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created 12/15/97. |
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review
added: 11/27/02
The
Importance of Being Earnest
2002
(2002) - Miramax (Buena Vista)
review
by Dan Kelly of The Digital Bits
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Film
Rating: B+
Disc Ratings (Video/Audio/Extras): A/B/C+
Specs and Features
94 mins, PG, letterboxed widescreen (2.35:1), 16x9 enhanced,
dual-sided, RSDL dual-layered (layer switch at 1:09:11 in chapter
10), audio commentary by director Oliver Parker, "making of"
featurette, behind-the-scenes production footage, bonus theatrical
trailers, film-themed menu screens, scene access (13 chapters),
languages: English and French (DD 5.1), subtitles: English for the
hearing impaired, Closed Captioned
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Ernest
is, in many ways, the ideal husband; he's completely charming,
well-mannered, good looking and has quite a way with words. He's
become so successful at winning over the opposite sex that two women
have offered to spend the rest of their lives with him. The problem
is, Ernest doesn't exist, and he's got two different men
impersonating him. Jack (Colin Firth) has a double life of sorts -
in the city, he's known to his friends and acquaintances as Ernest.
Gwendolen (Frances O'Connor) is so wooed by him that she's agreed to
take his hand in marriage. But convincing Gwendolen's snobbish
upper-class mother Lady Bracknell (Judi Dench) that Ernest is worthy
of her daughter's hand in marriage is another matter. When he
confesses to his best friend Algy (Rupert Everett) that he is known
at his country estate as Jack, Algy comes up with a plan of his own
- show up at the estate as the dashing Ernest to court Jack's lovely
ward Cecily (Reese Witherspoon).
All of this is complicated enough and doesn't amount to much of an
actual plot. But director Oliver Parker does a good job of staying
true to the spirit of playwright Oscar Wilde's original work... and
his unparalleled ability to employ the use of colorful language and
masterful wit to craft a unique, comical and fast-moving farce.
Colin Firth and Rupert Everett are ideally cast as the bumbling
romantic cynics whose deceptions will eventually get the best of
them. Reese Witherspoon is good and appropriately charming as the
escapist privileged young heiress, though her sometimes thin English
accent proves to be a drawback to an otherwise winning performance.
Tom Wilkinson (who turned in last year's best performance in
In the Bedroom) and Anna
Massey also do their share of scene stealing in supporting roles.
Buena Vista's DVD release of The
Importance of Being Earnest preserves the film's 2.35:1
anamorphic image with a transfer that is unhampered by any defects
that might occur during the transfer process. The result is a
faultless picture that retains a natural theatrical texture.
Contrast is precise, there's little artificial-looking edge
enhancement, and the varied color palette employed by director
Parker and production designer Luciana Arrighi comes to life
onscreen without ever appearing oversaturated. This is a very clean,
detailed image that would give any other big-budget DVD release a
run for its money. The 5.1 audio track, on the other hand, is an
average effort. It's certainly not a flawed mix, but there's really
not a lot to play around with to make the track all that exciting.
Surround use is sporadic, and there's very little movement to the
mix at all. The important thing is that dialogue is at the forefront
of the mix, firmly rooted in the center speaker.
Parker lends his services on a screen-specific audio commentary
that is effective enough at shedding light on his choices in
adapting Wilde's well-loved play to the screen. He discusses
everything from his reasons for casting Witherspoon as the sole
American among the principle actors (he thought she'd bring a fresh
approach in contrast to the "weight" that comes with
British stage experience) to rearranging the script to fit a
cinematic timeline. It's a slow and sometimes laborious track, but
it's worth a listen if the additional extras on the disc proved too
vacant for your liking. That said, the 15-minute behind-the-scenes
production footage is a rather dull assemblage of videotaped footage
that documents the filming of a few scenes in the film. The "making
of" featurette (roughly 7 minutes in length) is slightly more
attention-grabbing. It's composed entirely of on-set interviews with
the cast and director, who talk more about Wilde's work than they do
their own on this film. Perhaps the two segments would have been
more fulfilling had they been combined into one feature and trimmed
down a bit. As is, they're barely worth one viewing. Always the
clever marketers, Buena Vista rounds out the disc with a selection
of 5 trailers for other Miramax fare including Mansfield
Park, An Ideal Husband
and others.
This most recent screen adaptation of Oscar Wilde's classic comedy
proves to be a pleasant comic concoction. It's not a comedy that you
can passively enjoy, but the closer attention you pay to the
dialogue, the more rewarding it becomes. The disc could have
benefited from some heftier extras, but the presentation of the film
itself is first-rate. See it and you'll find out exactly why Wilde's
comedies are still so highly regarded.
Dan Kelly
dankelly@thedigitalbits.com |
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