Site created 12/15/97. |
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review added: 5/25/00
Days of Heaven
1978 (1999) - Paramount
review by Dan Kelly of
The Digital Bits
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Film
Rating: A+
Disc Ratings (Video/Audio/Extras): A/B+/D
Specs and Features
93 mins, PG, letterboxed widescreen (1.85:1), 16x9 enhanced,
single-sided, single-layered, Amaray keep case packaging, theatrical
trailer, film-themed menu screens, scene access (10 chapters),
languages: English (DD 5.1 and 2.0) and French (DD 2.0), subtitles:
French, Closed Captioned |
Days
of Heaven is Terrence Malick's second masterpiece. It is
so filled with rich, beautiful visuals and lush (yet simple) camera
work, that it could very well be a silent film. It does have a
well-written story to support the picturesque images of pre-World
War I Texas, but the visual presentation alone is enough to make
both parts of the film strong enough to stand on their own. It's
only slightly over an hour and a half long, but it feels like an
epic of old Hollywood, Gone With the Wind-style
proportions
The story takes place in 1916. Bill (Richard Gere) is leaving
Chicago with his lover, Abby (Brooke Adams) and sister, Linda (Linda
Manz, the story's narrator) after getting into a deadly altercation
with a factory worker. They board a train headed toward Texas and
pick up work as farmhands in the wheat fields of a wealthy,
sweet-natured farmer (Sam Shepard). Bill is very close with Abby and
shows affection to her openly, which alarms some of the other
farmhands. As far as they know, Bill and Abby are brother and
sister.
Soon after they arrive in Texas, the farmer starts to fall in love
with Abby, and she too develops feelings for him. Bill sees a way
out of their meager living when he overhears the farmer talking with
his doctor. It seems the farmer only has a year to live. Bill is
willing to sacrifice a year of his relationship with Abby to give
them a better future. He encourages Abby to allow the farmer to
pursue her, and eventually the two of them get married. The rest of
the seasonal help has left, but Bill, Abby and Linda stay on in
their new home.
Not long there after, the farmer starts to wonder about the extent
of Bill and Abby's sibling relationship. The light kissing and
handholding hasn't stopped, and the longer Abby and the farmer are
married, the more time she spends with Bill. Jealousy starts to
bubble over, not only with the farmer, but with Bill as well. Sooner
or later, one of them will have to confront the other about their
feelings for Abby.
During all of this, it is Linda who fills us in on the details of
the love triangle. She is on the inside, but she is also third party
to the love affair. Sure, she sees what is going on among the three
adults, but she is not completely aware of all that is happening. As
is often the case, she only gets bits and pieces of the story from
adults that are not willing or capable or explaining their emotions.
The rest, we as the audience, are left to figure out and
contemplate.
All this is done across the gorgeous backdrop of the limitless
fields of early 20th century Texas. Long steady shots of the land
show how extensive the area is, while simultaneously showing how
confining it feels to Bill and Abby. Often, awards for
cinematography mistakenly go to the film with the best locations.
There's no denying the beauty of the area, with golden sunsets that
blend in with the foreground, but Nestor Almendros and Haskell
Wexler take full advantage of the location to create some truly
unforgettable images.
Paramount has prepared a very good-looking transfer of
Days of Heaven. Presented in
its original aspect ratio of approximately 1.85:1, this film simply
looks amazing. The anamorphic transfer is almost completely free of
source-related defects, which allows you to concentrate on the
amazing cinematography. Images are so crisp and detailed, with only
slight edge enhancement, that the DVD retains a very cinema-like,
three-dimensional look. A good example of this is noticeable at the
7:58 mark, and also at the start of chapter 2. The film has a
natural amber tone to it, to reflect the golden color of the Texas
wheat fields, and this too is shown with a lot of detail and
movement, without ever being too blurry or soft. Colors are nicely
detailed without any bleed to them and flesh tones are rendered
naturally. You'd never guess from the transfer that this movie is
over twenty years old.
The audio mix is also good (created from the original six track
surround recording), but it's not nearly as good as the video
presentation. Surprisingly, there is a lot of bass in this new 5.1
mix. There are plenty of deep rumblings during to the field scenes,
as tractors thrash through the crops. Individual surround channels
are also used to good effect, during some of the more sonically
active passages, like the grasshopper attack on the wheat field. My
main issue with the sound mix was with the dialogue track. It was,
for the most part, very well maintained, but there is some
noticeable drop off at the beginning and end of some of the
dialogue. It was a little distracting, but given that this is not a
really chatty movie, it shouldn't be too great a diversion.
The only feature this disc is the theatrical trailer, shown in
1.85:1 non-anamorphic widescreen. Malick is known for his
reclusiveness after completing this movie, so I guess any
participation from him on the DVD was pretty much out of the
question. Still, some sort of featurette or even some production
notes on the film's much-trumpeted cinematography wouldn't have been
a bad idea.
Paramount should be commended for their effort in bringing this
highly regarded film to DVD, even if it is a shameless cash-in on
Malick's return to film with The Thin Red
Line after a twenty-year absence. I can't say enough
about how well this transfer captures the magnificent look and feel
of the film. A lot of the appeal in Days
of Heaven is in its visual presentation, and this
marvelous DVD transfer is the perfect way to the experience a modern
classic of cinema at home.
Dan Kelly
dankelly@thedigitalbits.com |
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