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created 12/15/97. |
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review
added: 3/11/03
The
Shield: The Complete First Season
2002
(2003) - FX/Fox Television/Columbia TriStar Television (20th Century
Fox)
review
by Adam Jahnke of The Digital Bits
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Film
Rating: B+
Disc Ratings (Video/Audio/Extras): B/B-/A
Specs and Features
Approx. 585 mins (13 episodes at 45 minutes each), NR, full-frame
(1.33:1), 4 single-sided, dual-layered discs (3 discs with 4
episodes each and 1 disc with 1 episode plus extras), fold-out
digipack packaging with slip case, audio commentary tracks on every
episode (by various combinations of creator/executive producer Shawn
Ryan, actors Michael Chiklis, Walton Goggins, Benito Martinez, CCH
Pounder, Catherine Dent, Kenneth Johnson, Jay Karnes, Michael Jace
and Cathy Cahlin Ryan, directors Clark Johnson, DJ Caruso, Guy
Ferland and Scott Brazil, writers Glen Mazzara, Kevin Arkadie, Kurt
Sutter and Scott Rosenbaum, director of photography Rohn Schmidt,
camera operator Bill Gierhart, co-producer Dean White, music
supervisor Evyen Klean and consulting producer James Manos Jr.),
Behind The Shield documentary,
FX featurette, pilot episode script, 8 casting tapes, 17 deleted
scenes, program-themed menus, scene access (16 chapters per
episode), languages: English (Dolby Digital 2.0 Surround),
subtitles: English & Spanish, Closed Captioned |
People
who say they flat-out don't watch television have always bugged me.
Sure, there's a lot of crap out there. But there are a lot of lousy
books, plays and movies too and you don't hear these snobs swearing
off of them. In fact, I might be prepared to argue that the ratio of
good product to bad is greater in TV than in any other medium.
Especially right now. Certainly I'd rather watch any given episode
of the Jerry Bruckheimer produced CSI
than any movie he's been involved with over the past few years.
Usually, my reasons for not wanting to give a critically acclaimed
show a chance have more to do with time than anything else. I
already haven't been able to leave the house on Sundays for years,
thanks to shows like The Simpsons,
the recently departed X-Files
and HBO's revolving door of A+ programs. I don't need another
program to schedule my life around.
The Shield is one such show.
I'd heard the buzz surrounding it and supposed it was probably
pretty good, but just didn't want to get involved in something else.
Now, thanks to the current vogue of releasing season-by-season sets
of TV series, we can catch up with The
Shield at our own pace. And sure enough, it turns out to
be an above-average cop show, distinguishing itself from others of
its type by virtue of strong writing, active direction and a great
ensemble cast.
Set in the imaginary (but seemingly very real) Farmington district
of Los Angeles, The Shield
revolves around Vic Mackey (Michael Chiklis), leader of a strike
team that operates under its own set of rules. Strictly speaking,
these are dirty cops. But because their methods get results, you
tend to overlook and, in some cases, even support their actions. A
good example of this kind of good cop/bad cop dichotomy comes in the
episode Throwaway. While
investigating a series of truck hijackings, a member of the team
shoots a suspected gang member who he thinks is pulling a gun on
him. Turns out, though, that the "gun" was just a carton
of smokes. So to protect his own, Mackey plants a gun on the kid.
Later on, they find out that the kid isn't even in the gang anymore
and because this set-up will be his third strike, an innocent man is
about to spend the rest of his life behind bars. So Mackey and the
team do what anybody would do in this situation. They disguise
themselves as the real gang members, carjack a police evidence truck
that's transporting the planted gun down to HQ for processing, steal
the gun back and plant it at the real bad guys' place. Thus, the
innocent kid goes free and the guilty are punished, albeit for a
crime they didn't commit (and not for the ones they actually did).
Vic Mackey is unquestionably the center of this dramatic universe
and Michael Chiklis bites into the role with everything he's got. He
can go from utter fury to perplexed bemusement to deep sympathy with
the slightest changes of expression. In some ways, he'll remind you
of TV's other rage-aholic family man, Tony Soprano. And, like James
Gandolfini, Chiklis is smart enough to realize that this show would
get old pretty quick if he weren't surrounded by top-flight
supporting actors. The Shield
has them in spades. There's Benito Martinez as Mackey's primary
nemesis, Captain David Aceveda. Catherine Dent and Michael Jace are
terrific as uniformed cops Danny Sofer and Julian Lowe, the rookie
who turns out to be one of the most complex and conflicted gay
characters ever seen on television. Best of all are Jay Karnes and
CCH Pounder as the odd couple of L.A. detectives, Dutch "Dutch-Boy"
Wagenbach and Claudette Wyms. Their relationships with each other,
and everyone else at the Barn (the nickname given to the renovated
church which serves as the Farmington precinct building), are
consistently compelling.
Airing on the cable channel FX, The
Shield has more latitude than the regular networks, but
considerably less than HBO. Basically, this means that they're
allowed to add the suffix "-hole" onto the word "ass",
but have to say "boned" instead of the f-word. As for T&A,
you'll find A in abundance but T is somewhat more discreet. After
the powerhouse Pilot episode,
The Shield loses some steam
and takes a few episodes to find its groove. But by episode 5,
Blowback (the first episode on
Disc Two of this set), the series establishes its own voice. Special
mention should also be made of The Shield's
use of Los Angeles as a character in its own right. This is one of
the few weekly series I've seen that really feels, looks and sounds
like LA. From the locations to the well-chosen music, this is a Los
Angeles that isn't usually seen on TV, but will feel instantly
familiar to anyone who's ever lived here.
Fox's presentation of The Shield
on disc is by and large extremely admirable. Yes, there are some
problems with both picture and sound, but I believe this is more a
result of the show's extremely low budget than any mistakes made in
authoring the discs. This is especially true in the audio
department, where the sound quality varies wildly from episode to
episode. It improves (or at least becomes more consistent) as the
series progresses, but the first couple of episodes are very flat
indeed.
In terms of extras, this is one of the more impressive TV
compilations so far. With the exceptions of The
Simpsons and Mr. Show,
most series box sets only provide selected audio commentary on two
or three episodes. The Shield
doesn't just get a commentary for every episode, it gets a darned
good commentary on every episode. Credit creator and executive
producer Shawn Ryan for that one. He appears on all but two tracks
and I would have to guess that Mr. Ryan has listened to a commentary
or two in his day. He doesn't hog the mike but instead serves as a
kind of moderator. He asks participants the questions we'd like
answered, keeps things moving along and always remembers that if
somebody refers to someone by their first name only, we aren't going
to necessarily know who that person is or what they do. In addition
to Ryan, participants include every single featured actor on the
show, the writing staff, several producers and directors, and a
number of usually unsung crewmembers. When was the last time you
heard a camera operator participate in a commentary track? Every
commentary is worth listening to on these discs. They're candid,
forthright, loose and often very funny. It's apparent from listening
to these tracks that these people get along famously and can't
believe their good luck that this show they worked so hard on
actually found an audience.
The rest of the extras are on Disc Four and they're something of a
mixed bag. There are no less than seventeen deleted scenes, each
with an audio introduction by Ryan explaining what we're about to
see, where it was supposed to go, and why it was cut. Unlike the
episodes themselves, these are presented in letterboxed widescreen.
Before you start complaining that the shows themselves should have
been given the anamorphic treatment, realize that you can frequently
see camera shadows, light stands, and boom mikes creeping around the
edges of the deleted scenes. The Shield
is matted for a reason: the hyper kinetic camera work makes it
pretty tough to hide these rough edges.
Also worth looking at are casting tapes for eight of the show's
stars. These are kind of interesting and sometimes feature dialogue
that was significantly changed between the audition and the shooting
of the actual episodes themselves. Shield
completists can read Shawn Ryan's script for the
Pilot episode on Disc Four as
well. Of considerably less interest are the two featurettes.
Behind The Shield is the
longer of the two, providing on-camera interviews with all the
principals and getting sketchy character descriptions from each of
the actors. The Shield FX
featurette is the condensed version, produced for FX to whet your
appetite for Season Two. If you watch the first one, there's no need
to watch the second. One minor complaint I have with the set is that
there are no episode recaps, like with HBO's Sopranos
sets. The Shield isn't as
addictive as The Sopranos and
I would sometimes go days between episodes. In this case, recaps
actually would have been pretty useful.
Originally, most people assumed that television DVDs would appeal
mainly to existing fans of the shows in question. I think that's
beginning to change. Like The Sopranos,
Six Feet Under and
24, The
Shield is a set that you can pick up sight unseen, fairly
confident that you'll get four discs full of quality entertainment.
But with Season Two already underway on FX, I don't think I'm going
to make this appointment TV anytime soon. Instead, I'll just wait
for The Shield: The Complete Second
Season to arrive on DVD. If Ryan and company continue on
the path they started on in Year One, I don't think I'll be
disappointed.
Adam Jahnke
ajahnke@thedigitalbits.com |
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