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created 12/15/97. |
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review
added: 5/21/01
updated: 5/21/02
Traffic
reviews
by Todd Doogan of The Digital Bits
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Traffic
2000 (2002) - USA Films (Criterion)
Film Rating: A-
Disc Rating (Video/Audio/Extras):
A+/A+/A+
Specs and Features
Disc One: The Film
147 mins, R, letterboxed widescreen (1.85:1), 16x9 enhanced, double
Amaray keep case packaging, single-sided, dual-layered (layer switch
at 1:18:33, in chapter 38), audio commentary (with director Steven
Soderbergh and writer Stephen Gagan, audio commentary (with
producers Edward Zwick, Marshall Herskovitz and Laura Bickford and
consultants Tim Golden and Craig Chretien), audio commentary with
composer Cliff Martinez (featuring two music cues not included in
the final cut), animated film-themed menu screens with sound, scene
access (69 chapters), languages: English and Spanish (DD 5.1 and
2.0), subtitles: English
Disc Two: Supplemental Material
25 deleted scenes (with optional audio commentary from director
Steven Soderbergh and writer Stephen Gagan), Film
Processing Demonstration: Achieving the Look of the Mexico Sequences
featurette, Editing Demonstration
featurette with commentary from editor Stephen Mirrione,
Dialogue Editing Demonstration
featurette with commentary by sound editor Larry Blake, 30 minutes
of additional footage (featuring multiple angles), U.S. theatrical
trailer, U.S. teaser trailer, 5 TV spots, U.S. Customs K9 Squad
Trading Cards, animated film-themed menu screens with sound, program
access
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Traffic
2000 (2001) - USA Films
Film Rating: A-
Disc Ratings (Video/Audio/Extras): A/A/D
Specs and Features
147 mins, R, letterboxed widescreen (1.85:1), 16x9 enhanced, Amaray
keep case packaging, single-sided, RSDL dual-layered (layer switch
at 1:30:09, in chapter 43), Inside
Traffic "making-of" featurette, photo gallery,
U.S. teaser trailer, U.S. theatrical trailer, German theatrical
trailer, 5 TV spots, film-themed menu screens with sound, scene
access (68 chapters), languages: English (DD 5.1 & 2.0),
subtitles: English, French and Spanish, Closed Captioned |
The
winner of four Academy Awards, Traffic
is composed of three intersecting and breath-taking stories about
the effects of drugs on North America. Michael Douglas plays a judge
who's just been appointed the Justice Department's new drug czar,
and whose daughter has become horribly hooked on dope. His world
spins into disarray around him, as he tries to be the powerful force
the country needs and learns how truly helpless one can be against
an enemy with so much power over you and your family. Meanwhile, on
what would seem like the other side of the world, Benicio Del Toro
plays a Mexican cop who's trying to fight the good fight against
drug lords alone, but finds that politics can be the real enemy.
Back in America, Don Cheadle is a well-meaning cop who's uncovering
the roots of the American drug trade, which go from dusty Mexico to
the pristine kitchen of a pregnant housewife (Catherine Zeta-Jones)
whose husband used to be the local kingpin. Now that he's in jail,
her way of life is threatened... and she's not having it. But to get
her way, she'll have to go through Cheadle... and he's not having
that either.
Although Benicio got the acting award for Traffic,
the real star of the film (in my mind) is Cheadle. He simply rocks
here. He's played a few weak characters in the past, even if they
were memorable and well acted, but nothing so far has reminded me of
his breakout role of Mouse from Devil in
a Blue Dress. His performance here is the closest to that
role. He gets to roar, laugh and cry. It's all very powerful. But
don't get me wrong, Benicio is great as well. He just tends to
always be the saving grace of the films he's in and, therefore, is
easily taken for granted. The superstar on the opposite side of the
camera is director Steven Soderbergh, who plays maestro for the
incredibly well-orchestrated production. He guides the story, as
cinematographer and chief storyteller, to the point that you'll
forget you're watching three individual stories. Soderbergh
definitely knows how to get the performances he needs. He's a master
of his craft and no one does it better.
When Steven Soderbergh's tour de force on the war on drugs first
came to DVD, I thought it looked great. But the original disc was
disappointing. The transfer was first rate, with all the important
colors perfectly represented. There was no artifacting, the grain
was as it's supposed to be, and the blacks were solid. It was a
definite A transfer. The audio was presented in both Dolby Digital
5.1 and a remastered stereo track, both of which sounded great. The
sonic interplay you experienced in the theaters was definitely
there, even in the stereo track. It wasn't overly dynamic, but when
it needs to boom... it did.
Where the disc was disappointing was the extras. There were hardly
any to speak of. You got 3 trailers, 5 TV spots and a fluffy "making
of" featurette, which featured more clips from the film than
behind-the-scenes material. And that's it. I don't mean to sound
spoiled, but where' was the commentary? Where was the stuff usually
found on Soderbergh DVDs, like scene breakdowns or technical
explanations? I was a bit upset when I discovered that there was
nothing but fluff on this disc. I know that Traffic's
a long film, but if any film needed to be a 2-disc set, this was the
one. The video and audio presentation was definitely good enough to
stand on its own, but I was disappointed and I would imagine that a
great many of you were as well.
Thankfully, Criterion has finally given us the special edition of
Traffic that I wanted in the
first place. And I have to say, it's fan-frickin'-tastic. The video
presentation is just as good as the original version. You'd think
it'd be significantly better, but held side by side, you'd need an
incredibly professional eye to see much difference. I'm going to
give the new edition a slight edge based on the newness of the
transfer, but I don't really think there's much difference. The
sound, as well, isn't very much improved. Both discs feature dynamic
Dolby Digital 5.1 tracks and understated, yet playful, stereo
tracks. The film sounds good on DVD any way you go with it.
But where Criterion improved the presentation is in the extras.
Maaaaaaaan. The film now features three commentary tracks on disc.
My favorite of the three is the one with Soderbergh and writer
Stephen Gagan (who walked away with an Oscar for his script). The
two men discuss the film, how it was written, what was improvised,
what came from the original BBC miniseries and so on. I really enjoy
Soderbergh commentaries, and while this one is nowhere as fun as the
one he did on The Limey, it's
still a great track. There's also a track with the producers and
consultants, and another with the composer (which features a couple
of music cues that were cut from the film). Both offer incredible
amounts of information, and because of the length of the film, will
take half a day just to listen to.
Disc Two (because this IS a two-disc set after all), has all the
technical extras I was looking for. Let's start with the twenty-five
deleted scenes (yes, 25). Mostly, they flesh out Catherine
Zeta-Jones' character. But there's some great extended scenes in
here as well. I can't say any of these scenes needed to be back in
the film, but they do stand on their own enough that they're worth
seeing. Especially the last one - check it out. These scenes feature
optional commentary from Soderbergh and Gagan and they sound
slightly more laid back than they did on the film track (maybe
because talking about what died is a looser experience). Next, we
get some really cool looks at the filmmaking process. With the
Film Processing Demonstration: Achieving
the Look of the Mexico Sequences we see how much time and
effort went into creating the yellowed and saturated look of the
Mexico sequences. It's pretty mind numbing what they went through to
get the shots to look the way they did, but I guess a director's
vision is a director's vision. In the Editing
Demonstration we see (through an Avid workstation file)
how a scene grew from original cut to a director's vision of pacing.
It's pretty wild information and the commentary from editor Stephen
Mirrione is very easy to understand as he walks you through a
complicated process. Finally, the Dialogue
Editing Demonstration shows how ADR (additional dialogue
recording) works, and the problems these masters have to fix during
production. Sound editor Larry Blake walks us through this
demonstration and he also makes the process very enjoyable. If 25
deleted scenes aren't enough for you, then check out the 30 minutes
of additional footage. By using multiple angles, we can look at all
of the camera rolls for two important scenes from the film, where
one take pretty much had to be used (so multiple camera set-ups were
a must). Just toggle around and enjoy. After that we get the U.S.
theatrical trailer, U.S. teaser trailer and 5 TV spots that appeared
on the original disc. And, coolest of all the extras, the trading
cards Soderbergh and Gagan talk about in their commentary in the
deleted scenes are here for your entertainment! Yes, you can
virtually collect all of the U.S. Customs K9 Squad Trading Cards.
Sadly, there will be no trading with your friends.
Traffic is definitely a flick
that you need to own on DVD. Thankfully, that recommendation sounds
a lot better now that the quality extras filled Criterion edition is
out. If you just want the film and already own the original version,
I don't think you need an upgrade. But if you enjoyed the film and
want to see the effort put into making it, this edition is
definitely the one for you. Thankfully, DVD is my drug of choice...
and Criterion is the best pusher in town.
Todd Doogan
todddoogan@thedigitalbits.com |
Traffic
(Criterion)
Traffic
(original - movie-only)
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