Site created 12/15/97. |
|
review added: 11/5/98
Dances With Wolves
1990 (1998) - Orion (Image
Entertainment)
review by Bill Hunt,
editor of The Digital Bits
|
Film
Rating: A+
Winner of the 1990 Best Picture Oscar, and deservedly so. This
story, of one man's journey of discovery into the heart of Native
America, will linger in your thoughts for a long time.
Disc Ratings (Video/Audio/Extras):
A+/A-/B
This disc boasts an absolutely outstanding new film transfer, in
anamorphic widescreen to boot. The film has been remixed for Dolby
Digital 5.1, and the result is a thrilling sonic experience. A brand
new commentary track rounds it out.
Overall Rating: A
Image has really produced a winner with this new DVD release of
Dances With Wolves. A few more
extras would have been nice, but that's a minor complaint. The
overall quality of this disc makes it well worth the price. |
Specs
and Features
181 mins, PG-13, letterboxed widescreen (2.35:1), 16x9 enhanced,
single-sided, RSDL dual-layered (layer switch at 84:29, near the end
of chapter 12), Snapper packaging, new audio commentary track by
director Kevin Costner and producer Jim Wilson, cast and crew
filmographies, THX certified, animated film-themed menu screens with
sound effects, scene access (25 chapters), languages: English (DD
5.1 and 2.0), subtitles & captions: English
Review
The year is 1863, and the Civil War is in full swing. Union army
Lieutenant John Dunbar has just survived a major skirmish, escaping
with a badly wounded leg. A twist of fate prevents doctors from
removing it, before Dunbar manages to limp away and return to the
front line. Pushed to the limits of his endurance, Dunbar makes a
desperate attempt at suicide. He charges the Confederate lines on
horseback, daring the enemy to shoot him. Against all odds, Dunbar
survives his foolhardy effort, and in so doing, inspires his
shell-shocked comrades into victory.
"The strangeness of this life cannot be measured. In trying to
produce my own death, I was elevated to the status of a living
legend," Dunbar notes. As a reward for his 'courage', the young
lieutenant is given his choice of assignments, and so finds himself
sent to Ft. Hayes - the most remote outpost of civilization on the
very frontier of the American Great Plains. To any other soldier,
this is like being sent to Siberia - frigidly cold winters,
blood-thirsty Indian savages. But Dunbar craves the isolation, and
longs to see the frontier, "before it's gone". He thus
begins an intensely personal journey, coming to understand the noble
spirit of his Sioux neighbors, and in so doing, discovering for the
first time his own identity.
To say anything else about the plot of Dances
With Wolves would be to deny you the pleasure of
discovering it for yourselves. Suffice it to say that this film is a
tremendous achievement - perhaps Kevin Costner's finest work to
date. Costner stars in this Oscar-winning, epic film, and takes his
first, highly-successful turn at directing as well. I would liken it
to Mel Gibson's similar work as actor/director on Braveheart.
It's interesting to note, that Costner seems to have a fascination
for the brooding anti-hero - witness his later work in Wyatt
Eyrp, Waterworld
and The Postman. All of these
later roles, however, seem as pale shadows when compared to his
performance here as Dunbar.
Dances also benefits from the
best efforts of numerous others: Dean Semler's impressive
cinematography, a wonderfully restrained screenplay by Michael Blake
(based on his own novel), an appropriately sparse, yet encompassing
musical score by composer John Barry. The on-screen performances are
equally good, from Robert Pastorelli's foul merchant, to Floyd Red
Crow Westerman as Ten Bears, the Sioux tribes' elder statesman (X-Files
fans may recognize him from his performance in the episode Anasazi).
Rodney Grant shines in a fearless performance as Wind in his Hair, a
young Sioux warrior who is the last to accept Dunbar. And any
opportunity to watch Graham Greene at work is welcome in my book.
Greene brings great humanity and authenticity to his character,
Kicking Bird. It's a pleasure to watch the mutual fascination, and
eventually respect and admiration, that develops between Kicking
Bird and Dunbar in the course of the film.
You may remember that I first announced that Image was working on a
new DVD version of Dances With Wolves,
way back in April, when I first
toured
their facility. In honor of this release, Image has
commissioned a brand new, anamorphic widescreen transfer of the
film, and the result is nothing short of spectacular. The image is
crisp and clean, with almost no print defects apparent (dust, film
grain, etc...). The colors exhibited here, are the most accurate of
any transfer I can remember seeing, with very subtle hue detail, and
a stunningly wide color spectrum. The vast rolling plains and
foreboding Badlands of the Dakotas have never looked better than
they do on this DVD. I'm not sure where Image obtained this gorgeous
print, but they deserve a lot of credit for going to the effort to
do so.
Dances With Wolves was
originally released theatrically in the States, in only stereo
sound. However, a later European theatrical release of the film was
done in full 6-channel sound. Image went to great lengths to obtain
the original audio stems for the 6-channel mix, and was thus able to
create a brand new Dolby Digital 5.1 mix for the DVD. The resulting
sonic experience is tremendously engrossing, creating a nicely open
sound field, with excellent (if sparse) use of the surround
channels. This is obvious immediately in the opening battle sequence
(chapter 2). Confederate soldiers take potshots at an oblivious
Dunbar, and there's great directionality to the crack of gunfire and
subsequent ricochet. Listen also to the buffalo hunt in chapter 13.
Very tastefully done. Note that Image chose to release the original
theatrical version of Dances,
rather than the longer version (which is available on laserdisc),
because 6-channel audio stems are unavailable for the longer
version.
The disc is RSDL dual-layered, but after watching the film twice, I
have yet to spot the layer switch itself - it's obviously very well
hidden. In a nice touch, the DVD features artfully done, animated
menu screens. Film images play behind the main menu itself, and each
scene on the scene selections menu is shown in motion as well. A
small section of cast and crew biographies is also included. The
disc is even THX quality certified (the familiar THX logo plays
right after you start the film). About all that's missing here is a
theatrical trailer, a minor complaint when you consider the most
valuable extra offered here - a new, full-length audio commentary
track.
In something of a coup, Image was recently able to record brand new
commentary for this film, with director Kevin Costner and producer
Jim Wilson. Those of you who have listened to director's commentary
before, know that some directors are better at it than others.
Costner has been reluctant to record such commentaries in the past,
making this new track all the more rare a treat. Here, the
friendship between Costner and Wilson (forged in large part while
making this film) is obvious, and adds much to the overall
experience. Hearing them reminisce about the making of Dances,
is surprisingly enjoyable - there's lots of interesting stories
between them.
Bottom line
Image Entertainment has finally hit their stride with the DVD
format. This new edition of Dance With
Wolves is an entirely satisfying experience, and exhibits
much of the loving care that Image has long been so well known for
among laserphiles. The quality of this DVD is simply stunning. It's
been a long time in coming, but if you're a fan of Dances
With Wolves, you should find that this DVD was well worth
the wait. A pleasure from beginning to end.
Bill Hunt
billhunt@thedigitalbits.com |
|
|