Site created 12/15/97. |
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review added: 11/20/01
Empire of the Sun
1987 (2001) - Amblin/Warner Bros.
(Warner)
review by Greg Suarez of
The Digital Bits
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Film
Rating: A-
Disc Ratings (Video/Audio/Extras): B/A-/B+
Specs and Features
152 mins, PG, letterboxed widescreen (1.85:1), 16x9 enhanced, Snapper case
packaging, dual-sided, RSDL dual-layered (Side A only - layer switch at 1:14:04
in chapter 22), The China Odyssey: Empire of the Sun,
A Film by Steven Spielberg documentary, theatrical trailer, cast and
crew listing, awards list, film-themed menu screens with sound, scene access (45
chapters), languages: English (DD 5.1 & 2.0) and French (DD 2.0), subtitles:
English, French, Portuguese, Japanese, Chinese, Thai, Korean and Spanish, Closed
Captioned |
"Difficult boy..."
One thing that's always perplexed me about Empire of
the Sun, is that it's Spielberg's least recognized/loved/talked about
(take your pick) film of his post-Jaws
repertoire. Yet it's arguably his best, although Schindler's
List gives it a good run for its money. Nonetheless, if I were
Spielberg, in a hundred years from now, when film buffs and students look back
at my work (forget Jurassic Park,
E.T. and Saving
Private Ryan), I would want people to remember me for
Schindler's List and Empire
of the Sun.
Based on J.G. Ballard's semi-autobiographical novel of the same name,
Empire of the Sun weaves the epic tale of
a 12-year-old boy named Jim (Christian Bale in his American film debut), who
experiences the massive conflict between China and Japan during World War II as
a British prisoner of the Japanese army. Some 30,000 British and American
citizens lived in Shanghai, China during the early 20th Century. As WWII heated
up, the Japanese invaded the country and eventually imprisoned all of the
Western civilians living within. When the Westerners begin fleeing the under
siege city of Shanghai, Jim is separated from his parents in of a massive sea of
humanity. Thus begins a three-year journey that will see Jim come of age during
the most difficult of circumstances.
During this journey that takes him from abandoned sectors of Shanghai, to vast
Japanese internment camps rife with death and disease, Jim becomes acquainted
with American street hustler Basie (John Malkovich) and his toady, Frank (Joe
Pantoliano). As Jim runs errands for Basie, the young man learns the politics of
their Japanese captors and the nearly animalistic - almost parasitic - means of
surviving the harsh conditions. When Jim merges these "skills" with
his intellect and natural survival instincts, he acclimates himself to the
people and events in his unfortunate world. By the war's end, the once carefree
Jim becomes a permanent prisoner of his experience, unable to see the world
around him in the same way ever again.
Christian Bale's extraordinary performance in Empire
of the Sun is the principle factor bringing me back to revisit this
film again and again. Bale's portrayal of Jim is light years ahead of what his
abilities should have been as a relatively inexperienced 12-year-old actor. Bale
"got" this character from start to finish, and effectively
demonstrated every nuance of emotion and internal psychology that the character
experienced. Malkovich also did a superb job in this film, but while his
portrayal of the bloodsucking Basie might not be the ultimate performance of his
career, he makes the character unique by injecting him with his own (for a lack
of a better way to say it) Malkovich-ness.
As a film, Empire of the Sun was
beautifully conceived and expertly executed, from its authentic recreations of
the sights and sounds of the period, to its gorgeous, sweeping cinematography.
However, the film's cinematography is also a point of contention. In my eyes,
Spielberg's inexplicable aversion to the CinemaScope format keeps this film from
being damn near perfect. As I sat watching this DVD, I continually wondered how
much more grand and majestic the entire experience could have been if the frame
and field of view were widened. In 1.85:1 flat, the film seems artistically, and
almost emotionally, truncated and more limited than I would have liked. Whether
or not this was a creative decision on Spielberg's part is unknown to me
(perhaps the more limited 1.85:1 format is supposed to offer a sense of
enclosure, reinforcing Jim's own situation), but Spielberg hasn't used the
2.35:1 format for two decades, which leads me to believe that it was more a
matter of his preference for 1.85:1 than anything else. If anyone out there can
offer solid proof (or even logical speculation) as to why Spielberg uses 1.85:1
exclusively, I'd love to hear it, because I think it really compromises some of
his work.
Speaking of aspect ratios, Empire of the Sun
is presented on DVD in its original 1.85:1 ratio (16x9 enhanced), and the video
offered on this DVD is very good - better than I've ever seen the film looking
before. While it can take on a somewhat hazy appearance, with slightly washed
out colors, the overall presentation is still quite enjoyable and shouldn't
disappoint fans of the film. Compression artifacting is kept to a minimum, but
slight edge enhancement is noticeable from time to time.
The new Dolby Digital 5.1 audio featured on this DVD is an impressive reworking
of the film's original soundtrack. The sound space is opened up quite a bit
more, and front-to-back panning is evident during key sequences. Dialog is never
muted or distorted, and John William's angelic score is spread nicely throughout
the environment. If you've always enjoyed Empire of
the Sun, this new 5.1 audio should enhance an already wonderful
experience.
Following MGM's use of the DVD-14 format for The
Terminator: SE, Warner is the next studio to adopt the configuration
for their DVD edition of Empire of the Sun.
The disc's first side contains the film, spread over two layers (DVD-9) for
optimum picture quality, while the second side of the disc is a single layered
(DVD-5) configuration, and home to the disc's sole supplemental material, the
49-minute China Odyssey: The Making of Empire of the
Sun documentary. Hosted by Martin Sheen, and filmed for network
television during the movie's production, this doc is an interesting look "behind-the-scenes"
at the film, but it's not all-inclusive. The genesis of the story is revealed
through interviews with author J.G. Ballard, as well as explanations of the
history behind the history. Plenty of footage of the production can be found
here, as well as the typical interviews with the cast and crew. It's a
relatively informative piece, but it doesn't compare to the intimacy that a
commentary with Ballard and/or Spielberg would have provided.
World War II buffs and fans of epic dramas alike will find a lot to love about
Empire of the Sun. It's an interesting
film based on a true story, and the acting - especially by Christian Bale - is
magnificent. On DVD, the film looks and sounds better than ever. Despite the
fact that Empire of the Sun is one of
Spielberg's forgotten children, from an artistic standpoint, it's one of his
best.
Greg Suarez
gregsuarez@thedigitalbits.com |
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