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updated: 1/16/01
The Bits
@ VSDA/CES 2001
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So now
that we've taken a look at the software side of DVD, what's in store for the
format as a whole in 2001? And how did it fare in 2000? To answer those
questions, we attended the DVD Entertainment Group's annual reception at VSDA.
The event serves as a sort of cocktail party and "state of the industry
update", and the attendees are a mix of studio and manufacturing executives
and press. This year's event was held at the House of Blues Foundation Room at
the Mandalay Bay Hotel. And the focus was very heavy on DVD-Audio, with speeches
given by Rusty Osterstock, the General Manager of Panasonic Consumer
Electronics, and David Mount, Chairman and CEO of the Warner Music Group. There
were also several demonstrations of DVD-Audio at the event to experience.
To give you a better sense of just how fast the DVD format is growing, here are
some DVD-Video numbers to consider from 2000 (source: CEA and the DVD
Entertainment Group). First of all, more than 310 million DVD software units
have shipped to consumers since the format's launch in 1997, 182 million in 2000
alone. That's roughly double what was shipped in 1999, which saw 97 million
units. There are currently more than 8,500 titles in Region 1, a number the
industry expects to top 10,000 by the end of 2001. The industry also saw its
first single title to ship more than 3 million units initially - DreamWorks'
Gladiator. And the hardware numbers are
even more dramatic. In 2000, the number of stand-alone DVD-Video players shipped
to retail in the U.S. (since the format's launch) topped 14.5 million, with an
estimated 90% or better installed in homes (that's even better than the industry
expected - CEA had to revise their projections for the year 4 times). By the end
of 2001, the industry estimates that the number of players shipped since format
launch will top 27 million - almost doubling the size of the DVD market. But
that's just stand-alone DVD-Video players. The industry expects some 20 million
DVD-capable hardware units to be shipped in 2001 - 13 million stand-alone
DVD-Video players, 500,000 combination DVD-Audio/Video players and 6.5 million
DVD-based video game systems. If you think those are dramatic numbers, consider
this - the DVD format as a whole is by far the most successful home
entertainment format ever launched in the history of the consumer electronics
industry. It's first four years' sales pace is more than 7 times as high as VHS
and more than 3 times better than the CD. And not only is DVD successful, it's
impacting other home entertainment areas as well - sales of home theater
equipment (TVs, receivers, speakers and the like) are all enjoying a boost from
DVD.
But we all know that DVD-Video is a success. What are the prospects for
DVD-Audio in 2001 and beyond? Well... clearly the industry is very excited about
it. All of the major music labels, including the Warner Music Group
(Warner/Elecktra/Atlantic), Universal Music Group, EMI Recorded Music, BMG
Entertainment and Sony Music Entertainment are firmly behind the format, as are
independent labels like the 5.1 Entertainment Group. And nearly all
manufacturers have (or are planning to) produce players capable of playing both
DVD-Video and Audio discs. Only Sony resists, preferring instead to promote its
Super Audio CD (SACD) platform. In fact, more than 30 DVD-Audio/Video
combination player models are or will be available in the first half of 2001
(based on announcements made at CES). Warner Music claims that sales of the 15
DVD-Audio titles they released in late 2000 exceeded their expectations
(although no hard numbers were given). The company expects to begin making
standard day-and-date DVD-Audio/CD releases on most major titles in 2001, now
that recording and mastering facilities have been upgraded to handle the new
format (you should also know that the "super jewel box" has been
decided upon as the standard packaging for DVD-audio, to differentiate it from
CDs and DVD-Video discs). And the creative talent involved in making music is
very enthusiastic about DVD-Audio. Musicians and engineers such as Ry Cooder,
Mick Fleetwood, Elliot Scheiner and Neil Young gave testimony about DVD-Audio
via video, and the band Dishwalla was on hand as well (they're currently
recording their next album for both DVD-Audio and CD release). Fleetwood
describes the DVD-Audio experience as creating, "a sense of being part of
something - the live experience." Young even went so far as to say, "CDs
were a mistake from the beginning. After you noticed the lack of surface noise,
you started to notice a lack of sound, warmth and everything you associate with
air. DVD-Audio is simply the best we've ever had for experiencing music in the
home..."
So the artists, manufacturers and the industry as a whole are excited about the
prospects of DVD-Audio in 2001. But here's the question that remains in my mind
- what about consumers? At the moment, adding DVD-Audio compatibility to a
player adds a significant price increase to its cost - something in the
neighborhood of $500 extra. Certainly, there are high end audiophiles who will
be willing to pay that. But what about regular consumers? My guess is not. One
industry executive at the show remains hopeful on this issue. Currently, chip
manufacturers are adding DVD-Audio to players by adding a second processor.
However, later this year, chips will be available that will process both
DVD-Audio and Video streams, which means that DVD-Audio could soon become was
universal on a DVD player as DTS compatibility is now. Then, and ONLY then, will
DVD-Audio have a real chance of success, in my opinion. When a consumer can take
home a DVD player in the $300 range that plays BOTH Audio and Video, they might
be tempted to try a few DVD-Audio discs and get hooked.
But all that aside, there's still the psychological issues to address. Clearly,
the move from VHS tape to a 5" DVD-Video disc makes sense to consumers.
It's a tangible upgrade from a physically clumsy and flimsy medium to a more
sturdy one. But will consumers appreciate the difference in going from a 5"
CD to a 5" DVD-Audio disc, that looks (for all practical purposes)
physically identical? And I have to admit that I'm still having a hard time
listening to studio music in 5.1, when I've been conditioned by years of radio
and CD play that music should be heard in stereo. It's much easier for me to
accept a live recording in 5.1, where you're truly trying to simulate the "live"
experience with ambience and the like. Here's a non-DVD example that will
illustrate this problem. I recently picked up the 24 bit, 5.1 DTS music CD
version of The Police: Every Breath You Take - The
Classics. And while I'm a huge Police fan, I'm still not sure if I
like hearing my favorite songs in surround sound. Don't misunderstand me - it's
a great recording. But it just seems fundamentally wrong to hear Stewart
Copeland's high-hat shifting around the room, and his and Andy Summers' backing
vocals coming out of the rear channels. It's going to take time for me (and, I
think, consumers as a whole) to retrain a stereo-conditioned brain to accept
the 5.1 music sound.
The bottom line to all of this is that I do believe DVD-Audio will take wings
and fly as a format. Personally, I'm already sold. For the first time, you
really feel like you're in the room with the musicians. Clearly, there is a
tangible difference in the perceived audio quality between CD and DVD-Audio. But
will more than a small fraction of consumers even have the kind of audio
equipment (receivers and surround sound speaker systems) necessary to enjoy the
improved sound quality of DVD-Audio? And if not, will the discs themselves boast
the kind of supplementary materials that often justify DVD-Video purchases in
consumers' minds? All of these things remain to be seen. As I said, I do expect
DVD-Audio to succeed, ultimately. But I don't think that's going to happen until
the player price point drops significantly, hopefully later this year. And I
don't expect the growth curve to match that of DVD-Video. The road to 5.1 music
becoming common is going to be a long, slow one.
Another question a lot of you are probably asking, is what's up with Recordable
DVD? Well, the industry definitely isn't talking about recordable much going
into the new year. But a few players ARE starting to come to market. Panasonic
is among the first manufacturers to support the developing DVD-RAM standard
(which means that DVD discs recorded on the player are compatible with computer
DVD-RAM drives, but NOT existing DVD-Video players). Their DMR-E10 DVD
player/recorder is now available... albeit at a hefty $3999 price. Pioneer also
expects to release at least one recordable unit here in the States in the first
half of 2001, this one based on the DVD-RW format (which means that the player's
discs can be reused many times and SHOULD be compatible with MOST current
DVD-Video players and ROM drives). Then there's the DVD+RW format, supported by
still other manufacturers. Which version of the recordable DVD format will win?
Well... conventional wisdom suggests that Pioneer's more compatible format has
the advantage. But it remains to be seen what direction the manufacturers as a
whole will take. And then there's Hollywood, which still gets the heeby-jeebys
whenever you ask about recordable digital formats, due to the complex copyright
issues involved. Bottom line here - recordable DVD will arrive in 2001, but
you're going to pay a hefty price for it and you run the risk of having your
gear made obsolete if you commit early. With any luck, we'll see some format
standardization in 2002, which should lead to wider industry support and more
consumer-friendly prices. Recordable DVD is definitely coming, and we here at
the Bits think it's the future. But it's
still a little ways off yet.
In terms of other DVD hardware news at CES, look for lots more portable units
to arrive in 2001 (including car units), along with wider support for the Nuon
feature and many more styles of combination/multi-disc changers and all-in-one
boxes with DVD capability. DVD will even take flight into space in 2001 - one
model of Sony personal portable DVD-player has been selected by NASA for use on
the International Space Station. I knew there was a reason I wanted to be an
astronaut when I was a kid... ;-)
The last thing we should probably address here is the status of Digital
Television (DTV), including the fate of High Definition Television (HDTV). Let's
make it clear what we mean by the two. DTV is an inclusive format which
encompasses a variety of different types of signals, all of them digital.
Therefore, a DTV is required to be able to display standard-definition digital
signals, as well as enhanced-definition (like 480 progressive) and true
high-definition (HDTV, like 1080 interlaced). The Consumer Electronics
Association had estimated that some 425,000 DTV units would be sold to consumers
in 2000. In fact, roughly 600,000 sets and monitors were sold - an impressive
number given their high unit prices. Two primary obstacles stand in the way of
widespread acceptance of DTV - the pace and willingness of broadcasters to
convert to digital and the price of the televisions to consumers. 2006 still
remains as an FCC mandated target date for total industry conversion to digital
broadcasting, but given the current progress, analog broadcasts will probably
continue far beyond that time. Currently, more than 60% of the population of the
U.S. is able to receive some kind of off-air digital broadcasting (via satellite
service). But CEA estimates that DTV penetration in U.S. consumer households
will only reach 30% by 2006 - a statistic that will clearly prolong the time
required for full digital conversion. Still, DTV sales are accelerating, and
that trend will only continue as the equipment becomes more affordable. In fact,
you may be surprised to learn that Zenith plans to introduce an integrated DTV
in the second half of 2001, that could retail for under $1000 - a major
milestone for the format if achieved. And in November, the CEA also petitioned
the FCC to finalize the DTV broadcast standard. Currently, many broadcasters
would like to use the wider high-definition bandwidth allocated for DTV to send
out a larger number of standard definition digital signals (which would allow
them to make more money via advertising). Only one broadcast network (CBS) is
aggressively sending out an almost complete primetime schedule in true
high-definition. And only 2 networks broadcast 24 hours in HD - HBO and Showtime
(but only via satellite service). That may come as a surprise to consumers, many
of whom don't understand the distinction between DTV and HDTV - they're all
expecting to see higher-resolution pictures as the norm.
Here's another important issue to watch - CEA has also asked the FCC to mandate
that cable companies carry both DTV and HDTV signals. Currently, more than 70%
of U.S. households get their primary TV signal via cable, but virtually none of
that is truly designed for DTV reception (you've probably heard the term Digital
Cable, but this is misleading - the signals may be "digital" to the
set-top box, but they're converted to analog there for use with standard TVs -
the signal is not designed to take advantage of actual digital televisions). And
none of it is high-definition. If the FCC does require cable companies to carry
DTV and HDTV signals, and prices continue to drop, the pace of DTV sales should
accelerate dramatically.
As far as major network support for high-definition digital broadcasting
(1080i), here's the current status:
ABC - 0 to 3 hours a week (varying) of
sports or movie programming, CBS - 15
hours plus per week of primetime programming, including 17 of its 18 weekly
primetime series, all 35mm originated movies and extensive sports programming
(including the Superbowl and NFL playoff games), NBC
- 5 plus hours a week (The Tonight Show
and the occasional special), Fox - none
(although they do broadcast some programs in 480p), HBO
- 24 hours a day, 7 days a week via satellite on 2 feeds - HBO East & West
HDTV (roughly 60% of movies are originated in 1080i, with the remainder
upconverted to 1080i from 480i - also the second season rebroadcasts and
upcoming third season of The Sopranos will
be shown in true HDTV), Showtime - 24
hours a day, 7 days a week via satellite on 1 feed - Showtime-HD (all movies),
DirecTV - 24 hours a day, 7 days a week
(HBO East & West HDTV, HD-Pay Per View and Showtime feeds),
EchoStar - 24 hours a day, 7 days a week
(HBO East & West HDTV and Showtime feeds)
Bottom line on DTV and HDTV - the conversion to fully digital broadcasting here
in the States will continue, slowly at first but with increased momentum as
prices drop and accessibility increases (particularly if cable TV is required to
participate). DTV broadcasting will probably remain a mix of standard, enhanced
and high-definition, but as more consumers get on board, they'll start to get
more vocal and demand greater high-definition support from broadcasters.
However, achieving full conversion to digital broadcasting in the U.S. will take
far longer than the 2006-mandated target date. Look for it to happen closer to
2015.
Now then... we've covered both the software and hardware end of things at VDSA
and CES. It's time to take a look at some pictures from both shows! So check
back soon for our Picture Gallery... |
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