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created 12/15/97. |
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review
added: 8/9/02
Fathom
1967
(2002) - 20th Century Fox
review
by Adam Jahnke of The Digital Bits
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Film
Rating: B-
Disc Ratings (Video/Audio/Extras): C+/C/D
Specs and Features
99 mins, NR, letterboxed widescreen (2.35:1), 16x9 enhanced,
single-sided, single-layered, Amaray keep case packaging, theatrical
trailers (for Fathom,
In Like Flint,
Modesty Blaise and
Our Man Flint), film-themed
menu screens, scene access (32 chapters), languages: English (2.0
stereo and mono), French and Spanish (2.0 mono), subtitles: English
and Spanish, Closed Captioned |
What
would the 1960's have been without Raquel Welch? For the millions of
boys who drooled over the poster of Raquel in a fur bikini from the
movie One Million Years B.C.,
it certainly would have been a much sadder decade. Raquel was to
this generation what Farrah Fawcett-Majors was to mine, a voluptuous
sexpot whose enticing flesh could barely be contained by the variety
of swimwear she squeezed herself into. And thankfully, Raquel's
ample charms are on full display in Fathom.
Raquel plays Fathom Harvill, a skydiving dental assistant recruited
by the head of H.A.D.E.S. (an agency just isn't an agency without an
absurd acronym for a name). Her assignment: parachute into the
Spanish villa of Peter Merriweather (Tony Franciosa), a defector
believed to be in possession of an H-bomb detonator codenamed: Fire
Dragon. Like any vacationing dental hygienist would, Fathom accepts
the job. As it turns out, Merriweather doesn't have the Fire Dragon.
He's hoping to get it himself from a cold-blooded (literally)
Ukranian named Serapkin (Clive Revill).
It isn't long before Fathom is reassessing everyone and everything
she's been told. I don't want to give away too much because a great
deal of the enjoyment I got out of Fathom
has to do with the fact that the movie turns into something I didn't
expect. Don't get me wrong. Fathom
is nobody's idea of a great movie. But the supporting cast,
particularly Revill, all seem to be having a good time. There are
some decently staged action sequences - not James Bond level,
perhaps, but certainly bigger and better than anything in the
Flint movies. As for Fathom
herself, she isn't the sharpest tool in the shed and for a heroine
she's awfully passive. But the character becomes surprisingly
resourceful when necessary. Besides, Welch is certainly easy on the
eyes and she's a darn sight better an actress than today's pneumatic
pin-up queens like Pam Anderson.
Technically, this DVD is considerably inferior to other entries in
Fox's spy series. While the picture is given the anamorphic
treatment, the print used is awfully ragged. This becomes evident
during the last fifteen minutes or so, with nearly constant
scratches, washed-out colors and picture instability. Skin tones are
horribly inconsistent throughout. There even seemed to be some
frames missing from time to time. The transfer to video brings along
some annoying edge enhancement as well. The audio is equally poor.
Presented in your choice of either stereo or mono, both sound tinny
and artificial, peaking out at levels that were literally painful to
my ears. Neither of the audio tracks solved this problem, but I
ended up preferring the mono track, simply because it made bad sound
come out of fewer speakers. As for extras, if you've got either of
the Flint movies on DVD, then
you've already got the same four trailers that are slapped on to
this disc.
Of the four movies in Fox's 60's spy series, Fathom
was the one I was least interested in watching. Perhaps because of
that, I ended up enjoying it considerably more than I expected. It's
nothing to plan your life around and its presentation on DVD does
nothing to enhance its reputation. But approached as the breezy,
light confection it so obviously is, Fathom
is surprisingly easy to take. At its best, it's a reminder to the
makers of more recent female-powered romps like
Tomb Raider to lighten up.
Adam Jahnke
ajahnke@thedigitalbits.com |
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