Site created 12/15/97.
|
|
page created: 12/19/00
Putting the "X"
on DVD:
Emilio Estevez and
Charlie Sheen
talk about their new film, Rated X
|
It
was the 1970s - a time before home video had exploded, when porn
movies were still things you went to see in theaters. Before Larry
Flynt's battles with the guardians of American moral decency, a pair
of brothers from Antioch, California revolutionized the porn
industry. While still in college, Jim and Artie Mitchell began
making their own porn films and discovered that they could make good
money selling them to local adult theaters for exhibition. Within
months, the brothers had borrowed $10,000 from their parents and
purchased their own theater in San Francisco. Now, all the profits
from their films went directly to them... allowing them to make even
more movies. Soon, they owned several such venues. And in 1971, the
brothers struck gold with a film called Behind
the Green Door, which launched the career of adult star
Marilyn Chambers and made some $40 million in profits.
But the brothers' story wasn't quite that simple. Many of their
films were pirated by organized crime, meaning that they never
received most of the profits for ticket sales outside of San
Francisco. The Mitchell Brothers also endured numerous police raids
of their theaters and offices, as well as arrests and other legal
hassles. And they were often the targets of "decency"
campaigns by outraged moral and religious groups. Eventually, their
lives spiraled into a nightmare of drugs, alcohol and personal
conflict, which ultimately lead to the shooting death of Artie
Mitchell... at the hands of his own brother. Jim spent three years
in prison for the killing. Today, he continues to own and operate
the The Mitchell Brothers O'Farrell Theater in San Francisco.
The story of the Mitchell Brothers is one that has fascinated
filmmakers for years. And now, it's finally been told, albeit on the
small screen, thanks to Showtime Entertainment. The
critically-acclaimed Rated X
stars real-life brothers Charlie Sheen and Emilio Estevez as Artie
and Jim (their father is actor Martin Sheen, of NBC's The
West Wing). It was also directed by Emilio - his fifth
such effort.
We recently caught up with the pair at the sound stages of Complete
Post in Hollywood, as they were preparing to record the audio
commentary track for the forthcoming DVD release of Rated
X, to ask for their thoughts on the film and the DVD
format...
Bill Hunt (The Digital Bits):
What was it about the Mitchell Brothers' story that got you both
interested in making this movie? And Emilio, how did you come to
direct it?
Emilio Estevez: Well,
initially the fact that it was a true story - a true crime story. It
also afforded us an opportunity to play brothers for the first time.
Charlie Sheen: And to actually
take part in recreating a couple of guys that influenced not just
their immediate environment, but our entire society... and what led
to their ultimate demise. Plus, from a business standpoint, we knew
the type of talent that had been circling the project for years, and
we figured that if we don't do this...
Emilio Estevez: ...someone
else is gonna.
Charlie Sheen: You hear names
like DeNiro and Sean Penn and Oliver Stone. The Baldwin brothers...
you know...
Emilio Estevez: At one point,
Sean was gonna direct and DeNiro was gonna be in it. So for us, it
was really only a matter of time before someone did this film. And
Showtime afforded us an opportunity to make the film. It was a very
quick trigger. They sent us the script and we read it that night.
Actually Charlie read it before I did, and he called me and said, "We
have to do this. We have to do this film."
Charlie Sheen: But they were
actually pushing other directors. And I said I wouldn't do it unless
he [Emilio] directs it.
|
Emilio
Estevez: And so we went down the road with it. And I told
them, "Look, we're losing time. I'm either directing this thing
or not. But I have to present myself as the director, because we've
got six weeks to prep the film, and I've got to start operating as a
director. So let's go." So off we went...
Bill Hunt: Obviously, you both
had to do a lot of research on the Mitchell Brothers when preparing
for this film, because this is ultimately a true story. What was it
like, immersing yourself in the details of the fledgling porn
business of that time - the 70s?
Emilio Estevez: (laughs)
Well... it was interesting. You know, there were two books
available. One was called X-Rated
by David McCumber and the other was called Bottom
Feeders. And they were both pretty pulpy. Neither one was
written with Jim Mitchell's blessing - he didn't participate at all.
Nor did he participate in this film. He didn't want to have anything
to do with it. So our research was...
Charlie Sheen: Limited. |
Rated
X - coming to DVD on 2/6/01. |
Emilio Estevez: ...pretty
limited. We obviously looked at Behind
the Green Door, Sodom and
Gomorrah... other porn films from that era. They're all
pretty terrible. The fact that Behind the
Green Door - there were actually two films that really
stood out during that period. And that was Behind
the Green Door and Deep Throat.
Those were the seminal porno films of the 70s. And I think Behind
the Green Door ended up making - for an initial
investment of $60,000 - somewhere in the neighborhood of $40
million?
Charlie Sheen: Yeah.
Emilio Estevez: Something
incredible.
Charlie Sheen: In 1972
dollars.
Emilio Estevez: Right. So for
me, it was interesting. I was pretty unfamiliar with that world. And
it was interesting having to direct people to take off their
clothes. After a while, you become desensitized to it, which is
pretty interesting in itself. But that world is definitely
interesting. It's not a world that I want to dwell in...
Charlie Sheen: Nor I. It
remains today one of our most exported films, correct?
Emilio Estevez: Yeah. You
know, legitimate Hollywood films generated what... $8 billion in
revenues last year? And the porn industry generated $12 billion. And
yet we still like to hold onto these ridiculous puritanical values
that don't really apply anymore... (laughs)
Bill Hunt: Let's talk a little
about DVD, because you're currently working on the DVD version of
Rated X for early next year.
As a director, what benefits do you see from releasing your films on
DVD? How do you think it enhances a viewer's experience of the film?
Emilio Estevez: Well, I'm kind
of mixed on this. And I'll tell you why. I think that in the last 10
to 15 years, the problem with the movie industry is that it's become
completely demystified by things like Access
Hollywood and Entertainment
Tonight and the way the box office totals are reported...
not just in L.A. papers, but all over the country. It's on CNN and
it's like, you've got Mildred in Illinois knowing that your movie
made $60 million and was a hit. Or it made $2 million and it's a
bomb. Why should those people care? So I think that while it [DVD]
does give the viewer an inside look at filmmaking, that, I think, is
also one of the big problems. You bring filmmaking to such a level
that anyone feels like they can do it. And anyone feels like they're
an expert. Let them go try, you know? It's a much different business
when you're on the inside, actually doing it, as opposed to being on
the outside thinking...
Charlie Sheen: That you're an
expert.
Emilio Estevez: Right - based
on what you've seen. We know how all the special effects are made
now. We know when an actor gets $20 million to show up. We know when
a director is going through a divorce and is bringing all his
troubles to the set. We know too much about filmmaking. And as a
result, some of the magic is gone. But on the other hand, watching
some of these DVDs, and listening to the directors talk, is
interesting to me as a director. Because, I'm looking at it from
that perspective - "Oh, that's the lens he used..." or
whatever. So I'm mixed about it. I think it's an interesting tool. I
know that's probably not a good answer, given that this is another
revenue stream. It's probably not a popular answer.
Bill Hunt: But I think it's an
honest answer. I know there are other filmmakers who feel the same
way. Directors like Steven Spielberg decline to record commentaries
on DVD because they prefer the film to speak for itself. And we
recently spoke with William Friedkin, who I think alluded to that.
His point was that filmmakers used to reference literature and World
Cinema, but today there's a new breed that is referencing popular
culture instead - MTV and other films and TV shows that they've seen
on video and laserdisc and now DVD. There's an argument to be made
that originality suffers because of that. But at the same time, as
you say, it's a tool for filmmakers - both novice and experienced.
Interesting answer.
Listen guys - I appreciate your talking a little time to chat with
us about Rated X. I think our
readers will find it interesting.
Charlie: Our pleasure.
Emilio: Thank you.
---end---
|
Charlie
Sheen and Emilio Estevez recording
the commentary track for Rated X on DVD. |
Rated X is currently scheduled
to arrive on DVD on February 6th from Showtime, in a special
115-minute, unrated version for home video (click
here to preorder the disc from DVD Planet). The disc will
carry an SRP of $24.98, and will include the film on a dual-layered
disc in its original full frame presentation, with the Sheen/Estevez
audio commentary, 30 minutes of new interviews with porn star
Marilyn Chambers and San Francisco Assistant D.A. Bernard Walter
about the Mitchell Brothers, filmographies and a gallery of still
photographs. The disc will also feature fully-animated menus with
music, 2.0 Dolby Digital English audio and will be Closed Captioned.
|
L
to R: Complete Post's Steve Gustafson, Emilio Estevez, Showtime's
Rosalie Camarda, Charlie Sheen and Showtime's Eric A. Peterson.
|
The
Digital Bits would like to thank Emilio and Charlie for
taking the time to talk with us. Thanks also to Steve Gustafson,
Vice President of DVD at Complete Post, as well as everyone at
Showtime for their help. We'll have more on Rated
X in the coming weeks, including a look at the making of
the disc and an in-depth review of the film and DVD. So stay
tuned...
Bill
Hunt, Editor
The
Digital Bits
billhunt@thedigitalbits.com |
|
|