Site created 12/15/97. |
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review added: 5/2/00
Lonesome Dove
1989 (2000)
Quintex/Motown/RHI (Artisan)
review by Florian Kummert
of The Digital Bits
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Film
Rating: A-
Disc Ratings (Video/Audio/Extras):
B/B+/C+
Specs and Features
360 mins, NR, full frame (1.33:1), dual-sided, dual-layered
(DVD-18), Amaray keep case packaging, interview with producer
Suzanne de Passe (on side A), interview with author Larry McMurtry
(on side A), Western historical trivia (on side B), Western
historical trivia game (on side B), TV trailer (on side A), cast and
crew bios (on side B), production notes (on side B), scene access
(20 chapters for each of four parts), film-themed menu screens with
animation and music, languages: English (DD 2.0), subtitles:
English, Closed Captioned |
Larry McMurtrys
Pulitzer Prize-winning magnum opus, Lonesome
Dove, is an excellent novel in many ways. Intense and
terribly well written, it captures an important part of the "American
experience" of venturing into undiscovered country. When CBS
turned it into a lavish and expensive six-hour miniseries in 1989,
the producers took a big risk despite the novels fame. The
western genre was on the verge on extinction at the time. Films like
Silverado had misfired at the
box office. And viewer interest in mini-series had waned over the
years. But producer Suzanne de Passe believed in the project and she
hit the jackpot. Lonesome Dove
became one of the most highly rated and beloved mini-series of all
time. It features terrific performances by a powerhouse cast: Robert
Duvall, Tommy Lee Jones, Danny Glover, Diane Lane, Rick Schroder,
Glenne Headley, Chris Cooper and Anjelica Huston. The series
success paved the way for productions like Dances
with Wolves and Unforgiven.
Set in the 1870s, Lonesome Dove
tells the story of two retired Texas Ranger captains, Augustus
McCrae (Duvall) and Woodrow F. Call (Jones), who have run a cattle
company near the town of Lonesome Dove on the Rio Grande. Call is a
grumpy workhorse, losing himself and his old memories and spirit of
adventure in the day-to-day chores of ranch work. Gus, by contrast,
works no more than he absolutely has to. He sits on his porch all
day long, sips his whiskey and recalls the days of glory he and Call
enjoyed when they were fighting Indians and Mexican bandits along
the Texas frontier.
Into this complacent atmosphere rides an old companion, Jake Spoon,
who is fleeing murder charges in Arkansas. He tells his buddies of
the lush grasslands of Montana and brings up the idea to gather a
herd and drive north to claim a ranch and a new life for themselves
in the valleys of the high Rockies. The cowboys put together a herd
of a few thousand longhorn cattle and remuda, and the drive begins.
Jake refuses to work the herd as it heads north, but rather follows
along at a distance in company with Lorena, the beautiful prostitute
of Lonesome Dove, whom he promised to take to San Francisco, but for
whom he has no real affection at all. Along the epic 2,500 mile
trip, the herd experiences just about every adversity one can
imagine: swollen rivers, thunderstorms, sandstorms, stampedes, horse
rustlers, snakes, drought, Indians and the danger of an undiscovered
country where no white man has gone before.
Both the book and the miniseries work so well because of the
perfectly crafted flesh-and-blood characters. Most of what we
usually take as western characters are just stock figures. But Gus
and Call have a heart and a soul. Gus, the frontier philosopher,
hardly ever shuts up. He shares his vast knowledge with whoever is
in earshot. Call, by contrast, is a taciturn man who never displays
affection and humor. Both men embody the myth of the Texas Ranger.
Their commitment to the lawless codes that govern the unsettled West
is as steadfast as is their personal loyalty to each other.
Director Simon Wincer uses most of the novels subplots to his
advantage; such as the story line of July Johnson, the Arkansas
sheriff who sets out to track down Jake Spoon, or the plot of Julys
estranged and runaway pregnant wife, Elmira, who gives up her
marriage and her family to see her former lover, a convicted
murderer. A lot of territory is covered (literally) over four
episodes. Screenwriter Bill Wittliff translated the novel almost
verbatim to the screen. Its got a lot going for it. Apart from
the dragging first forty minutes, the mini-series is TV
entertainment as good as it gets. Robert Duvall pulls off a
brilliant performance. I watched the show on two days and was
totally hooked. I especially enjoyed the salty dialogue, which is
far above the level of contemporary productions. Hey, even Steve
Buscemi (before he became a big shot in Hollywood) has a tiny role.
Artisan Entertainment presents Lonesome
Dove on one DVD-18 disc (their second, after Stephen Kings
The Stand), with two 90-minute
episodes on each side. For a ten-year-old TV show, the full-screen
picture looks very good. Some of the scenes differ in quality. There
are a few sequences with moire and apparent artifacting, but for
most of the lengthy running time, I was very pleased with the
picture. Contrast and blacks are solid. So are the fleshtones. Those
guys on screen looked like healthy cowboys from Texas. The Dolby
Digital 2.0 sound does a fine job. It has punch and is presented at
a comfortable listing level. The dialogue is clear, without any
background noise. A 5.1 remix would have been marvelous, but theres
nothing to complain about the sound.
How about the supplementals? Well, Artisan did put some nice extra
stuff on the two sides of the disc. Unfortunately, the lengthy
interview with Larry McMurtry ranks among the most boring
conversations Ive ever experienced in my life. Avoid the dude!
Producer Suzanne de Passe has more interesting things to say, but
she didnt exactly blow me out of my chair, either. Other
extras include fun trivia games about westerns, cast and crew bios
and production notes. And there is a TV trailer, or should I rather
say, a commercial for the DVD.
Its nice to have this excellent show on one disc. Saddle your
horses and get the Lonesome Dove
DVD.
Florian Kummert
floriankummert@thedigitalbits.com |
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