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created 12/15/97. |
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review
added: 8/16/02
The
Business of Strangers
2001
(2002) - IFC Films (MGM)
review
by Dan Kelly of The Digital Bits
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Film
Rating: B+
Disc Ratings (Video/Audio/Extras): A/B/D
Specs and Features
84 mins, R, letterboxed widescreen (1.85:1), 16x9 enhanced,
full-frame (1.33:1), dual-layered (no layer switch), keep case
packaging, theatrical trailer, film-themed menu screens, scene
access (16 chapters), language: English (DD 5.1), subtitles: English
and Spanish, Close Captioned
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"I
don't need to go to Japan to get stepped on just because I have
tits. I've got a big dose of that right here in my native tongue."
Patrick Stettner's The Business of
Strangers is a bitter cat and mouse game that borrows
some from the David Mamet school of fork-tongued delivery, and Neil
Labute's brutal assault on workplace competition in
In the Company of Men. Its
subjects are corporate veteran Julia Styron (Stockard Channing) and
newbie Paula Murphy (Julia Stiles). Julia is a tough as nails
executive who fought her way to the top and is fighting even harder
to stay there. When Paula, her new assistant, arrives late on a
business trip, Julia immediately arranges to have her employment
with the company terminated. But after subsequent conversations with
her secretary (and best friend), she fears that her own job is in
danger and seeks the services of business headhunter Nick Harris
(Frederick Weller).
As Julia and Paula put their rocky start behind them, they exchange
personal stories with each other. It's here, toward the middle
section of the film, that it takes a turn toward the vindictive, and
becomes a revenge fantasy. A little advice on staying strong in a
male-dominated field, a brief mention of past sexual violence and a
whole lot of scotch later, the two exact retribution on an apparent
rapist and verbally rip each other to shreds in the process. I
wasn't completely sold on this portion of the film. The film's time
schedule is a short 24 hours, and I don't know if even a couple of
bottles of scotch and 30 years of resentment could lead to this
degree of potential self-destruction. Paula divulges early on that
she likes "the sloppiness of real life," and perhaps
Stettner does too. Fortunately, he knows how to clean it up a bit,
and the movie's ending saves this slapdash section by piecing
together some of the less persuasive aspects of an otherwise
first-rate feature.
MGM provides both a widescreen and full frame presentation on the
DVD release of The Business of Strangers.
The widescreen image is accurately framed, and the open matte
full-frame option reveals more visual information at the top and
bottom of the picture. Contrast is strikingly smooth, resulting in
an exceedingly detailed picture that retains a cinematic texture.
Much of the film is lit in amber hues that really accent flesh
tones, and they're represented beautifully here in the transfer. One
of the key sequences in the film takes place in near darkness, and
even this scene didn't disappoint in its attention to detail in
blacks and shadow delineation. There's barely a speck of grain on
the print, and edge enhancement and compression artifacting do not
present themselves as detriments to the quality of the picture. This
is definitely one of MGM's nicer recent efforts video-wise.
The sole audio option is a minimalist 5.1 mix that focuses most of
its energy on maintaining a clear, succinct dialogue track.
The Business of Strangers is a
talk-heavy film, and the near complete absence of audio action
allows you to focus on the discourse between the film's main
characters. An occasional, discreet sound effect finds its way into
the surround channels from time to time, as does the film's lean,
unobtrusive musical score. But the focus here is really on the
verbal exchanges between Julie and Paula, and you'd be hard pressed
to find any issues at all with that portion of the audio.
The Business of Strangers
quietly crept in and out of limited release, and didn't catch the
attention of a lot of cinema patrons. MGM has certainly done little
to change that, as they've chosen to release the film as a
movie-only disc. The lone extra is the theatrical trailer. Strangely
enough, MGM offers the trailer in two formats on this DVD: a
soft-matted, widescreen transfer, and a full-frame option for those
who absolutely cannot stand those pesky black bars if even for a
minute or two. I can't for the life of me figure out why MGM found
it essential to include both versions for the discriminating home
viewer, but it'll please someone, somewhere, I'm sure.
As a film, The Business of Strangers
is well worth seeing. The brisk pace of the film keeps it from
stretching the material too thin, and the skilled performances from
the two leads are one of the clear-cut strong points that director
Stettner has to offer. Channing is in top form as always, but Stiles
also pleasantly surprised me. She managed to hold her own opposite
the stage and screen veteran. As a DVD, you're only going to get
your money's worth from a rental. It's about as bare as they come,
and its asking price is a little steep for what you get.
Dan Kelly
dankelly@thedigitalbits.com |
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