (24
chapters), languages: English (DD 5.1 and 2.0, and DTS 5.1),
subtitles: English captioned for the hearing impaired, Closed
Captioned |
Before I even get into
the review of What Lies Beneath,
I should tell you to avoid the extras (including the trailer) until
after you've watched the film. Trust me... you won't regret it.
Dreamworks has taken the liberty of giving away all the surprises in
What Lies Beneath in the
trailer, by showing all the plot points in the story (and the few
twists that made it exciting) in its two-and-a-half minute running
time. What that means for a movie like this, is if you happen upon
any of this material before actually seeing the film, it's not going
to be as enjoyable as it should or could be. What
Lies Beneath is an average thriller that did indeed have
a few interesting threads woven into its storyline. Had these parts
of the story NOT been shown in the trailers... perhaps it could have
been a little more effective than it was.
Okay... on to the story. The Spencers live quite comfortably in a
scenic, lakeside home in New England. Norman (Harrison Ford) is a
well-respected professor at a local university, and he spends much
of his time doing research in his lab. His wife, Claire (Michelle
Pfeiffer), spends her time at home raising their daughter. But after
their daughter leaves for college, Claire has a little more time on
her hands - time to notice the fishy goings on next door and an
increasingly angry spirit which seems to haunt their own house.
Claire eventually tells Norman what's going on at home, and also
that she suspects something freaky is going on next door with their
not-so-happily married neighbor couple. Naturally, he doesn't
believe her, so she does what any suspicious person would do - she
consults a ouija board and her otherworldly obsessed friend, Jody
(Diana Scarwid).
When Claire learns that the spirit in her house may have closer
ties to her home life than she originally thought, the story starts
to become a little more involving. Some of the scares here are
genuinely suspenseful, without ever being too hammy or extreme. It's
not often that a PG-13 movie can manage to be both suspenseful and
involving. This is also where Michelle Pfeiffer starts to carry most
of the weight of the movie. She's good in her role, and she lends
some integrity to a story that is sometimes over-the-top (especially
the ending) and awfully self-indulgent. Ten to twenty minutes could
easily have been shaved off of this flick and the story wouldn't
have suffered any.
The scares in What Lies Beneath
are often standard suspense setups and payoffs. They're not poorly
executed, but they don't offer anything that hasn't been done before
in movies with smaller budgets and more scares. This is a standard,
by the numbers type thriller, but it's dressed up with a first-rate
cast and a well-known director to make it stand out from the crowd.
This film is literally brimming with Hitchcock references. There's
so many references, in fact, that it teeters on distraction. It's
not that I don't get a kick out of the "homage" to
Hitchcock, but it feels like they're there to package this movie for
adults and legitimize what could otherwise be considered cheap
thrills.
On DVD, What Lies Beneath is
satisfying enough, but when compared to other Dreamworks releases,
it falls a little short. What we're given is a decent looking
anamorphic transfer, culled from a clean source print. Color
reproduction and saturation seem to be on, as do black level and
shadow detailing. What drags the picture down just a notch is the
lack of fine detail. It looks like Dreamworks tried to remedy that
with some edge enhancement, and that does create a small amount of
haloing around some of the brighter edges. A minor distraction, but
a distraction nonetheless.
What Lies Beneath, like most
of Dreamworks recent releases, comes with both DTS and Dolby Digital
5.1 tracks on the same disc. The Dolby Digital 5.1 track is a good
mix, but is only slightly above average. Bass response is adequate,
and the front end of the sound field is used to full effect. Much of
the track is very crisp and distinct, but the majority of the
movement in the mix involves the music. The surround channels are
used almost exclusively for the score, so the mix doesn't come
across as very lively. Ditto the DTS track. It's also a decent
sounding mix, but it only adds a bit more depth and strength to the
sound field as a whole. There's nothing inherently wrong with either
track, but they lack the strength of other really good DVD audio
mixes (U-571 and
X-Files: Fight the Future, for
example) that put you in the middle of the action.
The extras are the standard fare for a Dreamworks disc that's not
given the full special edition treatment. Best of the features is
the audio commentary by director Robert Zemeckis and producers Steve
Starkey and Jack Rapke. Zemeckis dishes out some good information
here and there, but never really sounds too excited about the
project. And the producers spend a great deal of time patting
Zemeckis on the back for a job well done, which definitely gets old
quickly. My guess is that it's only going to be good for a listen
once through. The behind-the-scenes featurette is the
HBO First Look segment that
aired prior to the film's release. Like the commentary track, this
also sheds some light on the making of the film. It's a promotional
piece though, so it's not going to knock your socks off with
insightful information. Cap this off with some production notes,
cast and crew bios and the theatrical trailer (in anamorphic
widescreen), and you've got a fair batch of extras.
What Lies Beneath is one of
those films where you're really better off knowing as little as
possible about the movie when you go into it. It's not the best
flick in the world, but it does manage to pull its strings together
tightly enough to become entertaining. It's a good Saturday night
rental and it makes for good viewing on DVD. If you like your
Hitchcock references shoved down your throat Brian DePalma-style,
then there's bound to be some entertainment value in
What Lies Beneath for you.
Dan Kelly
dankelly@thedigitalbits.com |
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