Site created 12/15/97. |
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review added: 10/21/98
updated: 10/31/00
Halloween
review by Todd Doogan of
The Digital Bits
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Halloween
Limited Edition - 1978
(1999) - Anchor Bay
Film Rating: A
Disc Ratings (Video/Audio/Extras): A/A/A
Specs and Features:
Disc One: The Theatrical Version
91 mins, R, letterboxed widescreen (2.35:1), 16x9 enhanced, full
frame (1.33:1), THX-certified, single-sided, dual-layered, dual-disc
Amaray keep case packaging, Halloween
Unmasked featurette, theatrical and re-release trailers,
3 TV spots, 3 radio spots, cast and crew filmographies, publicity
photo and poster gallery, "behind-the-scenes" photo
gallery, trivia, animated film-themed menu screens with sound and
music, scene access (26 chapters), languages: English (DD 5.1, 2.0 &
mono), subtitles: none
Disc Two: The Television Version
101 mins, NR, letterboxed widescreen (2.35:1), 16x9 enhanced,
THX-certified, single-sided, single-layered, dual-disc Amaray keep
case packaging, About the TV Version
text, animated film-themed menu screens with sound and music, scene
access (30 chapters), languages: English (DD 2.0), subtitles: none
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Halloween
1978 (1999) - Anchor Bay
Film Rating: A
Disc Ratings (Video/Audio/Extras): A/A/B
Specs and Features:
91 mins, R, letterboxed widescreen (2.35:1), 16x9 enhanced, full
frame (1.33:1), THX-certified, single-sided, dual-layered, dual-disc
Amaray keep case packaging, Halloween
Unmasked featurette, theatrical and re-release trailers,
3 TV spots, 3 radio spots, cast and crew filmographies, publicity
photo and poster gallery, "behind-the-scenes" photo
gallery, trivia, animated film-themed menu screens with sound and
music, scene access (26 chapters), languages: English (DD 5.1, 2.0 &
mono), subtitles: none
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Halloween
1978 (1997) - Anchor Bay
Film Rating: A
Disc Ratings (Video/Audio/Extras):
D/D-/C-
Specs and Features:
90 minutes, NR, letterboxed widescreen (2.35:1), full frame,
dual-sided, single-layered, Amaray keep case packaging, theatrical
trailer, film-themed menu screens, scene access (9 chapters),
languages: English (mono), subtitles: English, Close Captioned
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"I watched him
for 15 years. Sitting in a room. Staring at a wall - not seeing the
wall. Looking past the wall, looking at this night
"
No one who has seen Halloween
will ever forget it. I saw it for the first time when it was
initially broadcast on TV. It was around Halloween, and NBC grabbed
the rights. It was a pretty big deal that they were showing it. My
mother allowed me to watch it, because a friend of hers (who had
seen it in the theaters) said there was hardly any blood in it -
even with 4 or so deaths in the film. I guess it's important to
note, that this was basically the first slasher film (if you leave
out Psycho) and it started the
whole hunted baby-sitter/camp counselor movie craze, which
eventually lead to the recent Scream
thing (that thankfully has died a quiet death). Who would have
guessed that an awkward girl with a long, sad face, a scraggly,
pasty-white filmmaker and a guy in a Captain Kirk mask (no kidding -
that's what it is), would change horror history? Certainly not my
mother, because after we watched Halloween
on NBC in the early 1980s, my mother would never "allow"
me to watch another horror film again. Until my late teens, I would
have to sneak into theaters, or quietly turn on HBO in the middle of
the night to get my horror fix. To this day my mother won't watch
anything with a holiday in the title. As for me... I can't get
enough of those 80s slasher films.
Halloween, film scholars
remind us, is one of the highest grossing independent films ever
made. I think film scholars like to throw that around, because it
validates the film's power somehow. It makes it legitimate to be fan
of the flick. It's like enjoying Sweet
Sweetback's Baadasssss Song, which was arguably the first
Blaxpoitation film (and therefore is important, even if it IS cult
trash). It's still good filmmaking, and as a critic, you don't have
to hide your love for it (like, say, a love for 80s porn).
Considering that I'm a critic and I love slasher flicks,
Blaxpoitation films (and 80s porn), I don't see the point in
validating it. To me, if a film is worth watching, it's worth
talking about. Halloween is a
true classic, and even if it made nothing and influenced no one, I'd
still be here singing its praises. It's a great film from a great
filmmaker, and the simple fact that it did make loads of cash and
influenced a nation of filmmakers just nails that point home all the
more.
As the film starts off, we find ourselves looking through a
6-year-old child's point of view. It's Halloween 1963, and a young
boy pulls on a clown mask. At first we think, "Oh, boy! We're
going to see some trick or treating from this kid's point of view."
No. What we do get to see is some serious knife stabbing. There's no
blood, but that icky knife-in-a-melon sound, that fills in so well
for a knife in a human chest, is more than enough. Cut to 1978. It's
once again Halloween, and the little boy is all grown up and freshly
escaped from a mental hospital. His keeper, Dr. Sam Loomis (played
by the all-time best Carpenter character actor, Donald Pleasence) is
hot on his trail. He knows that the boy/man (named Michael Myers)
will return to the scene of the crime - Haddonfield, Illinois. What
he wants in Haddonfield, only Loomis and Myers really know (I mean,
we know now, some 20 years later... but at the time, it wasn't
clear). The best guess is that he wants to kill everyone. And the
one person he really wants to ventilate with a kitchen knife, is
Laurie Strode (played by pop culture diva, Jamie Lee Curtis). This
Myers guy, now sporting the aforementioned Captain Kirk mask, really
has a hard-on for Laurie. And Loomis is slow to realize what is
going on... or to get the police to help him.
The movie unfolds slowly and when the chills and killings start,
they're relentless. What really makes this film, is its pioneering
use of Steadicam and its music. Carpenter used the Steadicam
expertly, weaving in and out of a house, sneaking up on people with
a unearthly flow. It was off-setting and made you feel like you were
right there in the room. And following Bernard Herrman's lead (based
on his soundtrack work for the Hitchcock films), Carpenter fashioned
a truly relentless score, that still makes you want to check your
closets for bogeymen each and every time you hear it. Scary.
Before last year, Halloween
fans were left with only a really piss-poor DVD edition. Thankfully,
Anchor Bay recently remedied that. But since we like to remind
people of the evils of poorly mastered films on DVD, here's some
comments on the original disc. To start with, heavy artifacting
kills the brilliant opening credit sequence. The opening shot, when
the kid puts on the mask, is almost unwatchable due to black noise
all over the screen. The sound is adequate, but is a very muffled
mono. What is nice, is the dual-sided nature of this early DVD. You
get the opportunity to check out Carpenter's use of the entire wide
Panavision screen. Or, if you'd rather, the full frame version is on
the flip side of the disc. There's also a theatrical trailer on both
sides, but it looks even worse than the movie in terms of
artifacting.
So what has Anchor Bay done to fix the situation? They remastered
the film and put it out on DVD again. For the record, there are two
new editions of this film. One is a Limited
Edition 2-disc set, with the theatrical version of the
film on one disc and a TV version on the second (the Limited
Edition is what we'll review here). The other version has
only one disc, that includes the original theatrical version. It's
the same exact disc as Disc One of the Limited
Edition, so this review should serve to cover both
versions (you can see the separate disc specs and cover art for each
above).
Now... where the original was grainy and digitally-artifacted out
the ying, here we have a video transfer so clean you could lick
chocolate pudding off it and not get anything but sweet, sweet
pudding. Quite frankly, it's beautiful. It's not perfect mind you,
but it's certainly leaps and bounds better than the original disc.
It's also anamorphic, which is very nice and preserves the original
Panavision widescreen aspect ration of 2.35:1. Blacks are pretty
solid, shadows are detailed and there's only minimal DVNR (digital
video noise reduction). Compared with the first Anchor Bay release,
this is brilliant... but it's also not quite reference quality
either. On the audio side, we're given three incredible English
tracks - a remastered mono track that sounds really nice, a Dolby
Digital 2.0 track that sounds even better and a wondrous Dolby
Digital 5.1 mix. I don't think you could hear Carpenter's music
sounding any better if you tried. Just pop in the DVD, crank up the
stereo and let go.
As I mentioned, the Limited Edition
also includes a second disc featuring the television cut of the
film. With about 11 minutes of additional scenes (mostly drawn-out
time filler), this is an interesting keepsake. This is actually the
way I first saw the film on NBC (as mentioned above). This version
includes a few moments of film that have burned themselves into my
memory, but that I couldn't find before now (like the word "sister"
written on Mike's hospital room door). The additional scenes don't
add much and were actually filmed during the production of Halloween
II (which explains the sister angle and why Jamie wears a
towel around her head in her additional scene). The picture quality
on the TV version is just as good as the theatrical version
(including anamorphic widescreen), and the sound is given to us in a
nice Dolby Digital 2.0 track. There are no extras on this second
disc at all - just the film.
But there are a few extras on the first disc. Along with the
standards (picture galleries, cast and crew info, trailers and TV
and radio spots), we get an original documentary, called
Halloween Unmasked. I didn't
like it. I mean, it's fine for the occasional fan... but there's
something cursory about it. It's almost like the people involved
with this documentary have heard and told these stories so many
times before that there's nothing left to tell. The video quality is
edgy and the film clips it contains recall the last version's
transfer. All in all, it's simply okay.
Thank Kubrick Anchor Bay went back and fixed Halloween
on DVD. The disc was a ugly pimple for their company and, with it
gone, I find I like the Bay that much more. I would have loved a
commentary track on this new release, but I'm sure they tried to
give us one. In any case, the extras you do get are nice, and the
real treat is having a remastered version of the film (and getting
the TV version along with it). So what are you waiting for? Get
these discs a spinnin'! After all, it's getting dark. And when the
babysitter's away... Michael comes out to play. [Insert creepy theme
music here.]
Todd Doogan
todddoogan@thedigitalbits.com |
Halloween (THX, non-Limited)
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