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created 12/15/97. |
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review
added: 7/24/02
Blade
II
Platinum
Series - 2002 (2002) - New Line
review
by Bill Hunt of The Digital Bits
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Film
Rating: B-
Disc Ratings (Video/Extras): A-/A
Audio Ratings (DD/DTS): A-/A
Specs and Features
Disc One: The Film
117 mins, R, letterboxed widescreen (1.85:1), 16x9 enhanced,
dual-disc Amaray keep case packaging, single-sided, RSDL
dual-layered (layer switch at ??), audio commentary (with director
Guillermo del Toro and producer Peter Frankfurt), audio commentary
(with screenwriter David Goyer and star Wesley Snipes), isolated
score (DD 5.1), animated film-themed menu screens with sound and
music, scene access (24 chapters), languages: English (DD 5.1 EX,
DTS 6.1 ES & DD 2.0 Surround), subtitles: English, Closed
Captioned |
Disc
Two: Special Edition Content
Single-sided, dual-layered, The Blood
Pact interactive documentary (83 mins) with additional
branching material, 3 visual effects featurettes - Synthetic
Stuntmen (6 mins), The Digital
Maw (3 mins) and Progress
Reports (53 mins), 6 sequence breakdowns - Blood
Bank, Ninja Fight,
Reapers in the House of Pain,
Chapel Fight and Caliban
(with original script, shooting script, storyboards/FX breakdowns,
final scene and "on set" production footage), director's
notebook gallery (with video introduction by Del Toro), script
supervisor's notebook gallery, unfilmed script page gallery (for 3
scenes), production art gallery (includes sequence concepts, props
and weapons, costume design, set design, character designs and
storyboards), 16 deleted or alternate scenes (16x9, DD 5.1, with
video introduction by Del Toro and optional audio commentary by Del
Toro and producer Peter Frankfurt), Blade
II Video Game Survival Guide featurette (3 mins),
theatrical press kit (with cast & crew bios and production
notes), teaser trailer and theatrical trailer (16x9), Cypress Hill
and Roni Size Child of the Wild West
music video (DD 2.0), DVD credits, DVD-ROM features (including
screenplay viewer and original website), animated film-themed menu
screens with sound and music
Fans of the original Blade
already know the basic backstory here, but for the uninitiated,
Wesley Snipes plays the title character, a human whose mother was
bitten by a vampire while he was in the womb, which has imbued him
with the best qualities of both species. He has superior strength
and reflexes, as well as a more controllable thirst for blood. He
can also tolerate sunlight, leading true vampires to call him The
Daywalker. Blade hates vampires, and he's made it his mission in
life to destroy them. Conversely, the vampires hate Blade and do
their best to kill him.
But things have changed since Blade busted ass in the original film.
It seems that an ancient race of creatures have arisen that prey not
on humans, but on the vampires themselves. So bad are these
creatures that the vampires seek a truce with Blade... and his help
in defeating them. Cool concept, right?
And it is... except Blade II
takes that nifty setup and uses it simply as an excuse to indulge in
numerous, gratuitous gun battles and seemingly endless wire-fu sword
fights. Director Guillermo del Toro (Mimic,
Devil's Backbone) succeeds in
making all the fights stylishly interesting, and he does manage to
infuse this sequel with a darker, moodier, more suspenseful
atmosphere. But it's a little too "first person shooter"
influenced - somewhere between the calamari-faced villains and the
blood-splattered flesh explosions... well, let's just say overkill
isn't a word in Del Toro's cinematic vocabulary. I like my vampire
actions flicks with as much plot as wire fu and maybe just a little
more restraint. Still, Snipes gets to stretch his performance a bit
more, and some of the supporting cast (which include Kris
Kristofferson and Ron Perlman) turn in entertaining moments. All in
all, this is a decent (but not great) actioner... if you're not of
particularly squeamish constitution.
One thing you can definitely say about New Line's recent DVDs, is
that they generally always deliver top-notch video and audio
quality. Such is the case with Blade II.
The film is presented in anamorphic widescreen (1.85:1), with a
transfer that really shines. Contrast is tremendous, with deep, true
blacks that retain plenty of detail at all times. The color palette
here is quite vibrant, and is accurate to the original theatrical
presentation. Grain is evident, as it should be, but it's light -
the film source material is beautifully clean and free of physical
artifacts. It's a little bit soft on occasion, particularly when
there's a lot of reddish light in a given scene, but overall this is
a very nice transfer indeed.
The audio is also excellent, presented in both Dolby Digital 5.1 EX
and DTS 6.1 ES flavors. Whichever track you choose, you'll discover
a nicely wide soundstage, with tremendous ambience, very active rear
channels and strong LFE. I was very hard pressed to notice a
difference in quality between the Dolby Digital and DTS. If
anything, the Dolby mix is a little more aggressive, while the DTS
sounds somewhat smoother, with the discrete center back channels
filling in the sound space a little more naturally. I'll give the
slight edge to the DTS, but it's close. A Dolby Digital 2.0 Surround
track is also available.
Produced by David Prior (Fight Club,
Pearl Harbor: Vista Series),
Blade II offers a very nice
and well balanced extras package. To start with, Disc One features
dual audio commentary tracks, the first with director Guillermo del
Toro and producer Peter Frankfurt and the second with screenwriter
David Goyer and star Wesley Snipes. Both tracks are entertaining,
reasonably lively and worth checking out. With his thick accent and
self-deprecating manner, Del Toro is just engaging and fun to listen
to. You can tell that he's very passionate about this work and that
he's done a lot of legwork. My favorite of the two tracks, however,
is Snipes and Goyer. It's more easy-going, and these guys have a
great rapport. There's some very good stuff here - lots funny
anecdotes, personal observations and insights on the story,
characters and production. Also included on Disc One is the film's
isolated score, presented in full Dolby Digital 5.1. Very nice.
Heck, there's still a whole other disc to talk about. Disc Two
starts with the Production Workshop section. It's first major
feature is a solid production documentary, The
Blood Pact, that offers a nice little twist. The piece
itself runs some 83 minutes, but features an additional 15 minutes
of material that's available via a "Follow the White Rabbit"
style branching system. You can play the whole thing in context,
select sections by index or view the branching material by index as
well. As an aside here, I've come to realize that the secret of the
most successful DVD producers, is that they know how to lay out the
supplemental material so you can access it easily, logically and in
multiple contexts. That's even more appreciated on this disc, when
you get into the Sequence Breakdowns. Six scenes from the film are
presented here in a way that lets you explore the entire production
process. You can view the relevant pages from the original script
and compare that to the same scene in the final shooting script.
Then you can view storyboards and FX breakdowns for the scene, view
on-set video shot during the production of the scene, and then view
the final scene in the film. It's very easy to access and is nicely
comprehensive. Also in this section, you can view short featurettes
on the "synthetic stuntmen" and other CGI innovations in
this film, as well as some 53 minutes of Progress
Reports shot on video by special makeup designer Steve
Johnson to keep the director appraised of the design work (and
again, it's all indexed for quick access). Production Workshop also
feature still gallery style looks at the director's production
notebook (with a video introduction by the director) as well as the
script supervisor's notebook and the relevant script pages for three
scenes that were never filmed. Finally, you've got an extensive
gallery of production design photos and artwork, broken down by
subject (including more original storyboards for the film).
The second major section of Disc Two features some sixteen deleted
scenes (all presented in anamorphic widescreen video and Dolby
Digital 5.1 audio), which run more than 24 minutes collectively. The
scenes can be played together, or you can watch them individually.
Conversely, you can choose to listen to the final audio mix or audio
commentary with the director and producer. And Del Toro introduces
the section with a funny video introduction: "I want to
apologize because what you will see is mostly crap..."
The final section on this disc is called Production Material, and
includes a "survival guide" to the Blade
II video game (worthless to me but I suppose it's cool to
have it here), the theatrical press kit (basically production notes
and cast/crew bios), the theatrical trailer and teaser trailer for
the film (both in 16x9 & 5.1) and the Child
of the Wild West music video by Cypress Hill and Roni
Size (windowboxed with 2.0 audio). And slipping this disc into your
DVD-ROM will allow you to access the Interactual "script-to-screen"
feature (the only ROM extra I've ever really cared about) and the
film's original website.
Blade II isn't going to be
everyone's cup of tea, and I suspect the audience here is
overwhelmingly male and under 30 (Snipes' female fan legions aside).
But if blood-soaked, vampire-fanged, wire-fu action is you bag, this
film delivers in just about every way you'd possibly want it to. And
like the film or not, this is a helluva nice DVD package... exactly
what we've come to expect from New Line's Platinum Series.
Bill Hunt
billhunt@thedigitalbits.com |
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