Site
created 12/15/97. |
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review
added: 8/15/02
The
Swarm
1978
(2002) - Warner Brothers
review
by Dan Kelly of The Digital Bits
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Film
Rating: C
Disc Ratings (Video/Audio/Extras):
B+/B-/C-
Specs and Features
155 mins, NR, letterboxed widescreen (2.35:1), 16x9 enhanced,
single-sided, RSDL dual-layered (layer switch at 1:19:29, in chapter
22), Snapper case packaging, Inside the
Swarm featurette, theatrical trailer, cast & crew
bios, film-themed menu screens with music, scene access (45
chapters), languages: English (DD 2.0), subtitles: English, French,
Spanish and Portuguese, Closed Captioned
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"Bees!
Bees! Millions of bees!"
Is there anything more cinematically satisfying than a 1970's
disaster flick? Sure there is, but the finished product was
ultimately so overblown, melodramatic, and - best of all - campy,
that taking one in I'm sure becomes something different than was
originally intended. Somehow or another, these films always managed
to snag marquee actors for the leading roles and, just for kicks,
yanked a lot of Tinseltown retirees of out of their rockers for one
last hurrah at the box office. Director Irwin Allen crafted his fair
share of these films. His The Poseidon
Adventure and The Towering
Inferno are classics of the genre (if you want to give it
a full genre of its own) and ushered in a mini-wave of lackluster
wannabes. The Swarm, sort of
the disaster film swansong, tanked in theatres. But pay no mind to
that! Warner has issued the cheese-fest to DVD for a new generation
to re-discover.
In southern Texas, a military surveillance team comes across a
research outpost full of dead, bloated, bee-stung scientists. One of
the surviving members of the team, entomologist Brad Crane (Michael
Caine), warns General Slater (Richard Widmark) that this is just the
beginning of something bigger. Naturally, they poo poo his
insistence that the culprit is an angry swarm of African killer
bees, that are slowly and steadily making their way into North
America. Well, he'll show them! Lucky for Dr. Crane, he's got a
friend in Dr. Helena Anderson (Katharine Ross). She backs up every
farfetched story of his based solely on faith and wide-eyed
admiration. But a growing trail of dead bodies that leads directly
toward the peaceful town of Marysville (a town so innocent, it's
about to have its annual Flower Days celebration) leads to a change
in attitude for the general and even the President. Soon enough,
Crane is in charge of the whole operation and makes it clear that
it's his way or none at all.
The Swarm seems torn between
the goofy temptation to take itself seriously and the urge to treat
the material as camp send-up. At times, Allen and company try their
best to present the bees (strangely referred to as only "the
Africans" as the film progresses) as a legitimate threat to the
safety and well-being of good, hard working Americans. Rest assured,
the cheese factor takes over and makes for occasional glimpses of
enjoyable viewing. My personal favorites are the bee's-eye view
(multiple lenses and all) of a happy picnicking family and the
hallucinatory visions of station wagon-sized buzzers that haunt the
hapless sting victims. I can't see how those things would produce
anything but a laugh, even on paper. Some of the performances in
The Swarm border on comatose,
as Allen manages to even-handedly wrangle one bad performance after
another out of a fully capable company of actors. Even screen legend
Henry Fonda comes off as rigid and dull. Unfortunately, the extended
viewing time really drags down the pace of The
Swarm. A good 30 or 40 minutes could easily have been
shaved off the running time without harming the movie. I love bad
B-grade cinema, but even I found it hard to sit through the bad
stuff to get to the nitty gritty of the death and mayhem. I don't
need to be bothered with hours of dramatic foreplay. Brings on the
bees, and I'm set.
Warner's DVD presentation of The Swarm
looks miles better than I even thought it had the potential to look.
The image has been anamorphically treated and is presented in its
original aspect ratio of approximately 2.35:1. Warner has obviously
taken good care of the source print; it's sparkling clean and shows
only a few hints of age defects (mainly in the form of speckles and
an occasional light scratch). Color reproduction and saturation
levels are maintained properly, as are black level and shadow
detailing. Some edge enhancement produces a few scenes with
noticeable haloing effects, however that's all you'll really see for
transfer-related flaws.
Though the DVD packaging denotes the presence of both an English
and a French audio track, there is only the English language track.
The 2.0 surround mix is satisfactory, but has a limited fidelity
range typical of that era of filmmaking. Early in the film, bass
extension is thin and flat, but it picks up pace as the film
progresses. Surround usage is also slow to start, and the film score
that dominates most of the rear channels' time, but that makes way
for some super duper buzzing effects later on in the film. Dialogue
levels are acceptable, so you shouldn't miss a word of this oh, so
plot-heavy epic.
The extras are light, but are noteworthy for their laugh factor more
than anything else. First, and most readily apparent to fans of
The Swarm, is the near 40
minutes of extra film that has been tacked on to the original 2-hour
theatrical running time. Most of this is devoted to even more
unneeded character development, including a love triangle between
Ben Johnson, Olivia De Havilland and Fred MacMurray, that's worthy
only of dry heaves. The courtship of Brad Crane and Helena Anderson
also hogs more screen time, and we get to watch them canoodle
endlessly around town. Very touching stuff. There's some extra
buzzworthy bee stuff thrown in as well, but most of the added
footage is unwanted people banter.
The cast and crew bios mention just about everyone involved in the
film, but only provide any sort of extended information on director
Irwin Allen. Everyone else just gets a mention. The trailer looks
very good for its age, and heralds the movie as a true-to-life
depiction of the apocalyptic bees that were to take over North
America in the near future. Best of all is the made-for-television
special, Inside the Swarm.
It's 22 minutes of pure '70's boob tube fluff. Cast and crew alike
attest to the hard work that went into bringing the epic bomb to the
big screen. It's also blindingly obvious from the feature that
Irwin's real priority is special effects. He pays near zero
attention to the actors, and it's evident in every bad performance
this film garnered.
Even with its over-the-top production values and hammy acting,
The Swarm isn't an easy
recommend. I'm not sure what marker Warner was trying to please with
the extended version offered on DVD, but it's there for anyone who
wants it. It's not a particularly tempting movie, even as far as
cookie cutter disaster flicks go, but it does possess a certain
agreeable goofiness that makes one viewing pleasant enough. If
pleasant enough if more than enough for you, give the DVD a spin.
Dan Kelly
dankelly@thedigitalbits.com |
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